Noticias

The Varied and Artistic Uses of Decorative Tissue Paper

The Varied and Artistic Uses of Decorative Tissue Paper

That time of year is upon us. The season when we see lots of gift bags stuffed with brightly colored tissue paper. The simple act of fluffing a piece of tissue paper and placing it in a bag seems to brighten any present. But how about using tissue paper to create art? This trade catalog from over a century ago might spark our creativity.
The catalog is titled
Art and Decoration in Dennison’s Crepe and Tissue Paper
, 22nd Edition (1913, Reprinted 1914) by
Dennison Mfg. Co.
In 1914, at the time this catalog was printed, there were Dennison stores or offices throughout the United States and in Canada, London, Berlin, and Buenos Aires.
Dennison Mfg. Co.
, Framingham, MA.
Art and Decoration in Dennison’s Crepe and Tissue Paper
, 22nd Edition (1913, Reprinted 1914), title page.
Dennison Mfg. Co. sold crepe paper, decorated paper, and tissue paper among other things. Their tissue paper was available in 134 shades and colors. They also sold crepe paper, including decorated crepe paper in a variety of holiday, seasonal, or floral designs and patterns. Besides decorations, these materials could be used for creating art. Personal instruction for such things as making flowers out of crepe and tissue paper was provided at their stores in the Art Departments.
Dennison Mfg. Co.
, Framingham, MA.
Art and Decoration in Dennison’s Crepe and Tissue Paper
, 22nd Edition (1913, Reprinted 1914), pages 6-7, Dennison’s decorated crepe paper.
As the catalog mentions on page 3, it is “primarily a book of suggestions.” The ideas for using crepe and tissue paper are numerous, everything from party, fair, and parade decorations to costumes to creating artwork.
To add a festive touch, a host in the early 20th Century might have created party favors or fashioned crepe or tissue paper flowers to decorate a serving dish. The choices are many and varied. Perhaps a rope basket with daisies along the handle, serving cups decorated with carnation petals or orchids, a basket trimmed with violets, or a Jonquil serving cup, all illustrated below. Handmade party favors might have included hats, crowns, hair ornaments, or even a child’s wand, also shown below.
Dennison Mfg. Co.
, Framingham, MA.
Art and Decoration in Dennison’s Crepe and Tissue Paper
, 22nd Edition (1913, Reprinted 1914), page 42, Serving cups and baskets decorated with crepe and tissue paper.
Dennison Mfg. Co.
, Framingham, MA.
Art and Decoration in Dennison’s Crepe and Tissue Paper
, 22nd Edition (1913, Reprinted 1914), page 60, crepe and tissue paper party favors.
Another creative use of crepe or tissue paper is artwork. Pictures or scenes, such as these winter and natural landscape ones below, can be made out of paper. The catalog suggests starting with a background and then layering paper on top of each other. The sky might be created by layering shades of blue paper, lighter shades over darker shades, and adding white irregularly shaped paper for …

Holiday Cooking with Hannah Glasse

https://www.youtube.com/embed/1LOawWvXt0U

Holiday Cooking with Hannah Glasse

The holiday season has kitchens humming around the world, whether it’s churning out a favorite cookie recipe or prepping a celebratory meal with loved ones. In the 1700s, kitchens in England regularly consulted Hannah Glasse’s
The Art of Cookery
Made Plain and Easy
for tried-and-true recipes. Among Glasse’s readers was a food lover near and dear to our hearts: Smithsonian founder James Smithson. Whether he knew it or not, Smithson had a bit in common with Glasse. Both were the illegitimate children of privileged Northumberland fathers, and each would leave a lasting cultural legacy.
Smithson’s copy of
The Art of Cookery
Made Plain and Easy
can be found in our
Joseph F. Cullman 3
rd
Natural History Library
. This edition, printed in 1770, is one of 124 titles from Smithson’s private book collection which came to the Institution with his personal belongings. Our copy contains several notes in Smithson’s own hand. Of special interest to us is the list of recipes noted on the back pastedown, such as “
Scotch Collops
”, which may have been Smithson’s favorites.
Rear pastedown,
The Art of Cookery
Made Plain and Easy
(1770).
When it was first published in 1747,
The Art of Cookery
Made Plain and Easy
was not originally attributed to Glasse but rather simply to “a Lady”.  What set Glasse’s work apart from other “cookery” books of the time was the intended audience. Glasse hoped to reach cooks of the “lower sort” not well-trained chefs in grand houses.  She purposely avoids instruction in the “high polite style” and eschews contemporary French terms in favor of more recognizable phrases, like “little pieces of bacon” instead of “lardoons”, with an emphasis on practicality and frugality.
Title page,
The Art of Cookery
Made Plain and Easy
(1770).
Though many of the recipes were first printed in other sources, Glasse’s work is notable for compiling so many recipe options and methods, and in some cases simplifying instruction. According to Anne Willen’s account in
Great cooks and their recipes,
Glasse’s book became one of the most successful publications of the 18
th
century – reproduced in over 20 editions by 1800. But despite the book’s popularity, Glasse filed for bankruptcy in 1754. She did write at least two additional books, but little is known about the end of her life. She died in 1770.
Thanks to our
Adopt-a-Book
program and generous
donor John H. Dick
, our copy of
The Art of Cookery
Made Plain and Easy
has received conservation treatment, been fully digitized, and is available online. Senior book conservator Katie Wagner describes the book and her experience working with it in this
YouTube video:
Flipping the digital pages will leave you absolutely in awe of not only the time and effort that went into an average Georgian-era meal but also the odd preparations and food pairings that might confuse a modern palate. Eels, rabbits, and pigeons were popular sources of protein. And from oysters to walnuts, the…

Giftable Adopt-a-Books for the Holiday Season

Giftable Adopt-a-Books for the Holiday Season

Did you know you can honor friends and family, enable important research, and skip the mall this holiday season?
Adopting
an item from the Smithsonian Libraries and Archives is a unique way to celebrate your loved ones while providing essential funding to support our work. Whether your gift funds the preservation of volumes from hundreds of years ago, the purchase of new titles for our collection, or increased accessibility to items on our shelves, your adoption enables all that we do.
While you can’t wrap up your adopted books and put them under the tree, your purchase will be honored with a digital bookplate and the warm feeling of knowing you’ve helped further critical work at the Smithsonian Institution.  From our list of
adoptable items
, we think you’ll find something for just about everyone on your list.
For the Green Thumb:
Biggle orchard book: fruit and orchard gleanings from bough to basket
By Jacob Biggle. Philadelphia: W. Atkinson Co., 1911.
Cover,
Biggle orchard book: fruit and orchard gleanings from bough to basket
(1911).
This pocket-sized book is part of the Biggle Farm Library, a collection of volumes that cover a gamut of agricultural topics from gardening to beekeeping to raising pigs and horses. The author, Jacob Biggle, states that his book “aims to tell the inquiring reader just what he or she needs to know—no more, no less.” The book starts with advice about the proper planning and siting of an orchard where he advises putting on “your thinking cap” and taking your time. He also covers planting and pruning trees, pest and weed control, picking, and packing fruit for market.
For the Interior Design Enthusiast:
Ceramica Industrial “El Aguila, S.A.” : hecho en Mexico
By Ceramica Industrial “El Aguila, S.A.”. México, D.F. : Ceramica Industrial “El Aguila, S.A.”, [1941].
“Paños”,
Ceramica Industrial “El Aguila, S.A.” : hecho en Mexico
, [1941].
This catalog is from the Mexican “Eagle Industrial Ceramic Co.” With beautiful full-color chromolithographic illustrations of the tiles, it demonstrates the various uses of their designs for fountains, seating, open spaces, and other decorative design applications, as well as samples of individual tile patterns.  It includes examples of classic Arabesque, Moorish, and Mediterranean majolica tile designs. The forward and introduction discuss the history and tradition of tiles and their use in Mexico, describing them as “the combination of bricks and glass…the tiles of old Europe came to our land with colors of the skies, clouds, seas, and suns…they stand tall today in our homes and parks.”
For the Amateur Chef:
Marion Harland’s cook book of tried and tested recipes
By Marion Harland (1830-1922). Chicago, IL: L.W. Walter Co., 1907.
Cover,
Marion Harland’s cook book of tried and tested recipes
(1907).
There were few writers of the 19th century as prolific or variegated as Mary Virginia Tehune, who was best known by her nom de plume M…

ICYMI: Five Most Popular Posts of 2021

ICYMI: Five Most Popular Posts of 2021

There was plenty of news in 2021 and most of it was, well, not great. So, you’ll be forgiven if you overlooked an article or two on this very blog. In case you missed them, here are five of our most popular blog posts of the past year. This assortment highlights interesting collection items as well as the important work of our staff. As we say goodbye (and good riddance?) to 2021, we invite you to cuddle up by the fireplace and catch up.
Sleuthing Captain America’s Shield
Did you know that our
Ask A Librarian service
answers hundreds of questions from Smithsonian researchers and the general public throughout the year? Recently, an inquiry about a fictional scenario had staff investigating real-life Smithsonian policy. Alan Katz explains “Can they do that with Captain America’s shield?”.
Shield used by Chris Evans as Captain America in Captain America:The Winter Soldier, National Museum of American History 2018.0107.01.
Libraries Then and Now: The Ideas We Share
Our monthly trade literature feature often brings back fond memories via vintage catalogs, and this post really got librarians and library users right in the feels. Alexia MacClain explores borrower cards, date stamps, and other classic supplies from
Classified Illustrated Catalog of the Library Department of Library Bureau
(1899).
Library Bureau, Boston, MA. Classified Illustrated Catalog of the Library Department of Library Bureau (1899), page 79, Lever Dater, Self-Inking Library Dater, and Self-Inkers.
Digital Jigsaw Puzzles: January Edition
Our
series of digital jigsaw puzzles
, all based on images in our collections, have been popular throughout the pandemic. We kicked off 2021 with an assorted set of snowy scenes and bright patterns, as satisfying to put together today as they were a year ago.
Exploring Bias and Library of Congress Subject Headings
Subject headings are important tools for library classification. But the terms used can sometimes leave gaps or become outdated, particularly when it comes to topics of diversity, equity, accessibility, and inclusion. Intern River Freemont describes their experience researching and drafting proposals to update Library of Congress Subject Headings with the goal of improving accuracy and inclusivity.
People working in Card Division, Library of Congress, Washington, D.C. [Between 1900 and 1920] [Photograph]. Library of Congress, https://www.loc.gov/item/97513719/.
Introducing Information Literacy Collections in Learning Lab
Launched in August to coincide with the Smithsonian’s 175th anniversary, our newest resources in
Smithsonian Learning Lab
are dedicated to improving information literacy. Sara Cardello discusses this series of interactive, online collections that are intended to help users think critically about how they identify, find, evaluate, and use information effectively.

Summer 2022 Internships Opportunities with Smithsonian Libraries and Archives

Summer 2022 Internships Opportunities with Smithsonian Libraries and Archives

We’re excited to announce a new round of internships for Summer 2022.  These opportunities provide hands-on experience in a range of subject areas and are open to both undergraduate and graduate students. Each unique project offers a chance to explore current topics in archives, libraries, and information science and learn from experienced Smithsonian Libraries and Archives staff.
Most are virtual/remote opportunities, but one project includes on-site work in our American Art and Portrait Gallery Library. All include a stipend. The application deadline is
February 13th, 2022
.
Programs include:
Education
: For students interested in museum education or similar fields, this intern will assist in creating educational resources from our collections.
Kathryn Turner Diversity and Technology Internship
: A special opportunity for students attending Historically Black Colleges and Universities.
Professional Development
: For a current MSLIS student or recent grad, experience evaluating and working with Library of Congress Subject Headings.
Summer Scholars
: Three projects for both undergraduates and grad students, including opportunities to work with art and artists files, web and social media archiving, and oral histories.
Learn more about academic appointments and related policies on our
Internship and Fellowship page
. Curious about the work of past interns? Read more about their
experiences
.

Go West! Then Back to the Future.

https://www.youtube.com/embed/dQW-kzEKiDc

Go West! Then Back to the Future.

History is full of narratives and those narratives have a history. As a high school history teacher, I went into my
Neville-Pribram Mid-Career Educator fellowshi
p
with a motivation to help my students better understand where popular history narratives come from so they can better predict where they are going. Look to the past to predict the future? Easy peasy, right?
Michael Skomba, 2019 Neville-Pribram Mid-Career Educator Award Recipient.
As a mostly world history and
big history
teacher studying at the
Cooper Hewitt, Smithsonian Design Library
, I naturally flocked to the 1893
The Book of the Fair
by Hubert Howe Bancroft. The
Book
was a popular recounting and survey of the 1893 World’s Columbian Exposition, a non-critical celebration of American achievement. During my fellowship, I corresponded with a Bancroft authority, Dr. Travis Ross of Yale University, who I believe said it the best and I kept going back to his analogy with my students; the
Book
was analogous to a popular Netflix show as they were both “algorithmically perfected to maximize the market for an expensive work.”
I have been trained to teach in the discipline of Big History.  French Historian Fernand Braudel believed that the most useful historical questions and analysis come from studying the “deep currents” of history; this translates to the study of ordinary people rather than just icons and focusing on transdisciplinary thinking as opposed to solely highlighting political and military history. A source such as
The Book of the Fair
allowed for a popular history that flipped geographic scales and meshed with a big history mindset. A big history pedagogical approach focuses on a cohesive cosmological, geological, and human narrative that goes so deep below the waves that they make Jacques Cousteau look like a vacationer snorkeling with his kids.
Cover of
The Book of the Fair
(1893).
The 2019 fellowship at the Cooper-Hewitt, Smithsonian Design Library forced a timely self-interrogation for the impending ‘real history’ conversations. As anyone who has picked up a newspaper or turned on a TV in the past couple of years can tell you, the culture wars have come to history class. As a teacher, I have spent barbeques and holiday parties being asked by those on both sides of the aisle if I am teaching the ‘real history.’ I have been prepared for these fleeting moments on the axis of good conversation and self-actualization by staying out of the “waves.” It revealed that despite my global lens, I needed to zoom in and refocus. My American history lens was more of an implicit kaleidoscope– I had been stuck in the waves of American “
Mythistory
.”
I had not yet gotten the memo about the
revisionist thinking about the history of the American West
. I had lived and taught in the Eastern Navajo Nation. I had spent time telling the
Diné Code Talker’s story
. Regardless, some of the old American West tropes remained hidden in my psyche, lodged so…

19th Century Furniture Options for Style and Storage

19th Century Furniture Options for Style and Storage

Every dwelling has its own unique qualities. How do you make your space reflect your personality? The furniture, decorations, and wall hangings all combine to make it feel like home. Let’s flip through the pages of a trade catalog and discover the possibilities of furnishing a home long ago.
The trade catalog is titled
Illustrated Catalogue and Price List of Hat Racks, Ladies’ Desks, Hanging Racks, Book Shelves, Fancy Stands, &c.
(Undated) by
Lazier Brothers
of Cleveland, Ohio. This piece is undated but we believe it was published sometime in the 1800s. The catalog includes a variety of furniture. There are pieces that musicians might find useful, pieces for those who like to write, those who like to read, and much more.
Lazier Brothers
, Cleveland, OH.
Illustrated Catalogue and Price List of Hat Racks, Ladies’ Desks, Hanging Racks, Book Shelves, Fancy Stands, &c.
, [Undated], front cover.
As you walk through your front door, what would you want nearby? Maybe a piece of furniture that is decorative but also functional. Perhaps a place to hang your coat or hat, a place to sit, or somewhere to put down your bag. The No. 38 Hall Rack appears to provide those very things. Illustrated below left, it was rather tall, standing at seven feet in height and measuring 32 inches in width.
For those rainy days, it included an umbrella rack, complete with an iron pan and six solid brass pins, most likely to hold umbrellas upright. It also came with a built-in seat. On either side of the German Plate Glass towards the top, there were several hooks. These might have provided spots for hanging hats or coats. The Hall Rack was available in solid walnut, antique oak, or imitation mahogany finish.
Lazier Brothers
, Cleveland, OH.
Illustrated Catalogue and Price List of Hat Racks, Ladies’ Desks, Hanging Racks, Book Shelves, Fancy Stands, &c.
, [Undated], page 3, No. 38 and No. 26 Hall Racks.
As we step farther inside, we might discover a desk for writing correspondence or conducting personal business. The No. 57 Ladies’ Desk, shown below left, was made of antique oak or imitation mahogany. It included a large drawer for storing items along with a cloth cover on top and what appears to be a railing along the back of the desk. This might have been a convenient feature to prevent papers from falling off the edge.
In a musician’s home, a music stand was most likely essential. The No. 56 Music Stand, illustrated below right, was almost three feet tall, measuring 31 inches in height with a 12 x 18 top. It featured two pockets for storing sheet music or other papers. Made of antique oak or imitation mahogany with a polished finish, it was described in the catalog as “new and handsome.”
Lazier Brothers
, Cleveland, OH.
Illustrated Catalogue and Price List of Hat Racks, Ladies’ Desks, Hanging Racks, Book Shelves, Fancy Stands, &c.
, [Undated], page 6, No. 57 Ladies’ Desk and No. 56 Music Stand.
How about furnit…

Smithsonian Libraries and Archives & Wikidata: Using Linked Open Data to Connect Smithsonian Info…

Smithsonian Libraries and Archives & Wikidata: Using Linked Open Data to Connect Smithsonian Information

This post is part of our
Smithsonian Libraries and Archives & Wikidata series
.
Libraries have created and curated metadata that describes their collections for a very long time. It is the very essence of the cataloging and metadata profession.  This past year, because of the pandemic, the Smithsonian Libraries and Archives initiated a unit-wide pilot project to explore if and how a linked open data platform offered by Wikimedia Foundation could reconceptualize how authority control could be transitioned to identity management.
Propelled by the
basic principles prescribed by Tim Berners-Lee
, library staff laid the groundwork to transition from a text-centric to a data-centric orientation in 2019. This involves changing bibliographic description to structured data, based on a linked open data standard and preparing the Libraries and Archives’ MARC data, the current standard used for machine-readable cataloging records, for transformation to RDF triples. RDF, or Resource Description Framework, uses URIs (
Uniform Resource Identifiers
) for objects and property in a structured way. This allows for the creation of rich networks of meaningful data and takes us from the flat world of the textual into a new world of possibilities with linked data.
When news surfaced about the wikifying of the German National Library’s (DNB) GND and the French National Library’s (BnF) FNE authority data, we began investigating Wiki projects as another option for a library linked open data project for name authority data. DNB and BnF have both moved their authority workflow out of their respective integrated library systems and into an open system, by means of a Wiki platform named Wikibase, a powerful MediaWiki software extension. The DNB and BnF Wikibase models performed as a potentially open and global knowledge repository similar to Wikidata. It seemed like their process was replicable for the Smithsonian environment.
Could our library authority data in MARC 21, an early 20
th
century standard, transition to an open platform that could stand the test of time, such as Wikidata? Our authority data in Horizon (our integrated library system) is well-curated and maintained. However, many of the obstacles to name authority creation for Smithsonian persons in the MARC 21 environment still hinge on the system infrastructure and authority training requirements from the Library of Congress. In addition, authority data is siloed in Horizon and not easily shared, even within the Institution itself.
Many of the authorized names in Horizon represent entities present in collections maintained by other Smithsonian units, namely the databases of the Institution’s various archives, museums, and galleries. Each of these units manages their own name datasets for their carefully curated collections. Each has its own conventions on how names are constructed, based on the s…

Upcoming Event: Women at Work

Upcoming Event: Women at Work

The COVID-19 pandemic has had a devastating and disproportionate effect on working women, especially those of color and in the LGBTQ+ community. But even before the pandemic “
overtook the globe in early 2020, inequities were holding women back in the workplace.
” Yet women have still managed to contribute to America’s most defining moments and will certainly help tackle the biggest challenges we face, whether it’s the ongoing pandemic or the climate crisis. How can we learn from the past to better inform our future? How can we eliminate barriers for women to create a more equitable society for everyone?
In the
second program in our Women’s History with Smithsonian Libraries and Archives series, sponsored by Deloitte,
historian Hannah Byrne and Director Tamar Evangelestia-Dougherty will share little-known stories from our library and archival collections of historical women at work in STEAM, who, in many cases, dealt with other critical moments in history. Then, Under Secretary for Science and Research Ellen Stofan will moderate a panel of leaders from the Biden administration and Deloitte to discuss their experiences and understanding of the modern situation of women at work and how we can continue to make progress for women.
Tuesday, February 15, 2022 at 5 pm ET
Register for this program
“Women at Work” panelists include:
Jedidah Isler, PhD, Assistant Director, STEM Opportunity & Engagement, White House Office of Science and Technology Policy
Jennifer Klein, JD, Co-Chair and Executive Director of the White House Gender Policy Council
Beth Meagher, US Federal Health Sector Leader, Deloitte
Julie Su, JD, Deputy Secretary, US Department of Labor
Moderated by Ellen Stofan, PhD, Under Secretary for Science and Research, Smithsonian Institution
Registration
The event will be hosted as a Zoom webinar, and registration is required.
Register here.
How to Join the Live Event
After registering, you will receive a confirmation email from Zoom containing information about joining the program.
We are committed to providing access services so all participants can fully engage in these events. Optional real-time captioning will be provided. If you need other access services, please email
SLA-RSVP@si.edu
. Advanced notice is appreciated.
This program will be recorded and made available following the event. You will find it on this page and on our
YouTube channel
.
Top, from left to right: Sophie Lutterlough, Jackie Cochran, and Louise Daniel Hutchinson. Bottom, from left to right: Adela Gomez, Alixa Naff, and Chien-Shiung Wu.

Significant Collection of Arion Press Publications Comes to Smithsonian Libraries and Archives

Significant Collection of Arion Press Publications Comes to Smithsonian Libraries and Archives

Cover with authentic embedded buffalo nickel,
American Buffalo
by David Mamet, illustrated by Michael McCurdy. Arion Press, 1992
The Smithsonian Libraries and Archives is pleased to announce a significant acquisition of fine press books published by the
Arion Press
in San Francisco. Thanks to a gift from Dr. Ronnyjane Goldsmith, over a hundred titles will soon be added to the
American Art and Portrait Gallery Library.
Arion Press was founded in 1974, but tends much older roots of the former type foundries and presses it has grown from, such as the Grabhorn Press and Mackenzie & Harris. Since its inception, Arion has become one of the most sought-after and noteworthy presses in the United States.
Arion’s publications are handcrafted with fine paper, with hand-cast and handset type, each book individually bound and sewn. With this attention to detail and fine materials, each book is published in editions of only a few hundred copies, many with even smaller deluxe runs.
“Clara and baby” illustration by Kara Walker, in
Porgy and Bess
, Arion Press, 2013
A uniquely interesting aspect of Arion’s work is the collaboration with fine artists, particularly international and American artists who are not generally known for book illustration. Each book is planned and crafted with the artist making a significant contribution to the final design and production, often resulting in interesting uses of materials, bindings and housing, and wholly new illustrations. These artists include Bruce Conner, Richard Diebenkorn, Julie Mehretu, Martin Puryear, Laurie Simmons, Kiki Smith, Wayne Thiebaud, and Kara Walker—many artists whose works are collected at the
Smithsonian’s art museums
.
Illustration in
The World is Round
by Gertrude Stein, illustrated by Clement Hurd. Arion Press, 1986
Arion’s collaborations develop in myriad ways, with the publisher seeking artists and recommending texts, or authors writing new works to engage with a particular artist, or the artists themselves bringing ideas of inspiring texts to illustrate. Many of the artists who have worked with Arion have expressed their joy in the partnership. American artist
Jim Dine
noted “My association with…Arion Press is so great I want it to go on as long as I live.”
[1]
Dine has had his work incorporated in at least nine Arion publications, five of which are now in the collection of the Smithsonian Libraries and Archives.
Stitched cover of
Sampler
by Emily Dickinson, illustrated by Kiki Smith. Arion Press, 2007
The collection was donated in 2021 by author and entrepreneur Dr. Ronnyjane Goldsmith. Goldsmith began collecting Arion Press publications more than 20 years prior, when she first encountered the
Constitution of the United States of America
, Arion’s 1987 collaboration with the Library of Congress in celebration of the U.S. Bicentennial. She ultimately bought three copies of Arion’s
Constitut…

An Interview with Director Tamar Evangelestia-Dougherty, Smithsonian Libraries and Archives

An Interview with Director Tamar Evangelestia-Dougherty, Smithsonian Libraries and Archives

Smithsonian Libraries and Archives recently welcomed
Tamar Evangelestia-Dougherty
as our inaugural director. Join us as we get to know the new leader of our organization!
1.) What is your earliest memory of either libraries or archives?
I have fond memories of both libraries and archives. When I was a little, libraries played a very important role in my life and that of my family. My mother loved books and saw libraries as a treasure trove of information – and most importantly, they were free. She was a single mom. We were poor and could not afford a lot of books. I was fortunate that we owned a set of encyclopedias – quite rare for being an African American little girl growing up on the West Side of Chicago. No one else I knew had a set.
I remember my mother taking me to the Chicago Public Library to complete a school report on Benjamin Franklin, and also running around looking at books as my brother attended Black Panther meetings in one of the Library’s community rooms.
Therefore, my family saw libraries as an important benefit to us as American citizens. Later on, my mother fell on hard times, and we were homeless for about a year. We were shuffled from shelter to shelter, and from good neighbors to church members, but there were times in between when we slept at the Chicago Public Library for heat, or when the lights got turned off, or to get cool in the heat of summer. Because of this I experienced firsthand that libraries serve a lot of functions in society. I always say that libraries helped raise me.
My first memory of archives and special collections is quite different. My brush with archival research came when I was a sophomore in high school. As a Chicago Public School requirement, every high school sophomore had to enter the Chicago History Fair. Students had to present a history project using Chicago area archival collections and other primary sources. Along with my Von Steuben Metropolitan Science Center partner, Leslie Casimir, we had to consult the collections of the Chicago Historical Society (now Chicago History Museum) in order to research the Aragon Ballroom. I wore gloves and they brought out big archival drawings for my project. So that was a different experience for me; I didn’t understand why I had to put on gloves, or formally check in, or show my ID. It was a completely different process than using regular materials. I also observed the reading room as beautiful, and it all felt very important and ceremonious – with “esteemed” white men pictured on the wall. I remember thinking, “Wow – this is like attending church!”
Director Tamar Evangelestia-Dougherty stands outside the doors of Smithsonian Libraries and Archives offices.
2.) Tell me about your background in your own words. What attracted you to the field of libraries and archives as a career?
The path to my career was a challenging process. My mother wanted me to…

Color Our Collections for 2022

Color Our Collections for 2022

Calling all coloring enthusiasts! #ColorOurCollections is back for 2022 and we have ten new coloring pages just for you. Whether you want to bring polychromatic glory to old black-and-white photos or scribble in vintage fashion plates, you’ll find a little something for everyone in our new packet.
Download it now
!
During
Color Our Collections
, organized by the New York Academy of Medicine, cultural institutions from around the world provide inspiration and free coloring sheets for artists of all ages. At-home artists can share their creations on social media by tagging the organization and using the hashtag #ColorOurCollections. Our coloring book uses images that are freely available in our
Digital Library
,
Biodiversity Heritage Library
, and
Smithsonian Institution Archives
collections.
Curious about the stories behind the pictures? Here’s the scoop on the first two pages.
Coloring page featuring Robert Ridgway Bird Head Drawings #189, #197, #209, #222. Smithsonian Institution Archives,  Record Unit 7167.
Download the full coloring book
.
Robert Ridgway Bird Head Drawings
#189
,
#197
,
#209
, #
222
.
Smithsonian Institution Archives
Record Unit 7167
.
These little birdies were illustrated by
Robert Ridgway
and Henry W. Elliott for publications by Spencer Baird, Dr. Thomas M. Brewer, and Ridgway. A bird expert mentored by Baird, Ridgway was appointed ornithologist on the staff of the United States National Museum in 1874 and earned a role as curator by 1880. Ridgway became a prolific author and illustrator of bird books and developed
several guides
to help fellow natural history writers accurately depict color.
Coloring page featuring “Equus marinus monstrus” from
Monstrorum historia
(1642).
Download the full coloring book
.
Ulisse Aldrovandi
“Equus marinus monstrus”
Vlyssis Aldrouandi patricii Bononiensis Monstrorum historia
Bononiae : Typis Nicolai Tebaldini, MDCXLII [1642]
This lively merhorse is one of several fantastic beasts in Ulisse Aldrovandi’s
Monstrorum historia
(1642). The work features illustrations of mythological creatures as well as reported genetic anomalies.
Monstrorum historia
was gifted to the Dibner Library of the History of Science and Technology by
Dr. J. Bruce Beckwith
along with 800 works related to teratology. It’s featured in our current exhibition,
Magnificent Obsessions: Why We Collect
.
You’ll rarely hear us say this but in this instance it’s true:
We hope you enjoy coloring in our books!
Share your creations via social media and tag us (@SILibraries on
Twitter
and
Instagram
). We can’t wait to see what vibrant combinations you come up with.
Cover of Color Our Collections 2022 coloring book.
Download the full coloring book
.
Further Reading:
Color Our Collections for 2021
2018 Color Our Collections Coloring Pages
Color in a New Light Coloring Pages
Smithsonian Libraries Coloring Page Volume 2

Explore the Past with a Learning Tool of the Future

Explore the Past with a Learning Tool of the Future

When the Smithsonian’s
Arts and Industries Building
reopened in November 2021, it launched
FUTURES
, an ambitious, interactive exploration of what lies ahead for humanity. This building-wide exhibition is on view until July 7
th
, 2022 and highlights artworks, technologies, and ideas that look towards the future. Included in the exhibition is “Women in America: Extra and Ordinary”, an innovative classroom tool developed by Sara Cardello, our Head of Education. Stories from this resource will also be featured in our next online program,
Women at Work
on February 15
th
, 2022.
“Women in America: Extra and Ordinary”
is part of our
Traveling Trunk
s program. Intended for educators and students, the trunks are immersive, multimedia library kits that connect Smithsonian Libraries and Archives collections with other Smithsonian content around a common theme. The “Women in America: Extra and Ordinary” theme features twenty-four women who lived in America from 1785-2013. Their stories are extraordinary while honoring the strength of the everyday.
“Women in America: Extra and Ordinary” Traveling Trunk in FUTURES.
In the
“Futures that Unite”
section of the FUTURES exhibition, you’ll find our “Women in America: Extra and Ordinary” Traveling Trunk, including eight selected stories that celebrate women in science. Each woman is represented by a card. Touching a card to a nearby speaker brings a woman’s story to life with a biographical description. Touching the accompanying cassette tape plays a related song from
Smithsonian Folkways
.
“Women in America: Extra and Ordinary” interactive cards and cassette.
The stories of our past are powerful tools. They can be reminders of our successes and cautions of our failures. Entirely too often our history has been written by and for a single perspective, marginalizing women and people of color. This display helps honor eight lesser-known women in STEM and continue their legacy. You might encounter Eloise Berry, the first female scientist for the Forest. You may hear from Sophie Lutterlough, who rose from an elevator operator to working in the Entomology department in the National Museum of Natural History. Or you may be awed by Chien-Shiung Wu, a nuclear physicist who worked on the Manhattan Project to develop the first nuclear weapons.
Graphic of
Sophie Lutterlough
from “Women in America: Extra and Ordinary”.
Our Traveling Trunk program is not currently lending to schools due to the ongoing pandemic. This spotlight in FUTURES allows us to engage with visitors from around the world, sharing these lesser-known stories of women in science from our collections.  We hope visitors experience and learn from the extraordinary stories of women, both extra and ordinary.
Interested in hearing more about these remarkable women? Join us on February 15
th
for our free, online program,
Women at Work
. Our director, Tamar Evangelestia-Dougherty will explore their legaci…

Unveiling 1915 Spring Fashion Through Mail Order

Unveiling 1915 Spring Fashion Through Mail Order

Today in the 21st Century, we have several options for shopping. Two options that might immediately come to mind are visiting stores to shop in person or ordering online from home. But one nearly forgotten option is the mail order catalog. With the availability of the internet, we might not receive these as frequently as in the past, but browsing the
Trade Literature Collection
reveals mail ordering has been around for quite some time.
Generally, when consumers purchase something via mail order, they complete an order blank, or form. The form is typically found inside the catalog. On the order form, they list items, quantity, and specific details relating to the products they want to order. Some catalogs also include a pre-addressed envelope, like the
envelope found within John Wanamaker’s
Fall & Winter Catalog 1915-16
(1915-1916) highlighted in a past post
. Pre-addressed envelopes make it convenient for customers to mail their order form with payment to the company.
Another post highlighting a Herr, Thomas & Co. 1907 catalog
explores the general mail order process in a bit more detail.
Now let’s examine a mail order catalog, paying close attention to item descriptions and specific details customers might have needed to complete an order form in 1915. This catalog is titled
Spring & Summer Catalog
(1915) by
John Wanamaker
.
John Wanamaker
, New York, NY.
Spring & Summer Catalog
(1915), front cover.
The clothing section appears to primarily focus on women’s apparel and accessories. Several pages illustrate items for girls and young women, such as a sports suit, pictured below left. This was a two-piece set with matching skirt and coat, both made from homespun mixture. Its flared skirt fastened on the side and included two pockets, as did the coat which was embellished with a high waist belt. The collar of the coat could be worn open, as shown below, or buttoned high.
Keeping the mail order process in mind, let’s study the product description to locate details that a mail order customer might have needed to complete an order form. One of these details is the item or product number used to identify a specific item. We see that this particular sports suit is identified as 143W1.
Most likely, customers also specified on the order form their preference for fabric, design, or color of the article of clothing. This particular suit was available in homespun mixture, as shown in the illustration, but the description notes other options were also available, including black and white check and navy blue or black serge. Sizes appear to be listed by ages such as 14, 16, 18, and 20 years. We will take a closer look at sizes when we turn to another page in the catalog.
One more thing a mail order shopper might have noticed is the weight of the item when packed. This sports suit weighed four pounds packed. Perhaps, this was useful for customers to estimate cost of shipping.
John Wanamaker
, New York, …

Smithsonian Libraries and Archives & Wikidata: Plans Become Projects

Smithsonian Libraries and Archives & Wikidata: Plans Become Projects

This post is part of our
Smithsonian Libraries and Archives & Wikidata series
.
Over the past two years, Smithsonian Libraries and Archives has embarked on a linked data journey along with many other libraries in the
Program for Cooperative Cataloging
(PCC) Wikidata pilot project. From October 2020 to August 2021, the Libraries Wikidata team experimented with creating and maintaining name authority in a completely new way, including plans to install a decentralized Wikidata instance (Wikibase) that would meet the Smithsonian policies and best practices. This is the second part in the
Wikidata blog post series
, be sure to
read our previous post
for additional information.
Smithsonian Libraries and Archives’ Wiki initiation commenced with a Wikidata workshop held in November 2019 with Andrew Lih, currently the Wikimedian-In-Residence for the
American Women’s History Initiative
.  The outgrowth of the workshop was a name reconciling project using carefully curated name data. During the pandemic, this process was expanded to include additional staff and two name datasets: 1) the Art and Artist Files database and 2) a portion of Smithsonian American Art Museum’s artist names from its database.
Wiki Platform
For the last two years, the Libraries’ Wiki project has mainly focused on Wikidata and Wikibase, and briefly experimented with Wikimedia Commons for images as part of the Smithsonian’s PCC Wikidata Pilot Projects (Oct 2020- Sep 2021).
Wikidata
Wikidata, launched in 2012, is a global and open knowledge repository of structured data that serves as a hub for linking resources. This linked open data information cloud attracts and integrates authority data from many libraries. Wikidata quickly became the authority knowledgebase of choice in libraries and commercial institutions for names for people, places, etc. Its structured data gives many developers a way to create tools to query and present findings on trending topics, such as the resources which impact or are impacted by the pandemic, COVID-19 (
http://coviwd.org
)
Wikidata has become a high-demand library authority identifier clearing house. The PCC Policy Committee recognized the platform could play a role in its effort to transform authority control into identity management. In September 2020, called for a pilot among the PCC member libraries. The Smithsonian Libraries and Archives assembled a team to participate in October 2020 as telework projects during the pandemic.
The Wikidata team prioritized the following goals in order to create cohesive processes for names (identity) management for the Smithsonian’s collections,
The creation and curation of names for CPF (corporate bodies, persons and families), collections, and publications for the Institution.
Adopting replicable workflows to SI units that would work beyond the Libraries and Archives’ cataloging or metadata professionals.
Increasing professional curio…

The Bamboo Expert Who Rediscovered a Missing Grass

The Bamboo Expert Who Rediscovered a Missing Grass

Argentine grass expert Dr. Cleofé E. Calderón (1929-2007) collected species, published descriptions of rare and unusual plants, and led workshops that helped shape the field of bamboo taxonomy. Affiliated with the Smithsonian for much of her agrostology career, Dr. Calderón’s legacy can be traced in collections across the Institution, including publications, field books, and photos in Smithsonian Libraries and Archives.
Visiting Argentine botanist Cleofé E. Calderón with plant specimens and microscope. Detail of digital contact sheet. Smithsonian Institution Archives, Acc. 11-008 [OPA-90]
Dr. Calderón was a botanist from the University of Buenos Aires who came to the Smithsonian Institution to study bamboo.  In the 1960s she visited Washington, D.C. and stopped by the
U.S. National Herbarium
in the Department of Botany at the National Museum of Natural History. The connections she made during that visit led to a close working relationship with Curator of Grasses, Dr. Thomas R. Soderstrom.
Dr. Tom Soderstrom and Dr. Cleofé Calderón, 1975, by Kjell Sandved, Smithsonian Institution Archives, Acc. 95-013, Image No. SIA2013-04116.
With support from several Smithsonian offices and the National Geographic Society, Dr. Calderón traveled worldwide to research and collect specimens. Her work had a special focus on Central and South America, particularly Brazil. In 1976, she and colleagues spent ten weeks studying and collecting bamboo in the Mata Atlântica forest of eastern Brazil, an area known for its plant diversity. It was during this trip that Dr. Calderón made one of her most important botanical discoveries–observing and collecting
Anomochloa
, a genus of grass that scientists had not seen living since the 19th century.
Specimen of
Anomochloa marantoidea Brongn
collected by Cleofé E. Calderon in Brazil in 1976.
National Museum of Natural History
.
Dr. Calderón’s
field books
in our Smithsonian Institution Archives help us understand what she saw during her travels. These 17 field books created between 1967 and 1981 provide context for the many specimens she observed and collected. Her detailed notes were part of her thorough documentation process, which also included capturing photographs with two cameras. Dr. Calderón recorded taxonomic names of specimens, temperatures, altitude/elevation, flowering, and inflorescence. In 2019, Smithsonian Transcription Center volunteers helped transcribe
Dr. Calderón’s field books
to make them even more useful to modern researchers.
During her work with the National Museum of Natural History, Dr. Calderón contributed about 1,000 plant specimens to the U.S. National Herbarium and was known for her thoroughness and high-quality pressings. Many have been digitized and are available through the Smithsonian’s
Collection Search Center
. According to her obituary in
Bamboo Science and Culture,
her specimens “are of great significance to grass systematics due…

Fannie Farmer Knew Her Pies

Fannie Farmer Knew Her Pies

Cover,
The Boston Cooking-School Cook Book
(c.1918).
Fannie Merritt Farmer, who was born in 1857, suffered a paralytic stroke in her teenage years that stalled her dreams of a formal education.  After she regained the ability to walk, she worked as a governess and developed an interest in nutrition and cooking.  At the age of 30, Farmer enrolled at the Boston Cooking School, a philanthropic endeavor to help young women learn a socially acceptable trade at a time when there were limited options. Farmer did so well that she joined the staff upon graduation and became principal just two years later.
Farmer first published
The Boston Cooking-School Cook Book
in 1896 and it would become a household staple for over a hundred years. The book includes recipes of course, but also nutritional information on common ingredients, tips about party-planning, housekeeping advice, and even health and safety information.  Farmer wanted to share recipes but was also the science behind them, explaining cooking processes and including more precise measurements than many previous cookbooks. She hoped her book would “awaken an interest through its condensed scientific knowledge which will lead to deeper thought and broader study of what we eat”. Farmer was an early Alton Brown!
This 1919 edition,
from the collection of the
National Museum of American History Library
, is thought to be the last one written solely by Fannie Farmer herself. It features more than 130 illustrations of recipes, table decorations, and utensils. Our copy was previously owned by Florence E. Sparks, who added some of her own handwritten recipes on the endpages and tucked loose recipes inside. This copy was adopted through our
Adopt-a-Book program
by Clarice J. Peters in 2016 which supported the book’s digitization.
In honor of Pi Day (March 14
th
, i.e. 3/14), our staff tried two different recipes, both with tasty results. Read on for pie inspiration from Fannie Farmer and
The Boston Cooking-School Cook Book.
Or dig into the book online to find your next dish!
Lemon Meringue Pie
Tested by Anne Evenhaugen
Left: Lemon Meringue Pie. Right: Lemon Pie IV recipe from
The Boston Cooking-School Cook Book
(c.1918).
Baker’s Note: We chose to make Lemon Pie IV (page 470) with the associated Meringue II (page 480). It didn’t require many ingredients—eggs, sugar, and lemon. We cut a few corners, for example, instead of following one of Fannie’s “paste” recipes, we used store-bought crust dough. And instead of beating our eggs for our meringue with a “silver fork,” we used our stand mixer! But otherwise, we followed the recipe nearly to the letter, with a moderate oven (that is 375 F for the modern reader!). The verdict of our family was that Farmer’s recipe was delicious. Even the person who normally doesn’t like lemon meringue said it was great–not too sweet! I would make this again since it was so easy, and both kids helped.
Lemon Pie IV
Ingredients:
3 eggs
2/3 cup …

Gilded Age Girls: Exploring the Travel Diaries of Sarah and Eleanor Hewitt

Gilded Age Girls: Exploring the Travel Diaries of Sarah and Eleanor Hewitt

Curious what might life have really been like for two wealthy, unattached New York City sisters at the turn of the 20
th
century? Fictional sisters Ada and Agnes from HBO’s new series,
The Gilded Age
, could have been inspired in part by real sisters, Sarah (1859-1930) and Eleanor (1864-1924) Hewitt. Also known as “Sallie” and “Nellie”, without them the
Cooper Hewitt, Smithsonian Design Museum
, and its
library
, would not exist. A new exhibition celebrating this remarkable duo,
Sarah and Eleanor Hewitt: Designing a Modern Museum
, includes select pages from their never-before-seen travel diaries. Even better than seeing those few pages in person, now you can travel right alongside these two intrepid women from the comfort of your own home through six recently digitized volumes of their
diaries
. Plus, you can help transcribe their contents to make them even more accessible to researchers around the world!
Diaries of Sarah and Eleanor Hewitt, on display in
Sarah and Eleanor Hewitt: Designing a Modern Museum
.
Cooper Hewitt, Smithsonian Design Museum is the only Smithsonian unit founded by women. Granddaughters of industrialist and philanthropist, Peter Cooper (1791-1883), Sarah and Eleanor were pioneering women of significant means who shared their grandfather’s spirit of contributing to the greater good of American society through education. In 1895, the Hewitt sisters created the first museum of decorative arts and design in the United States—the Cooper Union Museum for the Arts of Decoration. They also started a night school that worked closely with the museum’s collection, establishing an active space for design education that helped shape the American aesthetic.
Left:
Photograph of Sarah Cooper Hewitt
. Collection of Edward Parmee. Right:
Portrait of Eleanor Garnier Hewitt
. Cooper Hewitt, Smithsonian Design Museum, Bequest of Erksine Hewitt, 1938-57-737.
Sarah and Eleanor’s museum became what is now Cooper Hewitt, Smithsonian Design Museum. Since becoming a part of the Smithsonian in 1968, Cooper Hewitt has told the story of its founders, yet a key component remained locked away in twenty-three diaries held in the library. Due to their extremely fragile condition, access to the diaries was restricted and their contents were unknown. To help reveal what Sarah and Eleanor documented, in 2020, Cooper Hewitt Museum and Smithsonian Libraries and Archives received a joint Smithsonian American Women’s History Initiative award to support the conservation and digitization of Sarah and Eleanor’s travel diaries to make them truly accessible for the first time.
Open page from
Travel diaries of Eleanor Garnier Hewitt and Sarah Cooper Hewitt U.S. v. 1.
These small notebooks contain over four thousand pages of hand-written and typed notes mostly by Eleanor, recording their travels across Europe, the United States, and Mexico from 1913 to 1924. The Hewitt sisters kept d…

The Hewitt Sisters’ Diaries: Conservation and Digitization Behind-the-Scenes

The Hewitt Sisters’ Diaries: Conservation and Digitization Behind-the-Scenes

This post was written by
Katie Wagner, Senior Book Conservator, David Holbert, Digital Imaging Specialist, and Jacqueline E. Chapman, Head, Digital Library and Digitization. Learn more about the diaries of the Hewitt Sisters in
a previous post by Jennifer Cohlman Bracchi
.
In February 2020 the Smithsonian Libraries and Archives was awarded an American Women’s History Initiative grant to conserve and stabilize the
23 diaries kept by the Hewitt sisters
during their travels. These diaries would eventually be featured in the Cooper Hewitt, Smithsonian Design Museum’s exhibition,
Sarah and Eleanor Hewitt: Designing a Modern Museum
.
To support their long-term preservation, research use, and future exhibition, the diaries would be stabilized and rehoused by a contractor focused exclusively on this detailed conservation work. Afterwards, the items would be digitized by our Digitization team to provide broad access and to prevent unnecessary handling of the fragile objects.
Left: A Hewitt Sisters’ diary binder, displayed closed prior to treatment. Right: A Hewitt Sisters’ diary binder, displayed open prior to treatment
What started as an exciting and straightforward project for a contractor to work on-site alongside our Preservation team, became a more challenging operation when just a month later pandemic safety protocols came into place.
To complicate matters, prior to the pandemic, six of the 23 volumes had already been sent from their usual location at the Cooper Hewitt, Smithsonian Design Library in New York City, to our Book Conservation Lab (BCL) in Landover, MD in preparation for the exhibition. With the closure of our on-site facilities during the pandemic, retrieving and relocating the remaining volumes to the BCL was not immediately possible.
The decision was made to hire two contractors, one near the Landover location and one in New York, to conserve the diaries in their own studios, prioritizing the six diaries needed for the exhibition. The complex physical nature of these diaries demanded an innovative approach to rehousing them to maintain the integrity of the original format.
Left: An example of ephemera found in one of the diaries, prior to treatment. Right: A calling card found in a diary, prior to treatment
Most of the diaries were housed in commercial two-ring binders covered in leather that had degraded over time. Covers were detached, and in some cases, missing. The diaries included many scraps of ephemera from acidic newspaper clippings to calling cards, to sketches. The inclusion of these items caused some of the binders to become overfilled leading to detached pages.
Smithsonian Libraries and Archives conservators worked closely with the contractors to ensure that both the pages and the ephemeral pieces maintained their original order for research purposes, preserving both the physical pages and pieces as well as the intellectual content an…

Turning a Quarantine Into a Journey With Xavier de Maistre

Turning a Quarantine Into a Journey With Xavier de Maistre

Porthole of “Journey Round My Room” by Xavier de Maistre, photographs and special edition box by Ross Anderson, Arion Press, 2007
In a love letter to his apartment, Xavier de Maistre writes of his walls, windows, and furniture in
Journey Round My Room
,
as if he would rather be there than anywhere else in the world. Joyful descriptions of the objects and activities in his room, such as the “quiet pleasure conveyed to his soul” during the act of dusting a painting, or the ruminations on his bed and its “agreeable colors” (rose and white) that add “not a little to the pleasure” of lying in it. As he alights his focus on particular objects, he recounts stories and memories they evoke, such as an entire chapter dedicated to just his traveling coat, “made of the warmest and softest stuff I could meet with. It envelops me entirely from head to foot, and when I am in my arm-chair, with my hands in my pockets, I am very like the statue of Vishnu one sees in the pagodas of India.”
A journey of 42 days, Chapter III, “Journey Round My Room” by Xavier de Maistre, photographs and special edition box by Ross Anderson, Arion Press, 2007
De
Maistre’s
work is nearly 200 pages of such
contented
observations
of his small space. As the world has spent more than two years enmeshed in the COVID-19 pandemic in periods of isolation in our homes,
Journey Round My Room
may
feel
like a
familiar experience in 2022
. However, this work was written
in 1790, during the time of the French Revolution,
by a soldier sentenced to house arrest for 42 days, a literal
quarantine
.
A young soldier, de Maistre engaged in an illegal duel, and as punishment, was placed under house arrest in Turin, seeing only the servant who brought his meals (and dressed him and made his bed—quite decadent.) It was during this confinement to just his own room that de Maistre wrote this love letter to his surroundings. Likely an attempt to thwart boredom and unhappiness at his situation, his writings were a whimsical travel diary of his close quarters, published by his brother in 1794 as
Voyage Autour de ma Chambre
.
“Rooms” inside the shadowbox model of the special edition cover, “Journey Round My Room” by Xavier de Maistre, photographs and box by Ross Anderson, Arion Press, 2007
The Smithsonian Libraries and Archives has a beautiful copy of the 2007
Arion Press
edition of
Journey Round My Room
, as a part of the
recent gift
to the American Art and Portrait Gallery Library from collector Dr. Ronnyjane Goldsmith. The book is bound in pink and white cloth, a nod to the “agreeable” rose-colored surroundings of de Maistre himself. Ross Anderson contributed more than a dozen ghostly photographs of a generic room, using a low-resolution cell phone, and printed in gray tones on translucent paper.
Of particular note for the Smithsonian’s copy is the limited special edition’s housing—a 3-dimensional
apartment
for the viewer to “journey” throu…

Mid-19th Century Reaction to a Laundry Invention

Mid-19th Century Reaction to a Laundry Invention

Today the task of laundry is simple. We load machines with clothes, add laundry detergent and softener, and check settings. But essentially, the modern washing machine and dryer do the job for us. However, in the mid-19th century, long before our modern appliances, it was not so easy. Laundry was time-consuming and labor-intensive, so perhaps this pamphlet describing a “really wonderful invention” sounded intriguing.
It proposed a method “to accomplish a large family wash before breakfast” without machines and without rubbing. The folded pamphlet is titled
Twelvetree’s Washing Pamphlet
(ca 1850) by
H. Twelvetree
, and as we can reason from one of the testimonials found within, H. Twelvetree was most likely Harper Twelvetree (or
Twelvetrees
).
It does not provide step-by-step instructions, details, or illustrations to describe this new method for washing clothes. Instead, it provides only general information about the plan along with testimonials and references of those who tried it. We might call this folded pamphlet an advertising circular, as it encourages mid-19th century readers to inquire for more information and to obtain the details from H. Twelvetree.
H. Twelvetree, New York, NY.
Twelvetree’s Washing Pamphlet
(ca 1850), front cover/unnumbered page [1], general information about washing plan.
Since this particular item does not share that detailed information, we might be wondering a few things. What can this advertising circular reveal about the plan itself? How can a “large family wash” be accomplished before breakfast in the mid-19th century? And what did people at the time think of this idea?
Twelvetree’s Washing Pamphlet
(ca 1850) explains that this method was discovered by Professor Leibig who, for a sum of money, gave permission for the proprietor, H. Twelvetree, to use it. The washing plan combined “economy of time and money, with safety and simplicity.” Ordinary individuals, high officials, and institutions were already using it. There is also a mention that the washing plan had been tested by hundreds of editors of newspapers and periodicals, including some who are listed as references in the list below.
H. Twelvetree, New York, NY.
Twelvetree’s Washing Pamphlet
(ca 1850), page 4, list of references including newspaper editors and clergymen.
The pamphlet shares a few basic components of the plan. It required no rubbing, no machines, and no extra washing utensils. Previous knowledge was not necessary. It required water, but the substance used for washing was cheaper than soap. It did not include acid, turpentine, or camphene. It did not have an unwelcome odor. And, as the pamphlet claims, it would not injure those performing the wash or destroy the fabric being washed.
There are also two pages of testimonials which provide more information, particularly in regards to how people felt about using this new method. Similar emotions and feelings are found throughout the test…

Join Us for Adopt-A-Book Events in April

Join Us for Adopt-A-Book Events in April

Mark your calendar for this year’s Adopt-a-Book events! Join us on
April 20
th
and
April 26
th
, 2022
for a closer look at our collections and the opportunity to support their preservation and acquisition.
Each year, Smithsonian Libraries and Archives (formerly Smithsonian Libraries) staff organize
Adopt-a-Book
events where items are “put up for adoption,” and interested supporters can adopt an item by way of a donation. The adopted item serves as an emblem of their commitment to that backing. Many who choose to adopt an item pick a book or archival document that speaks to their personal interests, like a dedicated home baker who might adopt a historical cookbook, or an avid gardener who might choose an illustrated botanical catalog.
In the past, events have been held in person, and attendees were able to see the items available to be adopted up close and to hear about the books directly from Smithsonian staff. Last year, in a virtual format, the Smithsonian Institution Archives joined the events for the first time, bringing our collections from the Smithsonian’s history to Adopt-a-Book audiences.
The Smithsonian Institution Archives is taking the lead for 2022’s virtual events! With that role, we are also expanding the types of items up for adoption. Our archival collections (and our library collections, for that matter) don’t hold just books—and not just paper-based items, either. This year we are excited to include photographic collections and audiovisual materials alongside field journals, correspondence, and botanical illustrations from the Archives, as well as a variety of books from eight library locations.
Adopt-a-Book Salons Save the Date graphic, featuring Adelia Gates botanical illustration, Smithsonian Institution Archives, Record Unit 7312.
One of the items I am most excited to feature from the Archives is a drawing from the architectural records of the Smithsonian. Done on translucent paper by the architectural firm Babb, Cook & Willard, the drawing was used to sketch out design elements of an elevator in Scottish-American steel tycoon and philanthropist Andrew Carnegie’s turn-of-the-century New York City mansion, now the Cooper Hewitt Smithsonian Design Museum. The elevator depicted was among the first of its kind in New York residences and is now kept in
the collections of the National Museum of American History
. The drawing is also interesting because of a large ink spill that obscures part of the detail, which has caused large losses and widespread embrittlement of the paper. We don’t know how the ink got spilled over the drawing, but it’s fascinating to imagine Carnegie consulting the elevator’s details at his desk and becoming distracted or startled—knocking over his inkpot in the process!
The large area of loss, or missing drawing, in this elevator diagram appears to have been caused by an ink spill. Smithsonian Institution Archives, Record Unit 637. Image courtesy of Wil…

Sonic Strategies in the Library

Sonic Strategies in the Library

This exhibition and blog post were curated and written by
Joana Stillwell.
Sonic Strategies
in the Library
accompanies the newly opened exhibition
Musical Thinking: New Video Art and Sonic Strategies
at
the Smithsonian American Art Museum.
Musical Thinking,
by Curator of Time-Based Media, Saisha Grayson,
focuses on video art that uses sonic strategies including scores, improvisation, and interpretation, as well as styles, structures, and lyrics that speak to American life. The works selected for this accompanying exhibition at the
American Art and Portrait Gallery Library
(AA/PG) include books from the collection as well as materials from the artist files. Nine selections ranging from the early nineteenth century to the 2010s reveal the ongoing and evolving relationship between visual art and music and sound.
Music: A Mere and Colorful Memory
Before the advent of recorded sound, music was a medium only available to a live audience, and only recollected orally, or venerated in the visual arts. Painting was considered the main art in the early twentieth century and its ability to capture the essence of music was the focus of Luna May Ennis’
Music in Art
(1904). This is embodied by the beautiful red and gold cover which centers a ribboned and stylized painter’s palette, while the border is compiled of different types of stringed instruments, pan flutes, and white flowers. The book is organized among themes of myth and enchantment, youth and love, worship and are punctuated by illustrations by Donatello, Raphael, Rubens, and more. The book reads as art historical analysis but through the perspective of a viewer trying to relive “the sound [that has died] with
the vibration of the strings [and] with the breath of the singer becom[ing] a mere memory.”
Analogous Scale of Sounds and Colours from George Field’s Chromatics
George Field’s
Chromatics, or, an essay on the analogy and harmony of colours
(1817) contains rich hand-colored wood-engravings with letterpress captions. Field was known as a chemist and for being especially skilled with pigments but fell short on being a color theorist after ignoring Isaac Newton’s ideas regarding color and light. Regardless, this book reveals his artistic sensibilities while expressing his theories on the relationship between the spectrum of colors and the scale of musical tones.
The Potentiality of Scores
By the twentieth century, music and sound recordings were readily available, which heightened the exceptionality and spectacle of the event or live performance. John Cage, a seminal influence on music, sound art, performance art, and more, was fascinated by the ability of music to make the listener more aware of their present. Cage argued any vibration of a particular moment could be considered music. While living in Europe as an art student he “noticed [on a street in Seville] the multiplicity of simultaneous visual and audible events all going together in one’s experien…

Through the Loupe: Rick Prelinger

Through the Loupe: Rick Prelinger

This is the
fifth in a series of ongoing blog posts
from Smithsonian Libraries and Archives’ Audiovisual Media Preservation Initiative (AVMPI), spotlighting the labor of Smithsonian media collections staff across the Institution, and the first to feature a past Smithsonian worker. Among several current professional roles, former Smithsonian contract audiovisual consultant Rick Prelinger runs the non-profit
Prelinger Library
in San Francisco with his partner Megan.
AVMPI Co-Presents: Radio Preservation Task Force
On April 30
th
, Smithsonian Libraries and Archives’ pan-institutional
Audiovisual Media Preservation Initiative
(AVMPI) co-presented the fourth day of the
Radio Preservation Task Force
(RPTF) conference with the Library of Congress. The theme of the 2023 conference was “
A Century of Broadcasting: Preservation and Renewal
,” and Day Four’s proceedings were titled “
Sunday at the Smithsonian
,” comprising a radio/sound art performance, presentations by Smithsonian staff about SI radio collections, and a conference-capping ‘Listening Party’ that shared archival radio clips from a dozen international archives. A brochure of the program, designed by AVMPI’s Video Preservation Specialist and go-to graphic designer, Brianna Toth, can be accessed
here
.
Included in the day’s array of radio-related and Smithsonian-proud programming was a ‘response’ conversation between sound performers Anna Friz and Jeff Kolar with audiovisual archivist, and recent Emeritus Professor of Film and Digital Media at the
University of California – Santa Cruz
, Rick Prelinger. For over 40 years the self-described “library experimenter” Prelinger (
@footage
) has been a visionary figure in the field of film archiving and information science. The
Prelinger Library
he founded with his partner Megan in 2004 should be at the top of your list of places to visit when in San Francisco. Prelinger’s career has spanned working as a typesetter, running his own stock footage licensing company, working as an archivist at The Comedy Channel and HBO, serving as a board member and contributor to the legendary Brooklyn magazine
Stay Free!
, making films and footage performances, and teaching at several universities. I have been fortunate to know Rick personally since the late 2000s, previously encountering and obsessing over his commercially-released VHS compilations of incredible ephemeral films and television commercials when I worked at Chicago’s
Facets Video
in 1999. However, there was one professional role of Prelinger’s I was unaware of and, during the RPTF’s April 30
th
morning on-stage sound check, Rick disclosed it: he once worked for the Smithsonian (!?).
Rick Prelinger (at left) with this blog post’s author (at right).
Smithsonian Institution – Office of Telecommunications
Frankly, I had a hard time fully concentrating on the remainder of the day’s activities after Rick recalled a paid gig working for the Smithsonian’s Office of…

Traveling Trunks Available for Borrowing

Traveling Trunks Available for Borrowing

As we gear up for the upcoming school year, the Education Team at Smithsonian Libraries and Archives wants to remind you of our growing fleet of
Traveling Trunks
! These interactive educational resources are available for teachers and schools across the country.
This program is free of charge and trunks can be lent for up to four weeks.
We have been working hard to add more themes over the past year and currently have three different trunks to lend, with a fourth available in October.
Nice Tú Meet You
focuses on Latinx cultures from Central America and the Caribbean through the regions’ music and stories. Four fictional teen narrators tell their families’ histories and how it connects to their current lives in America.
Extra and Ordinary
is narrated by a fictional archivist tasked with researching for a new exhibit. Learners will have the chance to look at the archivist’s research – recreated letters, pictures, and objects from the Smithsonian collection –  about twenty women living from 1785-2013 in the United States.
Flights of Friction: Fact or Fiction? (coming September 2023)
takes learners back to the 19th century to uncover sensational mysteries of the past. Guided by a passionate and curious librarian, learners will use information literacy skills to look into the legitimacy of authors, sources, newspapers, and their stories.
Art History Mystery (coming October 2023)
partners with the Hirshhorn Museum and Sculpture Garden to bring learners a clue-style journey of uncovering hidden messages in art, based on activism.
Materials from the “Flights of Friction: Fact or Fiction?” TravelingTrunk.
Traveling Trunks
do
rely on users being able to scan QR codes and watch videos. We recommend your group has
at least four Wi-Fi or cellular-enabled smart devices
to engage in this program.
Interested in bringing a Traveling Trunk to your school? Learn more about the program and see how to reserve a trunk on our
Education webpage
.

Processing Personalities: Ephemera Research at the AA/PG Library

Processing Personalities: Ephemera Research at the AA/PG Library

It’s interesting to think of how much of our everyday culture goes unnoticed, lost to time and simple decomposition. The newspaper someone tossed yesterday turns to mush in a landfill pile. The gilt invite you saved from your alma mater’s 15
th
reunion is lost in a pile of documents, kids’ art projects, and bills. The sticky note with your to-do list gets stuck to the bottom of your shoe and wears away as you walk to work one day. We often don’t take the time to think about these little pieces of paper, these tiny fragments of memory and thought that we churn out every single day, though these can very often be the most crucial clues about who we are.
The value in the
Art & Artists’ Files
at the
American Art and Portrait Gallery Library
(AAPG) lies in their attention to these everyday ephemera, the things left behind and that, when pieced together in a variety of different ways by staff members and researchers, tell a myriad of intimate and often novel stories of artists and institutions. Each file includes ephemera on a particular subject (an artist, corporation, or subject): exhibition announcements, clippings, press releases, brochures, pamphlets, photographs, resumes, artist’s statements, exhibition catalogs, and more, a panoply of snippets from the lives and works of American artists (with an expansive definition of “American”). For some of the lesser-known artists in the Files, these small slips of paper are the only available materials we have for research and study.
The beautiful mint green cover of a copy of Photo Era magazine from 1900, found amongst the NMAH Photo History ephemera.
As a
Summer Scholar intern
at AA/PG, I had the opportunity to sort through seventeen boxes of woefully unorganized ephemera, attempting to merge the subject files on photographers and inventors from the
Photographic History Collection
of the National Museum of American History with AA/PG’s Art & Artists’ Files. The types of ephemera in these boxes ranged from patents for photographic technology (from multiple countries), photocopies of master’s theses, photographs and slides, and handwritten letters to whole magazines, exhibition catalogues, self-published books, and anything else on paper you can think of. I knew that attention to detail and scrupulous documentation would be necessary for keeping track of everything for this project, so I set five goals for the process and result:
Clear out the backlog of old ephemera held by the AA/PG
Add relevant and potentially valuable research material to Art & Artists Files
Gain experience processing “archival” or ephemera materials.
Create accessible records for wider range of photographic artists in the collection.
Establish a repeatable personal process for doing this sort of work if it comes across in my career in the future.
Some of the many storage boxes for my processing of the NMAH ephemera (there were originally 17!)
The main challe…

In Search of the Perfect Blue

In Search of the Perfect Blue

The color blue has had a long history in the Western world. The ever-changing role of blue has been used in bookbinding and the book arts to color manuscripts, maps, and scientific illustrations. Colorants used in inks, paints, and dyes have come from a variety of natural sources, including clays, gems, plants, and insects. Blue pigments were first made from imported minerals from Central Asia, eventually shifting to local resources within Europe. The exhibition,
Nature of the Book
, explores the use of natural materials in bookmaking during the hand-press period (1450-1850), touching on how this rare pigment was initially reserved for religious works, later changing focus to favor European royalty and nobility. As blue’s color gained popularity for a wider audience by the end of the 18th century, new shades and formulas were created; in fact, the first synthetic pigment was a blue that offered greater access to a more affordable version.
The earliest and rarest blue was obtained from the precious stone lapis lazuli, also known as lazurite. The mineral, primarily mined in Afghanistan, was for centuries shipped a great distance into Europe through Venice. It was ground to a powder and laboriously processed to create a vibrant pigment. Because it was so costly, artists chose to use it sparingly.  The calcite content in lazurite, a silicate mineral, was positively identified by x-ray fluorescence in a blue paint sample on parchment in a 15th-century illuminated
philosophical work
from the
Dibner Library of the History of Science and Technology.
This reveals that the pigment was only used as a top coat and provides evidence of its value.  Europeans called this color Ultramarine because of its brilliant resemblance to the sea and, as such, the color remained a favorite and was most extensively used in hand-colored manuscripts through the 15th century.
Detail. Boethius,
On the Conservation of Philosophy,
15th century.
Azurite, a blue copper ore, was a less expensive alternative to rare lapis lazuli. Though available by trade from sources as far as Asia, azurite was popularly used in European illustrations into the 17th century owing to the convenience of some local regional mining.  Ultramarine and azurite blue were used to beautify and convey prestige or value in books; the symbolism of blue represented the mystical powers of sky and water.  Combined with the relative expense to achieve this, the use of blue was often reserved for those of high-ranking status, as featured in a hand-colored
1604 Spanish petition for nobility
. The blue pigment used in the illuminations has been positively identified as azurite.  The bound manuscript is displayed alongside a specimen collected from Germany and loaned from the Department of Mineralogy in the National Museum of Natural History.
Detail. Petition for noble status (manuscript), Spain, 1604.
Azurite with malachite and siderite, Germany. NMNH B7994, National Museum of…

Diving into the Zoological Gardens and Aquariums Ephemera Collection

Diving into the Zoological Gardens and Aquariums Ephemera Collection

The Zoological Gardens and Aquariums Ephemera Collection began as an all-call for interesting memorabilia relating to zoos, aquariums, gardens, or the societies that support such institutions. Many items were received, cataloged, and filed in cabinets located in the former library space at the
National Zoological Park
(Rock Creek Park, Washington, DC). A previous attempt was made to rehouse, organize, and digitize parts of the collection, but the project was left incomplete. The collection was eventually moved to the
National Museum of Natural History Library
so that the items could be properly archived and stored.
“Illustrated Guide and Catalogue of Woodward’s Gardens” (1873), bearing signature of Smithsonian ornithologist Robert Ridgway.
When I arrived at the Natural History Library’s main location at the beginning of the summer of 2023 for my internship, I got my first look at the Zoological Gardens and Aquariums Ephemera Collection. After performing a short survey assessment of the collection, my supervisor Bonnie Felts and I came up with a game plan to rehouse and document the collection. During our discussion, we decided that our end goal for the project was to conserve as many of the items as possible and make them discoverable for future research.
View-Master reel for the San Diego Zoo.
I found that the collection included a wide variety of diverse pieces from various time periods. While some items do not have a date included on the object, the collection appears to range from about 1873 to 2008 according to the items that do have dates listed. The objects in the collection are mainly guidebooks, maps, pamphlets, postcards, and reports, but there are also disparate items such as stickers, coloring books, and view master slides. As I went through the collection, it was interesting to review the objects that people thought important enough to save. Some of these items are over a hundred years old and represent a piece of history not only to the Smithsonian, but to the people who spent time at these institutions.
“Popular Official Guide to the New York Zoological Park” in a new enclosure.
As someone who is just stepping foot into the library and archives space, it was an incredible learning experience to be able to work with this collection. It was empowering to take part in the hands-on work of rehousing the collection mainly because it was a collaborative experience. Instead of being given a concrete task list, my supervisor was open to my input on how best to conserve and house the various objects in the collection. We worked together to create a system not only to rehouse the items, but to make sure those items were able to be found later in our finding aid. My favorite piece of the rehousing process of the internship was learning how to make a four-flap enclosure for some of the larger delicate artifacts. The hands-on learning of rehousing the collection i…

Exploring Yellowstone in 1919

Exploring Yellowstone in 1919

Camping, hiking, and enjoying the outdoors are common summer pastimes. This trade catalog from 1919 shows how visitors in the early 20th Century might have explored the wonders of Yellowstone National Park.
The trade catalog is titled
Yellowstone National Park in Your Own Automobile
(1919) by
Yellowstone Park Camping Co.
Referring to the national park as a “motorist’s paradise,” this brochure encourages tourists to visit in their own vehicle and camp, or lodge, at designated sites. The focus of the brochure is the summer season of 1919 which ran from June 20 to September 15.
Yellowstone Park Camping Co.
, Livingston, MT.
Yellowstone National Park in Your Own Automobile
(1919), front cover/unnumbered page [1].
According to this brochure, Yellowstone Park Camping Co. began providing accommodations for visitors beginning in 1915. However, it notes that these permanent summer camps located within Yellowstone National Park were “operated under government control.”
Old Faithful Camp, Mammoth Camp, and Canyon Camp (also sometimes referred to as Grand Canyon Camp) were the three main camps mentioned in this brochure. However, the map below appears to indicate two additional camps named Camp Roosevelt and Lake Camp.
As shown on the map, each camp was situated along a park roadway and nearby areas of interest, such as Old Faithful Geyser, Grand Canyon of the Yellowstone, and Mammoth Hot Springs. The camps provided lodging, food, and entertainment for guests with an atmosphere described as “clean, informal and pleasurable.”
Yellowstone Park Camping Co.
, Livingston, MT.
Yellowstone National Park in Your Own Automobile
(1919), unnumbered pages [11-12], Map provided by Automobile Blue Book Publishing Co. showing the locations and distances of Camps in Yellowstone National Park.
Visitors had the option of purchasing tickets at a Park Entrance or from “outside agencies.” As noted on the front cover, information offices were found in various cities: Livingston, MT, Salt Lake City, UT, Pocatello, ID, Yellowstone Station, MT, Cody, WY, and Denver, CO.
The park offered three-, four-, or seven-day tickets and half-price tickets for children under age 12. Tickets included both lodging and meals, though it appears to have been possible to pay separately for these amenities as well. There was even a separate cost for a bath. If visitors did not use a portion of their tickets, they had the option of redeeming that portion upon exiting the park.
The summer camps provided dining halls and social assembly halls for guests to use during their stay. These buildings were situated in the center of the camp along with the camp’s business headquarters. Surrounding the central buildings were the sleeping accommodations. These were nestled beneath fir and pine trees to create “a ’tent city,’ or village of cozy, electric-lighted canvas bungalows or private sleeping rooms.” Guest accommodations included one, two, or four sleeping rooms.
Cam…

Lost in the Vertical Files

Lost in the Vertical Files

My name’s Dawson, and over the summer I worked as an intern at the
Hirshhorn Museum and Sculpture Garden Library
in DC. I’m currently an Art History and Visual Culture student at Bard College. I applied to the internship last spring with only a little archival experience under my belt, and no idea of how I would live in DC if I even got the position. It was a total leap of faith, and I’m still a little surprised I landed on two feet. In the cover letter, I expressed my belief that “[w]orking with the library’s art and artist files is an opportunity for me to engage directly with the histories of modern American art, and the role of the nation’s emblematic contemporary museum in showing and shaping said histories.” At the time, I had no idea if that would really hold weight or not, but it ended up being more true than I could have expected.
Here was what the job was like, day-to-day, in short. The Hirshhorn has, since its inception, collected various ephemera connected to artists whose work the Hirshhorn was interested in obtaining or ultimately did obtain in its collection. Some of the ephemera even dates to before the museum, when Joseph Hirshhorn had the collection and not yet the institution to hold it. All this ephemera is now stored in the library’s vertical files, one file for each artist. Ephemera is media that is not intended to be preserved long-term – in our collection there are postcards from various artists’ exhibitions, newspaper clippings of reviews, interviews, and obituaries, artists’ resumes and bibliographies, press releases, and lots and lots of advertisements for exhibitions. I would date all of these pieces of ephemera, stamp them with a small “HMSG” insignia, and then sort them chronologically. A lot of these glossy advertisements and obscure clippings aren’t really the kind of media that most libraries preserve, yet they do reflect important auxiliary and parallel histories to more straightforward sources– offering a history of art advertisement, histories of galleries and institutions, and how artists and their art are depicted and remembered on the most immediate levels.
Intern Dawson Escott in the Hirshorn Museum and Sculpture Garden Library.
This was my job description on paper, but because of some experience at school working with metadata I took the opportunity to spend a lot of time updating the online entries in the Smithsonian’s
Art and Artist’s Files
database and on Wikidata (if you’re curious, you can find me on there with the username PalmyranRealness) to better digitally represent the Artist Files’ contents and publicize the material available at the Hirshhorn Museum and Sculpture Garden Library for researchers. I feel strongly that most research in the present day is done online and in order for physical archives to remain used and helpful, there’s a definite need for them to have a digital presence. I updated birth and death dates, created files, clarified exactly which…

Curiosity Preserved the (AV) Memories

Curiosity Preserved the (AV) Memories

“When did I get my first TV? When I was eight?”
*Mom laughs* “More like when you were one…”
Screenshot of Kayla Henry-Griffin as child from a collection of family Hi8 tapes.
Family and technology have always been in the picture for me. They are intertwined, connected, and that bond can never be broken. I have always been interested in how technology works and how I could use it not only in my artistic practice, but also how I can save family memories. I look towards pictures of my grandmother whom I never met to understand my family and how we are dispersed globally. I look towards camcorder-recorded home movies of me to understand my role and my place in the Henry/Griffin/Toney family. I picked up skills from the Mac computer in my childhood home, I learned about pop culture through the TV with the wooden cabinet in the living room, and I picked up my love of video games when I bought my first game at the age of eight (it was
Harvest Moon: A Wonderful Life
for the console GameCube).
Screenshot of gameplay in Harvest Moon: A Wonderful Life (Gamecube English version).
All of this to say- I have been immersed in audio-visual technology to the point that I wanted to preserve the memories behind it. All forms of technology are a vessel for me to get closer to how I memorize math equations to even how I recollect that major move I did from California to Mississippi. Of course, this took a while for me to truly understand that this was a personal and professional path I wanted to take on. At my alma mater, I created my own major to encompass my love for photography and optics (my degree literally says ‘Photography and Optics’). I learned about art conservation during this time and since then, I have been on this professional journey of preserving cultural heritage.
In 2018, I attended a
Software Preservation Network
(SPN) workshop in Texas that focused on emulation and preservation. I met a multitude of folks in the cultural heritage field that worked with non-traditional materials from VHS tapes to computer software like Microsoft Golf. After talking with someone who works for Strong Museum of Play, I was more than elated to hear that I could preserve video games if I wanted to. That moment, in combination with all of my heartfelt experiences with technology, led me to pursue this dream of preserving memories from non-traditional mediums.
During the pandemic, I attended the
Moving Image Archiving and Preservation
(MIAP)
program at New York University. During that time, I interned at various organizations (
Los
Herederos
,
The Metropolitan Museum of Art
,
Third World Newsreel
, and
The Museum of the Moving Image
) that shaped my philosophy on preserving cultural heritage. Even though I mostly worked with magnetic media in the internships, I also had experience with software-based art and film. I found a love for mysterious and obscure formats like the
HIPAC
, and soon learned that my love of video game…

Snacking While Out and About a Century Ago

Snacking While Out and About a Century Ago

What do you do when you are out and about and have a craving for a quick snack? Shoppers, picnickers, theatregoers, or someone simply out for a stroll in the early 20th Century might have stumbled across a popcorn and peanut machine like one shown in this trade catalog.
The
trade catalog
is by
C. Cretors & Co.
and is both untitled and undated. However, we believe it was published circa 1924 by piecing together some information from the catalog, such as the company was established in 1885, it mentions 40 years of experience in building these machines, and it has a library stamp date of 1924 on the front pages.
C. Cretors & Co., Chicago, IL.
Untitled C. Cretors & Co. trade catalog
(undated), front cover.
These popcorn and peanut machines were suitable for both indoor and outdoor use. Some ideas for locations included theatres, department stores, ballgames, fairs, parks, picnic areas, and even sidewalks. The machines were constructed of all-steel frames and finished with paint and varnish. The various metal parts were nickel-plated. After completion, each machine was tested by inspectors.
C. Cretors & Co., Chicago, IL.
Untitled C. Cretors & Co. trade catalog
(undated), page 3, Index and C. Cretors & Co. building.
The popcorn machines included a self-seasoning popper. This meant the flavor was “cooked right into the corn” during the popping process rather than being “smeared on afterwards.” This also saved time as additional buttering or salting was not necessary.
The machine was ready to begin popping within three minutes after the burner was lit. And then approximately every three minutes after that, it could pop 10-12 bags. The popcorn never encountered the burner’s fire or fumes which prevented it from having the taste or smell of gasoline.
C. Cretors & Co., Chicago, IL.
Untitled C. Cretors & Co. trade catalog
(undated), pages 22-23, general information about machines including images of a popcorn popper and machine shop where machines were built.
According to this catalog, the parts of the machine were easy to access which helped with cleaning. It recommends spending just “15 minutes daily” to keep it clean.
One full page of this catalog is devoted to information about steam engines and electric motors used in these machines. As the catalog points out, the electric motor (below, bottom right) might not be as beautiful as the steam engine, but it was a good option when a machine was positioned indoors or in front of a store. That is, if a nearby and ready supply of electrical current was available.
C. Cretors & Co., Chicago, IL.
Untitled C. Cretors & Co. trade catalog
(undated), page 24, steam engines and electric motors for the popcorn and peanut machines.
The Enlarged No. 6 “Earn-More” Machine is featured on the first page of this catalog (below). Though it was a stand-alone machine and not incorporated into a wagon or automobile, it was equipped with casters to make it mobile. With a name…

Engaging with Open Source Technologies

Engaging with Open Source Technologies

These are the presentation notes for the
Engaging with Open Source Technologies
presentation during the
Open Source Publishing Technologies: Current Status and Emerging Possibilities
webinar on Wednesday, August 14, 2019.
Webinar Description
This session will focus on discussions of open source publishing platforms and systems. What is the value proposition? What functionalities are commonplace? Where are the pitfalls in adoption and use by publishers or by libraries? What potential is there for scholarly societies who are similarly responsible for publication support and dissemination? Given the rising interest in open access and open educational resources, this session will offer professionals a sense of what is available, a sense of practical concerns and a general sense of their future direction.
Talk Abstract
An open source project that focuses only on the code is missing out on some of the biggest opportunities that the open source philosophy offers. To be sure, developing software with an open source philosophy brings a diversity of knowledge and shares the development burden over a wide group. But a community that embraces that philosophy in the conception, design, specification, and development of a project can build exceptionally useful software and a fulfilling experience for all involved. This portion of the program  explores some of the structures and processes found in successful open source communities using examples from projects inside and outside of field.
Slides
PDF of slides
Resources
Arp, Laurie Gemmill, and Megan Forbes. “It Takes a Village: Open Source Software Sustainability,”
LYRASIS
, February 2018.
https://doi.org/10.7916/D89G70BS
Fitzgerald, Brian. (2006). “The Transformation of Open Source Software.”
MIS Quarterly
,
30
(3), 587.
https://doi.org/10.2307/25148740
Maxwell, John W,
et al
«Mind the Gap: A Landscape Analysis of Open Source Publishing Tools and Platforms,» July 2019.
https://mindthegap.pubpub.org/
Photo/Illustration Acknowledgments
Slide 1: “
Codex Claustroneoburgensis 980
” from College of Saint Benedict & Saint John’s University via DPLA
Slide 10: “
Agile Project Management by Planbox
” via Wikimedia Commons
Slide 15: “
kiyomi gets chin scratches in PHX airport pet relief area
” by Taro the Shiba Inu via Flickr
Slide 16: “
Sunset
” from the National Archives and Records Administration via DPLA
Key Quotations from Resources
Brian Fitzgerald in 2006 wrote of a significant shift in how open-source software projects were being considered and operated. Fitzgerald noted that the rise of successful open-source software (which he called “OSS 1.0”) was characterized by self-organized, Internet-based projects that gathered loose communities around sheer willingness to participate. Fitzgerald identified a newer mode, which he called “OSS 2.0,” characterized by “purposeful design” and institution-sponsored “vertical domains,” and much more likely to include paid deve…

Reflections on «Responsibilities of Citizenship for Immigrants and our Daughter»

Reflections on «Responsibilities of Citizenship for Immigrants and our Daughter»

Eighteen years ago, on Friday, September 7th, 2001, I was honored to be asked to participate in a naturalization ceremony for 46 new citizens of the United States in a courtroom of
Judge Alvin Thompson
in Hartford, Connecticut.
I
published
those remarks on a website that has long since gone dormant.
In light of the politics of the day, I was thinking back to that ceremony and what it meant to me to participate.
I regret the corny reference to
Star Trek
, but I regret nothing else I said on that day.
I titled the remarks «Responsibilities of Citizenship for Immigrants and our Daughter».
Good afternoon. I’m honored to be here as you take your final step to become a citizen of the United States of America. My wife Celeste, who will soon give birth to another new American citizen, is here to celebrate this joyous occasion with you. And if you’ll pardon the musings of a proud soon-to-be father, I would like to share some thoughts about citizenship inspired by this ceremony and the impending arrival of our first child.
Our daughter will be a citizen by birth, but you have made a
choice
to become an American. This choice may or may not have been easy for you, but I have the utmost respect for you for making that choice.
I don’t know what compelled you to submit yourself to the naturalization process — perhaps economic, political, social, or religious reasons. I have to think that you did it to better your life and the lives of your family. But you should know that the process does not stop here.
Along with the rights of citizenship come the responsibilities expected of you. Perhaps you are more aware of these responsibilities than I given your choice to become a citizen, but please allow me to enumerate some of them. Exercise your right to be heard on matters of concern to you. Vote in every election that you can. When asked to do so, eagerly perform your duty as a member of a jury. Watch what is happening around you, and form your own opinions. Practice your religion and respect the right of others to do the same. These are the values we will try to instill in our daughter; I hope you take them to heart, instill them in your family members, and inspire your fellow citizens to do the same.
But as you take this final, formal step of citizenship, be aware that becoming an American does not mean you have to leave your native culture behind. A part of American culture is the 1960’s show
Star Trek
, which promoted the concept of IDIC:
Infinite Diversity in Infinite Combinations
. In that futuristic world, diverse cultures and ideas are respected with the realization that society is stronger because of them. While we cannot claim to have reached that ideal world, one can say that the American Dream is best realized when our diversity is celebrated and shared by the members of this country. My daughter will be the celebration of that diversity: the product of Irish, …

Publishers going-it-alone (for now?) with GetFTR

Publishers going-it-alone (for now?) with GetFTR

In early December 2019, a group of publishers announced
Get-Full-Text-Research
, or GetFTR for short.
I read about this first in Roger Schonfeld’s »
Publishers Announce a Major New Service to Plug Leakage
» piece in
The Scholarly Kitchen
via Jeff Pooley’s
Twitter thread
and
blog post
.
Details about how this works are thin
, so I’m leaning heavily on Roger’s description.
I’m not as negative about this as Jeff, and I’m probably a little more opinionated than Roger.
This is an interesting move by publishers, and—as the title of this post suggests—I am critical of the publisher’s «go-it-alone» approach.
First, some disclosure might be in order.
My background has me thinking of this in the context of how it impacts libraries and library consortia.
For the past four years, I’ve been co-chair of the
NISO Information Discovery and Interchange topic committee
(and its predecessor, the «Discovery to Delivery» topic committee), so this is squarely in what I’ve been thinking about in the broader library-publisher professional space.
I also traced the early development of RA21 and more recently am volunteering on the SeamlessAccess Entity Category and Attribute Bundles Working Group; that’ll become more important a little further down this post.
I was nodding along with Roger’s narrative until I stopped short here:
The five major publishing houses that are the driving forces behind GetFTR are not pursuing this initiative through one of the major industry collaborative bodies. All five are leading members of the STM Association, NISO, ORCID, Crossref, and CHORUS, to name several major industry groups. But rather than working through one of these existing groups, the houses plan instead to launch a new legal entity.
While [Vice President of Product Strategy & Partnerships for Wiley Todd] Toler and [Senior Director, Technology Strategy & Partnerships for the American Chemical Society Ralph] Youngen were too politic to go deeply into the details of why this might be, it is clear that the leadership of the large houses have felt a major sense of mismatch between their business priorities on the one hand and the capabilities of these existing industry bodies. At recent industry events, publishing house CEOs have voiced extensive concerns about the lack of cooperation-driven innovation in the sector. For example,
Judy Verses from Wiley spoke to this issue in spring 2018
, and
several executives did so at Frankfurt this fall
. In both cases, long standing members of the scholarly publishing sector questioned if these executives perhaps did not realize the extensive collaborations driven through Crossref and ORCID, among others. It is now clear to me that the issue is not a lack of knowledge but rather a concern at the executive level about the perceived inability of existing collaborative vehicles to enable the new strategic directions that publishers feel they must pursue.
This is the publishers going-it…

What is known about GetFTR at the end of 2019

What is known about GetFTR at the end of 2019

In early December 2019, a group of publishers announced
Get-Full-Text-Research
, or GetFTR for short.
There was a heck of a response on social media, and the response was—on the whole—not positive from my librarian-dominated corner of Twitter.
For my early take on GetFTR, see my December 3rd blog post »
Publishers going-it-alone (for now?) with GetFTR
.»
As that post title suggests, I took the five founding GetFTR publishers to task on their take-it-or-leave-it approach.
I think that is still a problem.
To get you caught up, here is a list of other commentary.
Roger Schonfeld’s December 3rd »
Publishers Announce a Major New Service to Plug Leakage
» piece in
The Scholarly Kitchen
Tweet from
Herbert Van de Sompel
, the lead author of the OpenURL spec, on
solving the appropriate copy problem
December 5th post »
Get To Fulltext Ourselves, Not GetFTR.
» on the
Open Access Button
blog
Twitter thread on December 7th between
@cshillum
and
@lisalibrarian
on the
positioning of GetFTR in relation to link resolvers and an unanswered question about how GetFTR aligns with library interests
Twitter thread started by
@TAC_NISO
on December 9th
looking for more information
with a link to
an STM Association presentation
added by
@aarontay
A tree of tweets starting from
@mrgunn
‘s
[I don’t trust publishers to decide] is the crux of the whole thing.
In particular, threads of that tweet that include
Jason Griffey of NISO saying he knew nothing about GetFTR
and
Bernhard Mittermaier’s point about hidden motivations behind GetFTR
Twitter thread started by
@aarontay
on December 7th saying
«GetFTR is bad for researchers/readers and librarians. It only benefits publishers, change my mind.»
Lisa Janicke Hinchliffe’s December 10th »
Why are Librarians Concerned about GetFTR?
» in
The Scholarly Kitchen
and take note of the follow-up discussion in the comments
Twitter thread between
@alison_mudditt
and
@lisalibrarian
clarifying
PLOS is
not
on the Advisory Board
with some
@TAC_NISO
as well.
Ian Mulvany’s December 11th »
thoughts on GetFTR
» on ScholCommsProd
GetFTR’s December 11th »
Updating the community
» post on their website
The Spanish Federation of Associations of Archivists, Librarians, Archaeologists, Museologists and Documentalists (ANABAD)’s December 12th »
GetFTR: new publishers service to speed up access to research articles
» (original in Spanish,
Google Translate to English
)
December 20th news entry from eContent Pro with the title »
What GetFTR Means for Journal Article Access
» which I’ll only quarrel with this sentence: «Thus, GetFTR is a service where Academic articles are found and provided to you at absolutely no cost.» No—if you are in academia the cost is born by your
library
even if you don’t see it. But this seems like a third party service that isn’t directly related to publishers or libraries, so perhaps they can be forgiven for not getting that nuance.
Wiley’s
Chemistry Views
news post o…

Managing Remote Conference Presenters with Zoom

Managing Remote Conference Presenters with Zoom

Bringing remote presenters into a face-to-face conference is challenging and fraught with peril.
In this post, I describe a scheme using
Zoom
that had in-person attendees forgetting that the presenter was remote!
The
Code4Lib conference
was this week, and with the
COVID-19 pandemic
breaking through many individuals and institutions made decisions to not travel to Pittsburgh for the meeting.
We had an unprecedented nine presentations that were brought into the conference via Zoom.
I was chairing the livestream committee for the conference (as I have done for several years—skipping last year), so it made the most sense for me to arrange a scheme for remote presenters.
With the help of the on-site A/V contractor, we were able to pull this off with minimal requirements for the remote presenter.
List of Requirements
2
Zoom Pro
accounts
1 PC/Mac with video output, as if you were connecting an external monitor (the «Receiving Zoom» computer)
1 PC/Mac (the «Coordinator Zoom» computer)
1 USB audio interface
Hardwired network connection for the Receiving Zoom computer (recommended)
The
Pro
-level Zoom accounts were required because we needed to run a group call for longer than 40 minutes (to include setup time).
And two were needed: one for the Coordinator Zoom machine and one for the dedicated Receiving Zoom machine.
It would have been possible to consolidate the two Zoom Pro accounts and the two PC/Mac machines into one, but we had back-to-back presenters at Code4Lib, and I wanted to be able to help one remote presenter get ready while another was presenting.
In addition to this equipment, the A/V contractor was indispensable in making the connection work.
We fed the remote presenter’s video and audio from the Receiving Zoom computer to the contractor’s A/V switch through HDMI, and the contractor put the video on the ballroom projectors and audio through the ballroom speakers.
The contractor gave us a selective audio feed of the program audio minus the remote presenter’s audio (so they wouldn’t hear themselves come back through the Zoom meeting).
This becomes a little clearer in the diagram below.
Physical Connections and Setup
This diagram shows the physical connections between machines.
The
Audio Mixer
and
Video Switch
were provided and run by the A/V contractor.
The
Receiving Zoom
machine was the one that is connected to the A/V contractor’s Video Switch via an HDMI cable coming off the computer’s external monitor connection.
In the Receiving Zoom computer’s control panel, we set the external monitor to mirror what was on the main monitor.
The audio and video from the computer (i.e., the Zoom call) went out the HDMI cable to the A/V contractor’s Video Switch.
The A/V contractor took the audio from the Receiving Zoom computer through the Video Switch and added it to the Audio Mixer as an input channel.
From there, the audio was sent out to the ballroom speakers the same way audio from the pod…

Tethering a Ubiquity Network to a Mobile Hotspot

Tethering a Ubiquity Network to a Mobile Hotspot

I saw it happen.
The cable-chewing device
The contractor in the neighbor’s back yard with the Ditch Witch trencher burying a cable.
I was working outside at the patio table and just about to go into a Zoom meeting.
Then the internet dropped out.
Suddenly, and with a wrenching feeling in my gut, I remembered where the feed line was buried between the house and the cable company’s pedestal in the right-of-way between the properties.
Yup, he had just cut it.
To be fair, the utility locator service did not mark the my cable’s location, and he was working for a different cable provider than the one we use.
(There are three providers in our neighborhood.)
It did mean, though, that our broadband internet would be out until my provider could come and run another line.
It took an hour of moping about the situation to figure out a solution, then another couple of hours to put it in place: an iPhone tethered to a Raspberry Pi that acted as a network bridge to my home network’s UniFi Security Gateway 3P.
Network diagram with tethered iPhone
A few years ago I was tired of dealing with spotty consumer internet routers and upgraded the house to
UniFi
gear from Ubiquity.
Rob Pickering, a college comrade, had
written about his experience with the gear
and I was impressed.
It wasn’t a cheap upgrade, but it was well worth it.
(Especially now with four people in the household working and schooling from home during the
COVID-19 outbreak
.)
The UniFi Security Gateway has three network ports, and I was using two: one for the uplink to my cable internet provider (WAN) and one for the local area network (LAN) in the house.
The third port can be configured as another WAN uplink or as another LAN port.
And you can tell the Security Gateway to use the second WAN as a failover for the first WAN (or as load balancing the first WAN).
So that is straight forward enough, but do I get the Personal Hotspot on the iPhone to the second WAN port?
That is where the Raspberry Pi comes in.
The
Raspberry Pi
is a small computer with USB, ethernet, HDMI, and audio ports.
The version I had laying around is a Raspberry Pi 2—an older model, but plenty powerful enough to be the network bridge between the iPhone and the home network.
The toughest part was bootstrapping the operating system packages onto the Pi with only the iPhone Personal Hotspot as the network.
That is what I’m documenting here for future reference.
Bootstrapping the Raspberry Pi
The Raspberry Pi runs
its own operating system called Raspbian
(a Debian/Linux derivative) as well as more mainstream operating systems.
I chose to use the
Ubuntu Server for Raspberry Pi
instead of Raspbian because I’m more familiar with Ubuntu.
I tethered my MacBook Pro to the iPhone to download the Ubuntu 18.04.4 LTS image and follow the
instructions for copying that disk image to the Pi’s microSD card
.
That allows me to boot the Pi with Ubuntu and a basic set of operatin…

With Gratitude for the NISO Ann Marie Cunningham Service Award

With Gratitude for the NISO Ann Marie Cunningham Service Award

During the inaugural NISO Plus meeting at the end of February, I was surprised and proud to receive the Ann Marie Cunningham Service award.
Todd Carpenter, NISO’s executive director,
let me know by tweet
as I was not able to attend the conference.
Pictured in that tweet is my co-recipient, Christine Stohn, who serves NISO with me as the co-chair of the Information Delivery and Interchange Topic Committee.
This got me thinking about what NISO has meant to me.
As I think back on it, my activity in NISO spans at least four employers and many hours of standard working group meetings, committee meetings, presentations, and ballot reviews.
NISO Ann Marie Cunningham Service Award
I did not know Ms Cunningham, the award’s namesake.
My first job started when she was the NFAIS executive director in the early 1990s, and I hadn’t been active in the profession yet.
I read her
brief biography
on the NISO website:
The Ann Marie Cunningham Service award was established in 1994 to honor NFAIS members who routinely went above and beyond the normal call of duty to serve the organization. It is named after Ann Marie Cunningham who, while working with abstracting and information services such as Biological Abstracts and the Institute for Scientific Information (both now part of NISO-member Clarivate Analytics), worked tirelessly as an dedicated NFAIS volunteer. She ultimately served as the NFAIS Executive Director from 1991 to 1994 when she died unexpectedly. NISO is pleased to continue to present this award to honor a NISO volunteer who has shown the same sort of commitment to serving our organization.
As I searched the internet for her name, I came across the
proceedings of the 1993 NFAIS meeting
, in which Ms Cunningham wrote the introduction with Wendy Wicks.
These first sentences from some of the paragraphs of that introduction are as true today as they were then:
In an era of rapidly expanding network access, time and distance no longer separate people from information.
Much has been said about the global promise of the Internet and the emerging concept of linking information highways, to some people, “free” ways.
What many in the networking community, however, seem to take for granted is the availability of vital information flowing on these high-speed links.
I wonder what Ms Cunningham of 1993 would think of the information landscape today?
Hypertext linking has certainly taken off, if not taken over, the networked information landscape.
How that interconnectedness has improved with the adaptation of print-oriented standards and the creation of new standards that match the native capabilities of the network.
In just one corner of that space, we have the adoption of PDF as a faithful print replica and HTML as a common tool for displaying information.
In another corner, MARC has morphed into a communication format that far exceeds its original purpose of encoding catalog cards…

As a Cog in the Election System: Reflections on My Role as a Precinct Election Official

As a Cog in the Election System: Reflections on My Role as a Precinct Election Official

I may nod off several times in composing this post the day after election day.
Hopefully, in reading it, you won’t.
It is a story about one corner of democracy.
It is a journal entry about how it felt to be a citizen doing what I could do to make other citizens’ voices be heard.
It needed to be written down before the memories and emotions are erased by time and naps.
Yesterday I was a precinct election officer (PEO—a poll worker) for Franklin County—home of Columbus, Ohio.
It was my third election as a PEO.
The first was last November, and the second was the
election aborted by the onset of the coronavirus
in March.
(Not sure that second one counts.)
It was my first as a Voting Location Manager (VLM), so I felt the stakes were high to get it right.
Would there be protests at the polling location?
Would I have to deal with people wearing candidate T-shirts and hats or not wearing masks?
Would there be a crash of election observers, whether official (scrutinizing our every move) or unofficial (that I would have to remove)?
It turns out the answer to all three questions was «no»—and it was a fantastic day of civic engagement by PEOs and voters.
There were well-engineered processes and policies, happy and patient enthusiasm, and good fortune along the way.
This story is going to turn out okay, but it could have been much worse.
Because of the complexity of the election day voting process, last year Franklin County started allowing PEOs to do some early setup on Monday evenings.
The early setup started at 6 o’clock.
I was so anxious to get it right that the day before I took the printout of the polling room dimensions from my VLM packet, scanned it into OmniGraffle on my computer, and designed a to-scale diagram of what I thought the best layout would be.
The real thing only vaguely looked like this, but it got us started.
What I imagined our polling place would look like
We could set up tables, unpack equipment, hang signs, and other tasks that don’t involve turning on machines or breaking open packets of ballots.
One of the early setup tasks was updating the voters’ roster on the electronic poll pads.
As happened around the country, there was
a lot
of early voting activity in Franklin County, so the update file must have been massive.
The electronic poll pads couldn’t handle the update; they hung at step 8-of-9 for over an hour.
I called the Board of Elections and got ahold of someone in the equipment warehouse.
We tried some of the simple troubleshooting steps, and he gave me his cell phone number to call back if it wasn’t resolved.
By 7:30, everything was done except for the poll pad updates, and the other PEOs were wandering around.
I think it was 8 o’clock when I said everyone could go home while the two Voting Location Deputies and I tried to get the poll pads working.
I called the equipment warehouse and we hung out on the phone for hours…re…

User Behavior Access Controls at a Library Proxy Server are Okay

User Behavior Access Controls at a Library Proxy Server are Okay

Earlier this month, my Twitter timeline lit up with mentions of a half-day webinar called
Cybersecurity Landscape – Protecting the Scholarly Infrastructure
.
What had riled up the people I follow on Twitter was the first presentation: «Security Collaboration for Library Resource Access» by
Cory Roach
, the
chief information security officer at the University of Utah
.
Many of the tweets and articles linked in tweets were about a proposal for a new round of privacy-invading technology coming from content providers as a condition of libraries subscribing to publisher content.
One of the voices that I trust was urging caution:
I highly recommend you listen to the talk, which was given by a university CIO, and judge if this is a correct representation. FWIW, I attended the event and it is not what I took away.
— Lisa Janicke Hinchliffe (@lisalibrarian)
November 14, 2020
As near as I can tell, much of the debate traces back to this article:
Scientific publishers propose installing spyware in university libraries to protect copyrights – Coda Story
https://t.co/rtCokIukBf
— Open Access Tracking Project (@oatp)
November 14, 2020
The article describes Cory’s presentation this way:
One speaker proposed a novel tactic publishers could take to protect their intellectual property rights against data theft: introducing spyware into the proxy servers academic libraries use to allow access to their online services, such as publishers’ databases.
The «spyware» moniker is quite scary.
It is what made me want to seek out the recording from the webinar and hear the context around that proposal.
My understanding (after watching the presentation) is that the proposal is not nearly as concerning.
Although there is one problematic area—the correlation of patron identity with requested URLs—overall, what is described is a sound and common practice for securing web applications.
To the extent that it is necessary to determine a user’s identity before allowing access to licensed content (an unfortunate necessity because of the state of scholarly publishing), this is an acceptable proposal.
(Through the university communications office,
Corey published a statement
about the reaction to his talk.)
In case you didn’t know, a web proxy server ensures the patron is part of the community of licensed users, and the publisher trusts requests that come through the web proxy server.
The point of Cory’s presentation is that the username/password checking at the web proxy server is a weak form of access control that is subject to four problems:
phishing
(sending email to tricking a user into giving up their username/password)
social engineering
(non-email ways of tricking a user into giving up their username/password)
credential reuse
(systems that are vulnerable because the user used the same password in more than one place)
hactivism
(users that intentionally give out their username/password so other…

Should All Conference Talks be Pre-recorded?

Should All Conference Talks be Pre-recorded?

The
Code4Lib conference
was last week. That meeting used all pre-recorded talks, and we saw the benefits of pre-recording for attendees, presenters, and conference organizers.
Should all talks be pre-recorded, even when we are back face-to-face?
Note!
After I posted a link to this article on Twitter, there was a great response of thoughtful comments. I’ve included new bullet points below and
summarized the responses in another blog post.
As an entirely virtual conference, I think we can call Code4Lib 2021 a success.
Success ≠ Perfect, of course, and last week the conference coordinating team got together on a Zoom call for a debriefing session.
We had a lengthy discussion about what we learned and what we wanted to take forward to the 2022 conference, which we’re anticipating will be something with a face-to-face component.
That last sentence was tough to compose: «…will be face-to-face»? «…will be both face-to-face and virtual»? (Or another fully virtual event?)
Truth be told, I don’t think we know yet.
I think we know with some certainty that the COVID pandemic will become much more manageable by this time next year—at least in North America and Europe.
(Code4Lib draws from primarily North American library technologists with a few guests from other parts of the world.)
I’m hearing from higher education institutions, though, that travel is going to be severely curtailed…if not for health risk reasons, then because budgets have been slashed.
So one has to wonder what a conference will look like next year.
I’ve been to two online conferences this year:
NISOplus21
and Code4Lib. Both meetings recorded talks in advance and started playback of the recordings at a fixed point in time.
This was beneficial for a couple of reasons.
For organizers and presenters, pre-recording allowed technical glitches to be worked through without the pressure of a live event happening.
Technology is not nearly perfect enough or ubiquitously spread to count on it working in real-time.
1
NISOplus21 also used the recordings to get transcribed text for the videos.
(Code4Lib used live transcriptions on the synchronous playback.)
Attendees and presenters benefited from pre-recording because the presenters could be in the text chat channel to answer questions and provide insights.
Having the presenter free during the playback offers new possibilities for making talks more engaging: responding in real-time to polls, getting forehand knowledge of topics for subsequent real-time question/answer sessions, and so forth.
The synchronous playback time meant that there was a point when (almost) everyone was together watching the same talk—just as in face-to-face sessions.
During the Code4Lib conference coordinating debrief call, I asked the question: «If we saw so many benefits to pre-recording talks, do we want to pre-record them all next year?»
In addition to the reasons above, pre-recorded talks benefit those who are no…

More Thoughts on Pre-recording Conference Talks

More Thoughts on Pre-recording Conference Talks

Over the weekend, I posted an article here about
pre-recording conference talks
and sent a
tweet
about the idea on Monday.
I hoped to generate discussion about recording talks to fill in gaps—positive and negative—about the concept, and I was not disappointed.
I’m particularly thankful to Lisa Janicke Hinchliffe and Andromeda Yelton along with Jason Griffey, Junior Tidal, and Edward Lim Junhao for generously sharing their thoughts.
Daniel S and Kate Deibel also commented on the Code4Lib Slack team.
I added to the previous article’s bullet points and am expanding on some of the issues here.
I’m inviting everyone mentioned to let me know if I’m mischaracterizing their thoughts, and I will correct this post if I hear from them.
(I haven’t found a good comments system to hook into this static site blog.)
Pre-recorded Talks Limit Presentation Format
Lisa Janicke Hinchliffe made this point early in the feedback:
@DataG For me downside is it forces every session into being a lecture. For two decades CfPs have emphasized how will this season be engaging/not just a talking head? I was required to turn workshops into talks this year. Even tho tech can do more. Not at all best pedagogy for learning
— Lisa Janicke Hinchliffe (@lisalibrarian)
April 5, 2021
Jason
described
the «flipped classroom» model that he had in mind as the NISOplus2021 program was being developed.
The flipped classroom model is one where students do the work of reading material and watching lectures, then come to the interactive time with the instructors ready with questions and comments about the material.
Rather than the instructor lecturing during class time, the class time becomes a discussion about the material.
For NISOplus, «the recording is the material the speaker and attendees are discussing» during the live Zoom meetings.
In the previous post, I described how the speaker could respond in text chat while the recording replay is beneficial.
Lisa went on to say:
@DataG Q+A is useful but isn’t an interactive session. To me, interactive = participants are co-creating the session, not watching then commenting on it.
— Lisa Janicke Hinchliffe (@lisalibrarian)
April 5, 2021
She
described an example
: the SSP preconference she ran at CHS. I’m paraphrasing her tweets in this paragraph.
The preconference had a short keynote and an «Oprah-style» panel discussion (not pre-prepared talks).
This was done live; nothing was recorded.
After the panel, people worked in small groups using Zoom and a set of Google Slides to guide the group work.
The small groups reported their discussions back to all participants.
Andromeda
points out
(paraphrasing twitter-speak): «Presenters will need much more— and more specialized—skills to pull it off, and it takes a lot more work.»
And Lisa
adds
: «Just so there is no confusion … I don’t think being online makes it harder to do interactive. It’s the pre-recording. Interactive means participants co…

Thoughts on Growing Up

Thoughts on Growing Up

It ‘tis the season for graduations, and this year my nephew is graduating from high school.
My sister-in-law created a memory book—»a surprise Book of Advice as he moves to the next phase of his life.»
What an interesting opportunity to reflect!
This is what I came up with:
Sometime between when I became an adult and now, the word «adulting» was coined. My generation just called it «growing up.» The local top-40 radio station uses «hashtag-adulting» to mean all of those necessary life details that now become your own responsibility. («Hashtag» is something new, too, for what that’s worth.)
Growing up is more than life necessities, though. This is an exciting phase of life that you’ve built up to—many more doors of possibilities are opening and now you get to pick which ones to go through. Pick carefully. Each door you go through starts to close off others. Pick many. Use this life stage to try many things to find what is fun and what is meaningful (and aim for both fun and meaningful). You are on a solid foundation, and I’m eager to see what you discover «adulting» means to you.

Digital Repository Software: How Far Have We Come? How Far Do We Have to Go?

Digital Repository Software: How Far Have We Come? How Far Do We Have to Go?

Bryan Brown’s tweet
led me to
Ruth Kitchin Tillman’s
Repository Ouroboros
post
about the treadmill of software development/deployment.
And wow do I have thoughts and feelings.
Ouroboros: an ancient symbol depicting a serpent or dragon eating its own tail. Or—in this context—constantly chasing what you can never have. Source:
Wikipedia
Let’s start with feelings.
I feel pain and misery in reading Ruth’s post.
As Bryan said in a subsequent tweet, I’ve been on both sides: a system maintainer watching much-needed features put off to major software updates (or rewrites) and the person participating in decisions to put off feature development in favor of major updates and rewrites.
It is a bit like a serpent chasing its tail (a reference to «Ouroboros» in Ruth’s post title)—as someone who just wants a workable, running system, it seems like a never-ending quest to get what my users need.
I think it will get better.
I offer as evidence the fact that almost all of us can assume network connectivity.
That certainly wasn’t always the case: routers used to break, file servers crash would under stress, network drivers go out of date at inopportune times.
Now we take network connectivity for granted—almost (
almost!
) as if it a utility as common as water and electricity.
We no longer have to chase our tail to assume those things.
When we make those assumptions, we push that technology down the stack and layer on new things.
Only after electricity is reliable can we layer on network connectivity.
With reliable network connectivity, we layer on—say—digital repositories.
Each layer goes through its own refinement process…getting better and better as it relies on the layers below it.
Are digital repositories as reliable as printed books?
No way!
Without electricity and network connectivity, we can’t have digital repositories but we can still use books.
Will there come a time when digital repositories are as reliable as electricity and network connectivity?
That sounds like a
Star Trek
world, but if history is our guide, I think the profession will get there.
(I’m not necessarily saying
I’ll
get there with it—such reliability is probably outside my professional lifetime.)
So, yeah, I feel pain and misery in Ruth’s post about the achingly out-of-reach nature of repository software that can be pushed down the stack…that can be assumed to exist with all of the capabilities that our users need.
That brings me around to one of Bryan’s tweets:
If the idea of a digital preservation platform is that it is purpose-built to preserve assets for a long period of time, then isn’t it an obvious design flaw to build it with an EOL in mind? If the system is no longer supported, then can it really be trusted for preservation?
— Bryan J. Brown (@bryjbrown)
June 22, 2021
Can digital repositories really be trusted in-and-of-themselves?
No.
(Not yet?)
That isn’t to say that steps aren’t bein…

DLTJ Now Uses Webmention and Bridgy to Aggregate Social Media Commentary

DLTJ Now Uses Webmention and Bridgy to Aggregate Social Media Commentary

When I converted this blog from WordPress to a static site generated with
Jekyll
in 2018, I lost the ability for readers to make comments.
At the time, I thought that one day I would set up an installation of
Discourse
for comments like
Boing Boing did in 2013
.
But I never found the time to do that.
Alternatively, I could do what NPR has done—
abandon comments on its site in favor of encouraging people to use Twitter and Facebook
—but that means blog readers don’t see where the conversation is happening.
This article talks about
IndieWeb
—a blog-to-blog communication method—and the pieces needed to make it work on both a static website and for social-media-to-blog commentary.
The IndieWeb is a combination of
HTML markup
and an
HTTP protocol
for capturing discussions between blogs.
To participate in the IndieWeb ecosystem, a blog needs to support the »
h-card
» and »
h-entry
» microformats.
These microformats are ways to add HTML markup to a site to be read and recognized by machines.
If you follow the
instructions at IndieWebify.me
, the «Level 2» steps will check your site’s webpages for the appropriate markup.
The Jekyll theme I use here,
minimal-mistakes
, didn’t include the microformat markup, so I
made a pull request
to add it.
With the markup in place, dltj.org uses the
Webmention protocol
to notify others when I link to their content and receive notifications from others.
If you’re setting this up for yourself, hopefully someone has already
gone through the effort
of adding the necessary Webmention communication bits to your blog software.
Since
DLTJ
is a static website, I’m using the
Webmention.IO service
to send and receive Webmention information on behalf of dltj.org and a Jekyll plugin called
jekyll-webmention_io
to integrate Webmention data into my blog’s content.
The plugin gets that data from webmention.io, caches it locally, and builds into each article the list of webmentions and
pingbacks
(another kind of blog-to-blog communication protocol) received.
Webmention.IO and jekyll-webmention_io will capture some commentary.
To get comments from Twitter, Mastodon, Facebook, and elsewhere, I added the Bridgy service to the mix.
From their
About page
: «Bridgy periodically checks social networks for responses to your posts and links to your web site and sends them back to your site as webmentions.»
So all of that commentary gets fed back into the blog post as well.
I’ve just started using this Webmention/Bridgy setup, so I may have some pieces misconfigured.
I’ll be watching over the next several blog posts to make sure everything is working.
If you notice something that isn’t working, please reach out to me via one of the mechanisms listed in the sidebar of this site.

On the Code4Lib Journal’s Two Proposed Metrics article

On the Code4Lib Journal’s Two Proposed Metrics article

Code4Lib Journal (C4LJ) editor here. Becky Yoose’s Twitter thread has stirred up a great deal of attention to an article published yesterday. This post has my own thoughts on the issue…
published on Twitter
to match Becky’s medium and here on my blog for posterity.
So yeah that Code4Lib Journal editorial and article privacy debacle.
I have a story to tell you all.
Grab a beverage of your choice and get comfortable. It’s going to be a long story.
🧵
— Becky Yoose (@yo_bj)
September 23, 2021
This first part is going to come across as defensive. «The Code4Lib Journal exists to foster community and share information among those interested in the intersection of libraries, technology, and the future.» (
mission
) Its editorial committee are volunteers. (I’m not paid by my employer to be on the editorial committee; the time I’m using during the middle of the work day to write these thoughts will have to be made up later. I don’t think any of the committee members have it in their job description to be on the committee.)
First: assume best intentions. The editorial committee (EC) selected an article for publication called
«On Two Proposed Metrics of Electronic Resource Use»
; it presented a unique approach to a hard problem: characterizing the value of subscribed resources. The EC is aware that measuring value in this way does involve recording and processing patron identifying information, and the EC discussed the privacy implications in the article. As @yo_bj pointed out in her thread, the EC sought out her expertise because of previous comments. The EC reflected on Becky’s feedback on the article—it is good feedback and I hope she does repurpose it for publication in a more public and tangible form—and discussed it with the article author. We also discussed our process of shepherding articles to publication. (If you haven’t published with the C4LJ before, it is helpful to know that the editors take a more collaborative approach to working with article authors. It is not blind peer review, nor is it co-authorship; it is somewhere in between. Good for first-article authors.)
Best intentions: The EC had an insightful potentially useful article…with ideas worthy of publication and debate. We know we asked for @yo_bj’s thoughts late in the editorial process. While the points she raised have merit, the concerns are not high enough to block publication. C4LJ does not have a point-counterpoint mode of publication. It may have been useful to invent one for this article, but we didn’t do that. It may have been useful for the EC to invite Becky to firm up her analysis and publish it along side the article; we didn’t do that. The EC did have a self-imposed deadline and nine other articles awaiting publication. We could have held publication of this article, but we elected not to do that. There may be ideas that others have—let’s hear ‘em. Instead, the coordinating editor wrote an editorial an…

What EDUCAUSE’s 2022 Top 10 IT Issues Mean for Libraries

What EDUCAUSE’s 2022 Top 10 IT Issues Mean for Libraries

Last month, EDUCAUSE published its
Top 10 IT Issues for 2022
with the subtitle «The Higher Education We Deserve».
To reach the top 10, EDUCAUSE members were asked to prioritize 17 issues identified by the EDUCAUSE IT Issues Panel members.
The members of the Issue Panel then broke up into groups to write essays on the 10 topics.
This report starts with a 1,500-word summary of the common themes in the pieces, followed by the essays themselves.
There is significant overlap in the essays to wade through with this publication style, but some valuable thoughts and observations are also there.
Here are my highlights.
In a number of places below, I will refer to sections of the EDUCAUSE article using Hypothes.is annotation links.
If you’d like to see more or carry on a conversation, see the
Hypothes.is-enabled version
of the page.
Side note before we start:
Psst. EDUCAUSE. Over here.
First, kudos for publishing this as an HTML page and not some excessively designed PDF file.
But why in the world did you publish what must be a 15,000 word HTML article with
no
table-of-contents anchors?
It sure would be nice to refer to specific essays and sub-parts within each essay.
The Big Picture
At the top of the article, the EDUCAUSE editors put a rosy hue on the opportunities for higher education coming out of the pandemic that can be enabled by educational technology.
The EDUCAUSE 2022 Top 10 IT Issues take an optimistic view of how technology can help make the higher education we deserve—through a shared transformational vision and strategy for the institution, a recognition of the need to place students’ success at the center, and a sustainable business model that has redefined «the campus.»
At least they are admitting upfront that it is an optimistic view.
If I were to write it, I’d say something like:
The EDUCAUSE 2022 Top 10 IT Issues describe a watershed moment in higher education at a time when there isn’t much water behind the dam. Faculty and staff are tired (several essays acknowledge this), and students are anxious. Calls for digital transformation mean that old ways of doing things must be replicated in two new ways: in-person/online hybrid and entirely online. And the transformation must be done at or below current budget levels. By the way: if we screw this up, our institution might die on the vine.
I’m not naturally a pessimistic person, but all this talk of Digital Transformation—that phrase is used so often in the article that the writers shorten it to a new buzzword: «Dx»—has me somewhat concerned.
There are some profound implications here, and I’m unsure where the capacity to carry out the vision described in these 10 issues will come from.
The 10 Issues
Cyber Everywhere! Are We Prepared?: Developing processes and controls, institutional infrastructure, and institutional workforce skills to protect and secure data and supply-chain integrity
Evolve or Become Extinct: Acceleratin…

Refactoring DLTJ, Winter 2021 Part 1: Picking up Obsidian

Refactoring DLTJ, Winter 2021 Part 1: Picking up Obsidian

As 2021 comes to a close, I’ve been thinking about this blog and my own «personal knowledge management» tools.
It is time for some upgrades to both.
The next few posts will be about the changes I’m making over this winter break.
Right now I think the updating will look something like this:
Ramp up automation for adding reading sources to Obsidian (this post)
Refactor the process of building this static website on AWS
Recreate the ability for readers to get updates by email
Turn the old DLTJ «Thursday Threads» concept into a newsletter
I’ll go back and link the bullet points above when (if?) I create the corresponding blog posts.
I’ve been using
Obsidian
for about six months as a place to note and link ideas on stuff I’m reading and watching.
In case you haven’t run across it yet, Obsidian is a personal wiki of sorts.
It is software that sits atop a folder of Markdown files to provide indexing as well as inter-page linking and graph views of the folder’s contents.
Most people use it to build up their own personal knowledge management (PKM) database.
You can make notes for the sources you are reading, then build knowledge by linking sources together using keywords and adding commentary at the intersection of related ideas.
Before Obsidian, I was using the
Pinboard service
to store bookmarks of interesting sources and using the paid subscription search engine and my own memory to find stuff.
I’ve found that this setup works okay for retrieval—I can usually find things that I know I’ve read about before—but doesn’t do so well for making new connections or creating new knowledge.
The
Thursday Threads
series on this blog years ago was, in part, a way to find those connections and explore them a little bit in writing.
I’m expecting Obsidian to help improve this area.
The start of the knowledge curation process is creating pages in Obsidian for the important/useful things I’m reading—each of these is a «source».
I like the idea of having a bookmark service as the start of the queue of sources feeding into the PKM; It is a universal tool that is available from a wide variety of entry points.
In my desktop browser, I use the
Pinboard Bookmarklet
to add new sources.
On iOS, I use the
Pins app
on the share sheet to add things.
The Pins app works not only in Safari but also in other places like the New York Times and Twitter apps.
To get sources from Pinboard into my Obsidian PKM database, I wrote a
Python script
that uses the Pinboard API to copy bookmarks into an intermediate SQLite3 database, and then every morning creates a page in the Obsidian database for each new source.
Please note that this Python script is quite the mess; it started simple but has had functionality grafted into it a dozen times now, and it is in need of a serious rewrite.
For better or for worse, it is out there for others to inspect and get ideas from.
For the sources I add to my PKM, I’m also concern…

Refactoring DLTJ, Winter 2021 Part 2: Adopt AWS Amplify

Refactoring DLTJ, Winter 2021 Part 2: Adopt AWS Amplify

Look at that!
Progress is being made down the list of to-dos for this blog in order to start the new year on a fresh footing.
As you might recall from the last blog post, I set out to do some upgrades across the calendar year boundary:
Ramp up automation for adding reading sources to Obsidian
Refactor the process of building this static website on AWS (this post)
Recreate the ability for readers to get updates by email
Turn the old DLTJ “Thursday Threads” concept into a newsletter
DLTJ is a «static site» blog, meaning that the page you are reading right now is a straight-up HTML file.
This page is converted from the simple
Markdown format
to HTML by the
Jekyll
program.
The DLTJ blog used to be based on WordPress, which meant a server was always running to dynamically generate each webpage out of a database.
(If you go back in the DLTJ archives you’ll see notes on top of pages that were part of the automatic conversion from WordPress to Markdown.)
That WordPress server was quite costly to have constantly run for a small blog.
(Yes, it is possible to pay someone a small amount to host your WordPress blog for you, but I’m a do-it-yourself kind of person.)
So
at the end of 2017 I migrated the site
to
Markdown stored in a GitHub repository
with the Jekyll conversion and content delivery through Amazon Web Services (AWS).
Serving up static web pages from AWS S3/CloudFront is really simple.
Processing the Markdown on GitHub into HTML via Jekyll on AWS is more complicated, and that process was something that I wanted to happen automatically every time I published a change to GitHub.
I ended up hand-crafting about 650 lines of an AWS CloudFormation configuration file plus a few dozen lines of Python in some AWS Lambda functions.
It worked, but it was fragile and very hard to maintain.
That was in 2017 and technology marches on; now AWS has a service that does all of the automation for you.
Called
Amplify
, it bundles together a bunch of other AWS tools to help developers to create «full-stack web and mobile apps.»
The Amplify tools are really quite overkill for a static website, but
building a static website
is one of the hands-on «Getting Started» examples that AWS offers.
For a static website, Amplify handles:
creating an S3 bucket and CloudFront distribution to store and serve up the content
provisioning a webhook API that notifies AWS to start the content building process and adds that webhook to the GitHub repository
setting up the CodeBuild process for Jekyll to generate the static web pages
creating the HTTPS security certificate and adding the appropriate DNS entries to the domain
All of the stuff I was doing in that 650-line CloudFormation file.
(Plus Amplify has a lot more interesting features built into the service.)
AWS Amplify Console
One Problem: Getting the Correct Version of Ruby
Now for the two-hour detour.
At least one of the Jekyll Gems I’m using to build th…

Refactoring DLTJ, Winter 2021 Part 2.5: Fixing the Webmentions Cache

Refactoring DLTJ, Winter 2021 Part 2.5: Fixing the Webmentions Cache

Okay, a half-step backward to fix something I broke yesterday.
As I
described earlier this year
, this static website blog uses the
Webmention protocol
to notify others when I link to their content and receive notifications from others.
Behind the scenes, I’m using the Jekyll plugin called
jekyll-webmention_io
to integrate Webmention data into my blog’s content.
Each time the contents of this site is built, that plug-in contacts the
Webmention.IO service
to receive its Webmention data.
(Webmention.IO holds onto it between Jekyll builds since there is no always-on «dltj.org» server to receive notifications from others.)
The plug-in caches that information to ease the burden on the Webmention.IO service.
The previous CloudFormation-based process was using AWS CodeBuild natively, and the Webmention cache was stored in
CodeBuild’s caching function
.
CodeBuild automatically downloads the previous cache into the working directory for each build iteration and then automatically uploads the cache as the build is completed.
Handy, right?
Well, AWS Amplify simplifies some of the setup of working with the underlying CodeBuild tool.
One of the configuration options that is no longer available is the ability to specify which S3 bucket to use as the CodeBuild cache; so I couldn’t point it at the previous cache files and all of the previous Webmention entries no longer appeared on the blog pages.
Fortunately, I hadn’t decommissioned the CloudFormation stuff, so I still had access to the old cache; I was able to extract the four webmention files (but see below for a discussion about that).
Since Amplify doesn’t allow me to have direct access to the CodeBuild cache, I decided it was high time to use a dedicated cache location for these webmention files.
To do that took three steps:
1. Create the S3 bucket (with no public access)
2. Add read/write policy for that bucket to the AWS role assigned to the Amplify app
3. Add lines to the
amplify.yml
file to copy files from the S3 bucket into and out of the working directory
For step 2, the IAM policy for the Amplify role:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
{
«Version»
:
«2012-10-17»
,
«Statement»
:
[
{
«Sid»
:
«VisualEditor0»
,
«Effect»
:
«Allow»
,
«Action»
:
[
«s3:DeleteObject»
,
«s3:PutObject»
,
«s3:GetObject»
,
«s3:ListBucket»
],
«Resource»
:
«arn:aws:s3:::org.dltj.webmentions-cache»
},
{
«Sid»
:
«VisualEditor1»
,
«Effect»
:
«Allow»
,
«Action»
:
[
«s3:ListAllMyBuckets»
],
«Resource»
:
«*»
}
]
}
For the
amplify.yml
file:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
version
:
1
frontend
:
phases
:
preBuild
:
commands
:
–
aws s3 cp s3://org.dltj.webmentions-cache webmentions-cache –recursive
–
rvm use $VERSION_RUBY_2_6
–
bundle install –path vendor/bundle
build
:
commands
:
–
rvm use $VERSION_RUBY_2_6
–
bundle exec jekyll build –trace
postBuild
:
commands
:
–
aws s3 cp webmentions-cache …

Refactoring DLTJ, Winter 2021 Part 3: «Serverless» Newsletter System

Refactoring DLTJ, Winter 2021 Part 3: «Serverless» Newsletter System

So it has been quiet here for a couple of days.
Rest assured: the quietness comes from heads-down work, not from giving up.
Here are the refactor-DLTJ activities so far:
Ramp up automation for adding reading sources to Obsidian
Refactor the process of building this static website on AWS
Fix the webmentions cache, an unanticipated diversion
Recreate the ability for readers to get updates by email (this post)
Turn the old DLTJ “Thursday Threads” concept into a newsletter
Since New Years Day, I’ve been working on a way to send the contents of blog posts by email…commonly known nowadays as a newsletter.
Years ago, I was using the Feedburner service to do that.
Then Feedburner was bought by Google, and things were mostly okay for a while.
Which is to say that most everything was working, and the things that weren’t—
like HTTPS for custom RSS domain names
—had workarounds.
But last summer
Feedburner-Google discontinued the distribution of blog posts by email
, which necessitated the need to buy or build my own email distribution system.
There are certainly «buy» options.
For instance, one might use
Medium
for writing and distribution.
But I’ve seen too many services come and go to come to rely on a business to be a good steward of my content.
The
Substack service
has the same problem.
For a while I considered the
follow.it service
as an alternative to Feedburner that included a newsletter-like add-on, but its «white label» service inserts the «follow.it» domain name in critical places where I would lose control over my list of subscribers.
(After all, I’m only able to do this cleanly because I kept control over my RSS feed by using «feeds.dltj.org» as a hostname.)
So I’m running it myself.
I briefly considered
listmonk
, but I don’t know the Go programming language so that make troubleshooting and enhancing more of a challenge.
Not readily spotting other alternatives, I created my own system using AWS tools, the
Serverless.com framework
, and the Python programming language.
Thanks to a
great outline by Marco Lancini
and
ideas from Victoria Drake
.
The
newsletter infrastructure software is on GitHub
.
It deserves a decent README file and some documentation to help others use it if they are so inclined.
There are also a number of hard-coded areas that would need to be made more general.
(See, for instance,
these couple of lines
that are used to pull out the body of the blog post for inclusion into the newsletter email.)
But Why
I’ve been asked,
why do you go through all of this work instead of just hosting your blog on WordPress.com
?
That is a reasonable question and it deserves a thoughtful response.
I like control of my content.
My writings have always been stored on devices that I have a moderate amount of control over—first WordPress on a personal server in a co-location space, then WordPress on an Amazon Web Services (AWS) server, then as static files cr…

Refactoring DLTJ, Winter 2021 Part 4: Thursday Threads Newsletter Launches

Refactoring DLTJ, Winter 2021 Part 4: Thursday Threads Newsletter Launches

Success!
Four parts plus a half (or a «re-do»» of part 2):
Ramp up automation for adding reading sources to Obsidian
Refactor the process of building this static website on AWS
Fix the webmentions cache, an unanticipated diversion
Recreate the ability for readers to get updates by email
Turn the old DLTJ “Thursday Threads” concept into a newsletter (this post)
Earlier today, the newsletter launched with
issue 79
.
It wasn’t without hiccups, but I don’t think any of the problems leaked out to the subscribers.
I started with a list of 286 email addresses that were subscribed to the 2015 edition.
This morning I sent an email to all of them on the blind-carbon-copy line from my regular email.
That way I could see which addresses bounced back as undeliverable (94 addresses) before loading the list into the newsletter database.
(Undeliverable email counts as a strike against you when using Amazon’s Simple Email Service, so I didn’t want to start with a bad reputation with them.)
One of the issues I ran into was with the multiprocessing code that I found on the web.
It didn’t work as claimed, and when I tried to adjust it, the loop to process email stalled, so I ripped out that code.
In the end, with about 200 email addresses, it took just a minute or two of single-threaded, sequential sending to get them all out.
Perhaps I won’t need that multi-threaded capability until
Thursday Threads
gets much bigger.
How the Newsletter is Put Together
Like everything on this static site blog, an issue starts as a Markdown file.
Markdown is a light-weight markup language that translates very easily into HTML, and makes it easy for a writer to create valid HTML.
It is also possible to mix HTML inside a Markdown file and have the right thing happen.
The Jekyll processor (the program that turns a folder of Markdown files into a folder of HTML files) has a mechanism for including macros in the markup, and each «thread» in the issue is a macro file.
If you look at the
Markdown source for issue 79
, you’ll see each heading (marked with
##
) has a
{% include thursday-threads-quote.html %}
macro definition.
1
2
3
4
5
6
7
8
{
% include thursday-threads-quote.html
blockquote
=
«The EDUCAUSE 2022 Top 10 IT Issues take an optimistic view of how technology can help make the higher education we deserve—through a shared transformational vision and strategy for the institution, a recognition of the need to place students’ success at the center, and a sustainable business model that has redefined ‘the campus.'»
url
=
«https://er.educause.edu/articles/2021/11/top-10-it-issues-2022-the-higher-education-we-deserve»
versiondate
=
«2021-11-12»
versionurl
=
«https://web.archive.org/20211127031010/https://er.educause.edu/articles/2021/11/top-10-it-issues-2022-the-higher-education-we-deserve»
anchor
=
«Top 10 IT Issues, 2022: The Higher Education We Deserve»
post
=
«, EDUCAUSE»
%}
Each of th…

Issue 79: Educational Technology Futures, Social Media Legislation, Apollo 11 Launch at 50

Issue 79: Educational Technology Futures, Social Media Legislation, Apollo 11 Launch at 50

Welcome to the re-inaugural issue of
DLTJ Thursday Threads.
Counting backward, there were
78 previous issues
(all by the most recent still need to be converted from the old WordPress style of formatting) with—all told—several hundred references and commentary.
Here at the start of 2022, I’m making a resolution to restart
Thursday Threads
with links and thoughts about library technology, general technology trends, and internet culture.
What EDUCAUSE’s 2022 Top 10 IT Issues Mean for Libraries
Legislation in the Works for Social Media Regulation
Relive the 50th Anniversary of the Apollo 11 Launch…Projected onto the Washington Monument!
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
What EDUCAUSE’s 2022 Top 10 IT Issues Mean for Libraries
The EDUCAUSE 2022 Top 10 IT Issues take an optimistic view of how technology can help make the higher education we deserve—through a shared transformational vision and strategy for the institution, a recognition of the need to place students’ success at the center, and a sustainable business model that has redefined ‘the campus.’
—
Top 10 IT Issues, 2022: The Higher Education We Deserve
, EDUCAUSE
Let’s start with this report from EDUCAUSE from a panel of its members that reviewed survey results on what they see as the big educational technology issues for the year.
I cover this report in more depth in a
separate
DLTJ
article
, but I think it is useful to provide some of the headline commentaries here.
First, these IT leaders anticipate an acceleration of the role of technology in teaching and learning.
The pandemic has spawned a new recognition of how big the cohort of «non-traditional» students is—part-time learners, remote learners, asynchronous learners, etc.
Instructional technologists will certainly be called upon to support new tools and new roles; the academic librarian’s instructional experience and traditional «high-touch» approach to supporting users can be an asset for institutions that choose to tap that capability.
There is recognition that we are all tired and stretched as well as the reality that one-time emergency money is drying up.
Still, there is room for growth for academic libraries seeking to re-form their mission for a new era.
Legislation in the Works for Social Media Regulation
Washington is awash in proposals for reforming social media, but in a narrowly divided Congress, it’s little surprise that none have passed. Many Democrats believe that social media’s core problem is that dangerous far-right speech is being amplified. Many Republicans believe that the core problem is that the p…

Router Behind a Uverse/Pace 5268ac Gateway Loses its Mind Every 10 Minutes

Router Behind a Uverse/Pace 5268ac Gateway Loses its Mind Every 10 Minutes

Late last year, I had my AT&T Uverse residential gateway replaced.
For reasons that truly baffle me, AT&T has decided that
they are going to run unsupported equipment on their residential customer network
.
When the replacement was swapped in, my family noticed that video conference calls—Zoom and Facetime and Slack—would occasionally drop out for about 10 seconds before continuing.
After much frustration, I started timing the outages and found that they were happening at roughly 10-minute intervals (plus or minus just a few seconds).
Some internet searching lead to a forum post (
page 1
,
page 2
) on AT&T’s customer site.
As it turns out, there is a conflict with the DHCP address assignment messages when the residential gateway is in DMZplus mode.
1
Forum user «weshunt» had the right solution:
I’m not a network confguration expert, but it bothered me that the Pace [residential gateway] and the USG both wanted to use 192.168.1.x for DHCP allocations. I noticed that even after putting the USG into the DMZPlus, I could connect a wireless device and it would get an address in the Pace’s default 192.168.1.x range, which conflicted with the IP range the USG was trying to manage. And of course the Pace answered to 192.168.1.254, which was also in the default allocation range of the USG.
So I changed the DHCP settings on the Pace to answer to a different subnet (192.168.100.1 with a DHCP allocation range inside 192.168.100.x as well). Like magic, the USG immediately picked up the DHCP assignment from the Pace and got the public IP exactly like I wanted. Now the networks don’t seem to want to fight each other. I can still access the Pace from the wired network via the new gateway IP (192.168.100.1), and also connect to the Pace wirelessly using the old SSID if I need to, though I’m shutting that down to alleviate unnecessary wireless congestion.
Step by step, this is what you need to do.
Change the LAN DHCP Range
With a web browser, go to your residential gateway advanced device configuration page.
The link for this will be printed on the bottom of the gateway and is probably http://192.168.1.254.
You will also need the «Device Access Code» that is printed just below that web address.
I’m using a hardwired ethernet connection between my desktop and the residential gateway, but this will probably also work over wireless, too.
Click on
Settings
… then
LAN
… … then
DHCP
.
In the «DHCP Configuration»→»DHCP Network Range» section, select «Configure manually» and enter these values:
Router Address: 192.168.100.1
Subnet Mask: 255.255.255.0
First DHCP Address: 192.168.100.100
Last DHCP Address: 192.168.100.200
DHCP Lease Time: 24
At the bottom, click «Save». You’ll need your Device Access Code at this point to save your changes.
Pace Residential Gateway DHCP Configuration Page
The IP address ranges on the LAN side of the residential gateway have now changed, so t…

Issue 80: Cryptocurrency’s Wasteful Energy Consumption and an Ode to Interlibrary Loan

Issue 80: Cryptocurrency’s Wasteful Energy Consumption and an Ode to Interlibrary Loan

Welcome to issue 80 of Thursday Threads.
I’m so happy many of you chose to stick around and greetings to all of the new subscribers.
To those that received my email last Thursday giving you a heads-up that a new issue would be coming to your inbox but then didn’t receive it: check your spam folder.
Over the course of the week, I’ve learned a great deal more about the spam-prevention mechanisms that are keeping our inboxes as clean as they are.
I highly recommend the
interactive ‘Learn and Test DMARC’
site sponsored by URIPorts.
It was useful to see several standards come together to ensure email senders are who they say they are.
(If you find this issue in your spam folder, please reply so I can track down more of the causes.)
Two threads this week:
Cryptocurrency’s Energy Consumption
Ode to Interlibrary Loan
On a professional note, my employer is looking for a
FOLIO Services Analyst
to join our growing effort bringing the FOLIO open source platform to libraries around the world.
If getting in on the ground floor of a revolution in library technology sounds appealing, check out the job description at the link above.
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Cryptocurrency’s Energy Consumption
Kosovo’s government on Tuesday introduced a ban on cryptocurrency mining in an attempt to curb electricity consumption as the country faces the worst energy crisis in a decade due to production outages.
—
Kosovo bans cryptocurrency mining to save electricity
Reuters, 5-Jan-2022
An army of cryptocurrency miners heading to the state for its cheap power and laissez-faire regulation is forecast to send demand soaring by as much as 5,000 megawatts over the next two years. The crypto migration to Texas has been building for months, but the sheer volume of power those miners will need — two times more than the capital city of almost 1 million people consumed in all of 2020 — is only now becoming clear.
—
Texas Plans to Become the U.S. Bitcoin Capital. Can Its Grid, Ercot, Handle It?
Bloomberg, 19-Nov-2021
Tape Pile
, by SidewaysSarah, CC-By
One thread that I already anticipate will be covered on many Thursdays is the growing cryptocurrency problem.
In this edition: how cryptocurrencies are a waste of resources.
A brief introduction, in case you haven’t encountered this technology yet, goes like this: cryptocurrencies are tokens of value that are exchanged on a «blockchain».
A blockchain, in turn, is like a strip of calculator tape…once something is printed on it, it doesn’t come off and it is there for everyone to see.
Cryptocurrencies need «miners» to do th…

Issue 81: Controlled Digital Interlibrary Lending, Gamers Revolt Against NFTs, and Cats

Issue 81: Controlled Digital Interlibrary Lending, Gamers Revolt Against NFTs, and Cats

Alan the cat
Wednesday night with a cat on the lap, composing the next day’s
Thursday Threads
.
How could life get any better?
Hey…I’m not above using cat pictures to satisfy readers.
In fact, I’m going to do it one more time before this newsletter is finished.
(Oh, and if you are not seeing the pictures in your email, go ahead and click on the «load remote images button»—these are shared from my own site and there are no trackers in use.)
Thanks for the feedback on
Thursday Threads
—it has been very helpful.
With this issue, I think you’ll notice the email has a better visual look.
The
website of back issues
has some improvements as well, and I’m starting to get into the swing of converting old posts to the new format.
The threads this week:
Controlled Digital Lending Gets a Funding Boost
Gamers Pushing Back Against Non-Fungible Tokens
Cat Dish
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Controlled Digital Lending Gets a Funding Boost
The Davis Educational Foundation has awarded the Boston Library Consortium a two-year $215,000 grant to accelerate the implementation of controlled digital lending as a mechanism for interlibrary loan. The grant supports plans described in BLC’s ‘Consortial CDL: Implementing Controlled Digital Lending as a Mechanism for Interlibrary Loan’ report published in September 2021.
—
Davis Educational Foundation award accelerates Boston Library Consortium’s controlled digital lending implementation
, Boston Library Consortium, 13-Jan-2022
The National Information Standards Organization (NISO) today announced that it has received a grant of $125,000 from The Andrew W. Mellon Foundation to support the development of a consensus framework for implementing controlled digital lending (CDL) of book content by libraries, which has been approved by NISO members as a new initiative.
—
NISO Awarded Mellon Funding for Controlled Digital Lending Project
NISO Press Release, 20-Sep-2021
From my perspective, controlled digital lending for interlibrary loan (or «CDILL») is gaining steam.
(I’m trying to make «CDILL» stick as a way of differentiating this type of controlled digital lending from the kind where a library uses CDL techniques to offer its own materials to its own patrons.)
These two funding announcements show support for the development of systems and practices for libraries to advance the cooperation beyond the point of shipping physical books back and forth.
(Although shipping physical books back and forth is still a noble effort by libraries, as last week’s
ode to interlibrary loan
demonstrated.)
The key to mak…

A Better Structlog Processor for Python for CloudWatch Logs Using AWS Lambda

A Better Structlog Processor for Python for CloudWatch Logs Using AWS Lambda

I was introduced to structured logs at work, and this ol’ hacker thinks that is a darn good idea.
For a new program I’m writing, I wanted to put that into use.
The program uses AWS Lambdas, and the log entries for the Lambdas end up in CloudWatch Logs.
Unfortunately, in its default configuration, the output is less than useful:
Default configuration structured logs
AWS has configured the default Python logger in the Lambdas to automatically put the timestamp and the HTTP API request ID from the context in the display when the log line is collapsed.
When you expand the log line, you can see the additional detail in structured JSON.
That timestamp is duplicated in the column to the left, and the UUID is really not useful in this context.
What I’d rather see is the
event
that caused the line to be logged and any corresponding
error message
.
Enhanced configuration structured logs
It took some trial and error to make this happen.
This post describes that process in case I or anyone else needs this in the future.
The Usefulness of Structured Logs
I believe the widespread use of format strings in logging is based on two presumptions:
The first level consumer of a log message is a human.
The programmer knows what information is needed to debug an issue.
I believe these presumptions are
no longer correct
in server side software.
—
Paul Querna
This quote is from a 2011 blog post.
It’s only now that I’m getting involved with troubleshooting distributed systems running on AWS that I appreciate the value of Paul’s insight.
The ability to
search
the contents of log files combined with the ability to correlate log messages from disparate programs is a real game-changer.
(This coming from a programmer who still feels most comfortable trolling through
/var/log
with liberal
grep
and
awk
commands.)
I’ve seen the light.
And so with this new effort, I’m using the Python
Structlog package
to simplify the building of the stuctured logs.
The problem is that AWS is too smart for its own good.
When you use the AWS-supplied Python installation, it:
Sets the log level to WARN, and
Sets the format string to include the timestamp and UUID of the Lambda call in front of anything you want to log.
Both of those are really annoying.
The way to get around the first is somewhat cumbersome, as
this answer on Stack Overflow describes
.
The nicest solution—if you are using Python 3.8 or higher—is to use the
force=true
on the
logging.basicConfig
call:
1
2
3
4
5
6
logging
.
basicConfig
(
format
=
»
%(message)s
»
,
stream
=
sys
.
stdout
,
level
=
logging
.
DEBUG
,
force
=
True
,
)
The second line of this code snippet is the start of the solution to address the second problem described above—it clears out the AWS-supplied formatting string.
In its place, we will put our own formatted string.
Tricking CloudWatch to Display Useful Content
I couldn’t find this documented anywhere, but th…

Issue 82: Personal Digital Library, Video Preservation, Selling Prayers, and Library Ebook Legisl…

Issue 82: Personal Digital Library, Video Preservation, Selling Prayers, and Library Ebook Legislation

The People Have Spoken
On a whim, last Thursday I put out a poll with the announcement of
last week’s issue
.
Out of the three threads,
controlled digital lending
,
gamers and NFTs
, and
cats
, the winner was cats.
The sample size was small—five votes—so I’m not ready to throw out the digital quill pen yet.
But if it readers want cats, readers shall have cats.
I have plenty of cat pictures.
And keep the feedback coming.
The threads this week:
Attorney General of India’s Online Collection of Rare Books
«Inside WWE’s massive video vault»
Prayers For Sale
Ebooks Wanted For Sale (for reasonable terms)
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Attorney General of India’s Online Collection of Rare Books
Attorney General K.K. Venugopal has granted public access to a wide collection of rare books in his library, through a website. It lists over 570 books, some of which date back to the 17th century. The ‘antiquarian’ or rare book collection has been digitally scanned and made available for the public. The publications cover a wide range of subjects, from religion, mythology and the Vedas, to Indian art and sculpture, historical battles, the British Empire in India and tales of travels across the world.
The website, however, clarifies that these books are not copyrighted in India, either because the copyright has expired or because the books are not covered under the Indian copyright laws. It adds that while readers located anywhere in India can download them, those located outside India should check their country’s laws before downloading content from the website. The website also makes it clear that the books uploaded are for ‘personal or research use only, and not for commercial use or exploitation.
—
Attorney General KK Venugopal converts his rare book collection into public online library
The Print (India), 25-Mar-2020
I learned about this article and corresponding website during the
Controlled Digital Lending Implementers (CDLI)
monthly forum.
Aishwarya Chaturvedi, LL.M. candidate from the Cornell Law School, spoke about copyright law in Inda relative to efforts to start a controlled digital lending practice at the forum, and she included mention of
Mr. Venugopal’s library website
.
It is a WordPress site with the books embedded with a PDF reader, and some of the books are relatively recent—1980s and one from 1994.
Ms Chaturvedi has a preprint in SSRN:
Digital Libraries, Copyright and the COVID-19 Pandemic: A Comparative Study of India and The United States
.
It is a cross-cultural exploration of the legal mechanics of d…

Issue 83: Author’s CDL Thoughts, WWE’s Monopsony, Child’s Library Book

Issue 83: Author’s CDL Thoughts, WWE’s Monopsony, Child’s Library Book

Greetings from the wintery mix that is central Ohio.
The local school district called off school yesterday afternoon in preparation for what came today.
Also yesterday: Ohio’s own «Buckeye Chuck»
predicted an early spring
.
Let’s be grateful for snow days (and teenagers who shovel snow) and for predictions of early spring.
In the meantime, the threads this week:
Author Speaks Up for Controlled Digital Lending
The Wrestling Monopsony
Self-publishing the Local Way
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, visit the
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.
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Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Author Speaks Up for Controlled Digital Lending
The controversial tweet.
The Big Five publishing houses’ share of the approximately $25 billion book publishing market is estimated at 80%. And it’s Big Publishing that is indeed throwing its weight around by suing the Internet Archive (the “org making reproductions” referenced here, which is actually a California state library and leading institution for digital preservation, not some random “org”).
Again, [Controlled Digital Lending] provides the legal framework for any library to make
one copy
of
one paper book
that it owns and loan it to
one patron
at a time.
—
What Kind of Writer Accuses Libraries of Stealing?
Maria Bustillos on Popula, 22-Jan-2022
Maria Bustillos wrote approvingly of controlled digital lending (CDL) in a quoted tweet of the Internet Archive. In response, she received a flurry of negative responses that seem to misunderstand a fundamental tenant of CDL: the own-to-loan ratio. If a library owns a copy of a book and takes the steps to physically sequester it, the library can loan a digital copy to patrons. I’ve read a lot on the library’s perspective of CDL, and it was useful to hear how an
author’s
perspective aligns with the goals of the library.
The Wrestling Monopsony
In the 70s, there were 32 wrestling promoters in the North American market, all competing for audiences and performers, all bidding to sew up TV rights with different broadcasters. Wrestlers like Andre the Giant were able to improve their working conditions by playing off rival leagues against one another.
In a single lifetime, the market has collapsed, with 85% market-share going to WWE and McMahon, the billionaire major Trump donor whose loyalty was rewarded when his wife Linda, a WWE executive, was given a plum job as head of Trump’s Small Business Administration.
—
Grappling with Big Wrestling: Vince McMahon has a monopoly on violence
, Cory Doctorow’s Pluralistic, 31-Jan-2022
Pulling through a thread from last week about
Worldwide Wrestling Entertainment’s video archive
…I included a quote from WWE’s Director of M…

Starting a Python-oriented Serverless-dot-com Project

Starting a Python-oriented Serverless-dot-com Project

In the past few months, I’ve created about a half-dozen projects using «serverless» infrastructure on Amazon Web Services (AWS).
(And I’m about to start another one.)
Over the course of these projects, I’ve refined my development environment into something that I think is useful to share, so read on for how to make Python, Node, and Serverless.com work together and work independently from your other projects.
About «Serverless»
«Serverless» is both a term for a kind of computing environment and the name of a framework that helps manage such environments.
As a computing environment, «serverless» abstracts away the needs to manage the servers and underlying operating systems from the task of writing and running code.
If you assume that a fully-patched server at the required capacity is ready and waiting to run your code, then a serverless environment allows the developer to focus on just running the code.
Someone else will deal with the other parts.
AWS’
Lambda
is probably the best known, but other major cloud computing environments (
Microsoft Azure
,
Google Cloud Services
,
Cloudflare Workers
) and datacenter tools (
Apache OpenWhisk
,
Kubeless
) have the same thing.
»
serverless.com
» is also the name of a specific framework that helps developers manage serverless environments.
It takes care of the tasks of bundling up code, setting up the appropriate triggers (web APIs, message queues, etc.), managing versions, and similar tasks.
To make matters even more confusing, «Serverless.com» is also a service for managing workloads in serverless environments…so hopefully you can see that talking about «serverless» quickly gets one to «what ‘serverless’ are you talking about?»
As far as understanding serverless-the-framework, I recommend skipping the homepage and going right to the
framework documentation
.
Building Up the Environment
There is one globally-installed prerequisite that I use:
pipenv
.
Pipenv creates isolated Python environments…the python executable and installed modules for the project are separated from those of the underlying operating system.
There are many isolated Python environment tools—
pipenv
,
virtualenv
,
poetry
—but I’ve used pipenv for a long time and it has the advantage of working with Eugene Kalinin’s
nodeenv
project: a Node isolation tool that integrates with pipenv.
In other words, in one directory I’m getting both Python isolation and Node isolation.
The numbered steps below are the sequence of commands to set this up. If you want to see what an empty shell looks like—along with some strong opinions about how I like to set up Serverless for myself—check out this GitHub repository:
dltj/serverless-template
.
mkdir serverless_project && cd serverless_project
— create an empty directory and change into it
PIPENV_VENV_IN_PROJECT=1 pipenv install
— create an isolated installation of Python in this environment
[note 1]
pipenv install –dev nodee…

Issue 84: Chips Go Bad, Learn From Our Cyber Mistakes, Automation at the USPS

Issue 84: Chips Go Bad, Learn From Our Cyber Mistakes, Automation at the USPS

The invoice is in.
This reengineered blog and the reinvigorated
Thursday Threads
newsletter cost just US$2.51 last month.
All of that cost is in the blog construction and delivery.
The cost of delivering the newsletter alone falls well below
AWS’ always-free tiers of service
.
Not bad!
And as always, no internet trackers or surveillance capitalism is involved.
The threads this week:
When Bugs Come from the Chips, not the Code
Learning From Our Cyber Mistakes
Automation at the United States Postal Service
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, visit the
sign-up page
.
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follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
When Bugs Come from the Chips, not the Code
Imagine for a moment that the millions of computer chips inside the servers that power the largest data centers in the world had rare, almost undetectable flaws. And the only way to find the flaws was to throw those chips at giant computing problems that would have been unthinkable just a decade ago.
As the tiny switches in computer chips have shrunk to the width of a few atoms, the reliability of chips has become another worry for the people who run the biggest networks in the world. Companies like Amazon, Facebook, Twitter and many other sites have experienced surprising outages over the last year.
—
Tiny Chips, Big Headaches: As the largest computer networks continue to grow, some engineers fear that their smallest components could prove to be an Achilles’ heel
, New York Times, 7-Feb-2022
We have all experienced unexplained computer errors.
The software programmer among us cringe and think about what they possibly did wrong.
Did I use the wrong variable in that loop, did I miss a
hyphen
?
What if the programmer did everything correctly and the computer just «glitched»?
Modern computers have many layers of redundancy built into them—error-correcting memory, multi-drive storage volumes, checksums on blocks of data, and so forth.
This article from the
New York TImes
points to a new cause…the physics of electrons moving over very small spaces.
As the hardware architects press for smaller, faster, more electrically efficient chips, they will more often face this challenge and need to account for it in their designs.
Learning From Our Cyber Mistakes
The new Cyber Safety Review Board is tasked with examining significant cybersecurity events that affect government, business and critical infrastructure. It will publish reports on security findings and recommendations, officials said…
The board, officials have said, is modeled loosely on the National Transportation Safety Board, which investigates and issues public reports on airplane crashes, train derailments…

You’re getting «Invalid request provided: AWS::CloudFront::PublicKey» because CloudFront Public K…

You’re getting «Invalid request provided: AWS::CloudFront::PublicKey» because CloudFront Public Keys are immutable

This is the web page I wish I had found when I spent the afternoon sorting through why AWS CloudFormation kept telling me:
Resource handler returned message: «Invalid request provided: AWS::CloudFront::PublicKey»
Like me, you might be working on a Serverless.com stack and are trying to restrict access to items in an S3 bucket through CloudFront.
You might even be putting the public key text block into a YAML multiline string in an external configuration file and pulling that into your
serverless.yml
file.
And you are pulling your hair out because when you run updates on your stack, you get this error.
So in frustration, you blow away the stack and recreate it.
It works fine at first, but soon you are back at that same error above.
Do you want to know why?
An
AWS::CloudFront::PublicKey
resource is immutable, you idiot.
(Me idiot, actually. Hopefully you are fortunate in finding this page early in your quest to solve the problem.)
The clue came from
this issue report in the CloudFormation coverage roadmap page
:
As mentioned in the API documentation :
UpdatePublicKey
UpdatePublicKey action lets you update just the
Comment
field. The values
EncodedKey
and
Name
are immutable, and cannot be updated once created. To update the Key or the Name, a new PublicKey must be created using CreatePublicKey and use it.
The resources section of my
serverless.yml
file looks like this:
1
2
3
4
5
6
7
WebsiteDistributionPublicKey
:
Type
:
AWS::CloudFront::PublicKey
Properties
:
PublicKeyConfig
:
Name
:
${self:custom.stack_name}
CallerReference
:
${self:custom.config.PUBLIC_KEY_CALLER_REFERENCE}
EncodedKey
:
${self:custom.config.PUBLIC_KEY_ENCODED}
I’m using
Rich Buggy’s ‘Keeping secrets out of Git’ technique
to store secrets outside of the
serverless.yml
file, so I have a custom section that looks like this:
1
2
3
4
5
custom
:
default_stage
:
dev
stage
:
${opt:stage, self:custom.default_stage}
stack_name
:
${self:service}-${self:custom.stage}
config
:
${file(config.yml):${self:custom.stage}}
… which reads in this file:
1
2
3
4
5
6
7
8
9
10
11
12
13
default
:
&default
<< : *default PUBLIC_KEY_CALLER_REFERENCE : SomeRandomString PUBLIC_KEY_ENCODED : | -----BEGIN PUBLIC KEY----- MIIBIjANBgkqhkiG9w0BAQEFAAOCAQ8AMIIBCgKCAQEAwU37058NQTUqEHBor95x VZ1iezIzZB7MWoYHt4KCRDVw5G3h/pzDKLu2NKo+rVOBztgQ+cefdqBNWa2Mf4Tl YQxOP9m978C2f4H9tc8c2px9Lxdkh27Vd8xZx/JHPvnqTUYP/p6WNa+jLVm6TV7a mL5QqrURd9OpOoyrfKmzhkJwrBxhT8WlchKmnd3S+dotAFdOgb8aABtdIEoCvKYq +MeAeBrsE1UhennDU/yWfNl2deGUCUnhkWPHDmLgObr/iYGZamdnp6InjUX2PLsC leQuc1M13904QKX+0wfUNin6IK9Pn+UmLupQSg0ou533Nxkw69KLZRAvoOHJlZJW BwIDAQAB -----END PUBLIC KEY----- ... and populates the variables you saw in the fragment at the top. (If you've read this far and are interested in how I set up serverless.com projects, check out the blog post I wrote earlier this week on the topic.) The practical upshot is if any...

Issue 85: Privacy-busting Journal Article Fingerprints, Fraud in NFTs, Improve Your Life

Issue 85: Privacy-busting Journal Article Fingerprints, Fraud in NFTs, Improve Your Life

The middle of February already.
Time is flying; I hope you are having fun.
The threads this week:
Privacy-busting Fingerprints in Journal Articles
Fraud in NFTs
Improve Your Life
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, visit the
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where I post the bookmarks I save. Comments and tips, as always, are welcome.
Privacy-busting Fingerprints in Journal Articles
One of the world’s largest publishers of academic papers said it adds a unique fingerprint to every PDF users download in an attempt to prevent ransomware, not to prevent piracy.
Elsevier defended the practice after an independent researcher discovered the existence of the unique fingerprints and shared their findings on Twitter last week.
“The identifier in the PDF helps to prevent cybersecurity risks to our systems and to those of our customers—there is no metadata, PII [Personal Identifying Information] or personal data captured by these,” an Elsevier spokesperson said in an email to Motherboard. “Fingerprinting in PDFs allows us to identify potential sources of threats so we can inform our customers for them to act upon. This approach is commonly used across the academic publishing industry.”
When asked what risks he was referring to, the spokesperson sent a list of links to news articles about ransomware.
—
Academic Journal Claims it Fingerprints PDFs for ‘Ransomware,’ Not Surveillance
, Motherboard from Vice, 31-Jan-2022
Pretty incredulous…adding unique identifiers to the metadata of each PDF downloaded from Elsevier (the «fingerprint») somehow protects against ransomware.
Extraordinary claims require extraordinary proof, and it is not forthcoming from Elsevier.
I’ve seen no follow-ups from Elsevier on this Motherboard article, nor from the researcher that
discovered the fingerprinting
.
Look, if you’re employing a technique to go after researchers sharing PDFs of articles, own up to it.
I can see why you don’t want to, Elsevier…shared articles might cut into that $40-per-article charge you put on non-subscribers.
Either way…owning it or lying about it looks bad.
I can think of no plausible scenario where fingerprints in PDF files detect, prevent, or help prosecute ransomware.
Fraud in NFTs
[Cameron] Hejazi highlighted three main problems: people selling unauthorised copies of other NFTs [Non-Fungible Tokens], people making NFTs of content which does not belong to them, and people selling sets of NFTs which resemble a security.
He said these issues were «rampant», with users «minting and minting and minting counterfeit digital assets».
«It kept happening. We would ban offending accounts but it was like we’re playing a game of whack-a-mole… Every time we …

Issue 86: Tracking Media Provenance, Digital Classroom Surveillance, Don’t Pixelate to Redact, An…

Issue 86: Tracking Media Provenance, Digital Classroom Surveillance, Don’t Pixelate to Redact, Android In-App Advertising

I’ve deleted what I originally had here as newsletter-opening-banter. These are serious times. I think the world has radically changed overnight, and roughly 7.9 billion of us are not in positions to do anything about it. To those that are in positions to do something about it and to those that are caught up in the effects of one man’s decision to impose
his
will on others: may you be safe, may you succeed, and may you find peace. For those coming to this after early 2022, yesterday Russia invaded the sovereign country of Ukraine.
Russia invaded the sovern country of Ukraine
The threads this week:
Specification for Media Content Provenance
Encroaching on Digital Privacy in the Classroom
Pixelation for Redaction → bad
Google Changes Up In-App Advertising
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, visit the
sign-up page
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where I post the bookmarks I save. Comments and tips, as always, are welcome.
Specification for Media Content Provenance
Today, the Coalition for Content Provenance and Authenticity (C2PA), an organization established to provide publishers, creators, and consumers with opt-in, flexible ways to understand the authenticity and provenance across various media types, released version 1.0 of its technical specification for digital provenance. This specification is the first of its kind and empowers content creators and editors worldwide to create tamper-evident media, by enabling them to selectively disclose information about who created or changed digital content and how it was altered. The C2PA’s work is the result of industry-wide collaborations focused on digital media transparency that will accelerate progress toward global adoption of content provenance.
—
C2PA Releases Specification of World’s First Industry Standard for Content Provenance
, Coalition for Content Provenance and Authenticity, 26-Jan-2022
Elements of the C2PA specification.
[Source]
This is a fascinating development.
Although the target audience for this technology is news organizations and citizen journalists to provide a way to establish the creator and editors of media, one could easily envision using this standard to mark images, video, and audio from digital archives.
As a way of combatting problems like manipulated media and «deep fakes», the specification would allow news organizations to cryptographically «sign» the media in a way that a display tool—via a media tool on your device or a browser plugin—would be able to decode and display to the viewer.
If the cryptographic signature doesn’t match the one published by the news organization, you would know that the media has been changed.
Or, from the perspective of an…

Five Years and Ten Months

Five Years and Ten Months

I reached a new milestone this month.
A minor one in the grand scheme of things, but one worthy of a few remarks nonetheless.
This month marks my longest tenure with an employer at five years and 10 months.
I’ve now worked at Index Data longer than I had at OhioLINK a decade ago, and this has hardly felt like almost six years.
Seven employers in 31 years.
All of it in library technology—one of the last places I thought I would land with an undergraduate degree in Systems Analysis.
Seven doesn’t seem like a lot, but at almost all of them I thought «I could see myself completing my career here.»
(This definitely feels true for my current employer.)
But life intervened and a change was made…always for the better.
I’m so grateful for all of the people that mentored me and the couple that kicked my butt along the way (in retrospect, at least).
Hopefully I’ve managed to give back in equal measure to those coming into the field.
Career history (as of today)
Open Source Community Advocate
Index Data · Jun 2016 – Present · 5 yrs 10 mos
Dev/Ops Lead and Project Manager
The Cherry Hill Company · Aug 2015 – Dec 2016 · 1 yr 5 mos
Assistant Director, Technology Services Development
Lyrasis · Sep 2010 – Jun 2015 · 4 yrs 10 mos
Assistant Director, Multimedia Services; Assistant Director, New Service Development
OhioLINK · Jan 2005 – Sep 2010 · 5 yrs 9 mos
Computer Services Librarian (Law School); Area Head for Library Information Technology Services; Assistant to the Director for Technology Initiatives
University of Connecticut · Feb 2000 – December 2004 · 4 yrs 11 mos
Library Systems Manager
Case Western Reserve University · Jul 1995 – Feb 2000 · 4 yrs 8 mos
Library Systems Manager
Miami University · Jun 1991 – Jun 1995 · 4 yrs 1 mo

Issue 87: Ukraine War, Artificial Intelligence Art

Issue 87: Ukraine War, Artificial Intelligence Art

We are one week into Russia’s war against Ukraine.
From here in America, it is hard to understand the reality of a country whose citizens seemed to be going about normal lives just a short time ago.
I find it also hard to know what to say to people whose misery comes about on the whims of a dictator guided by…what?
A misguided notion of history?
A deep-seated desire to return to former glory?
A vain attempt to show how big his manhood is?
Who can tell?
Beyond asking my elected officials to
do something
and tweeting expressions of support, I’m feeling powerless to change what is happening.
I hope and pray for a return to sanity, for grace and mercy for those in conflict, and for a world that strives to find a greater, common good.
The threads this week:
One Library-related Corner of the Ukraine War
Archiving the Ukrainian Web
Artificial Intelligence Can’t Hold Copyright
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.
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where I post the bookmarks I save. Comments and tips, as always, are welcome.
One Library-related Corner of the Ukraine War
Nicholas Poole tweet
Dear colleagues,
The sneaky, cruel and bloody aggression of the Russian Federation has prevented us from implementing our plans and holding March 1-4 XII International Scientific Conference «Modern Library-Information Continuous Education: what, how, for whom? «.
65 participants registered at the conference, re-calculated the registration fee of 35 members of the VGO Ukrainian Library Association total amount of 10 500 UAH.
The Organizing Committee of the Conference has decided to hold the Conference after our confident victory, and the contributions collected to support the Armed Forces of Ukraine.
We promise to provide complete and quality service to all participants in the peaceful time.
Glory to Ukraine!
For questions, please contact the Executive Office of the Association by email.
—Facebook-supplied translation of the
announcement of the postponing of a library conference
by the Ukrainian Library Association, 28-Feb-2022
Nicholas Poole, CEO of CILIP in the UK, has a poetic take on this announcement from the Ukraine Library Association.
Facebook’s automated translation from Ukrainian to English (quoted above) sounds a little dry; I’m left wondering how this reads in the original Ukrainian.
Archiving the Ukrainian Web
[Ian Milligan, associate professor of history at the University of Waterloo,] points out that in 50 years, historians will not only be curious about how people got their information and how it shaped their worldviews but also what kind of information archivists saved about this conflict.
—
Ukrainian Websites Are Going Dark. Archivists Are Trying To Save Them
, Motherboard on Vi…

Issue 88: Battling Censorship, Considering the Right to be Forgotten

Issue 88: Battling Censorship, Considering the Right to be Forgotten

For this week’s newsletter introduction, I searched the Flikr service for photographs of libraries in Ukraine.
I thought that putting a picture here at the top of a grand reading room with dark wood shelves and neat rows of books would help us remember that a significant part of our world has been turned upside down.
What I didn’t expect to find was an album titled
‘November 2021: Strategic Session on Digital Education Hubs development’
.
Attendees of the strategic session on Digital Education Hubs development.
Source
, CC By-ND
Four months ago, these professionals were gathered together in a room to hear presentations, sort multi-color post-it notes on flip charts, and work together for «the transformation of libraries into Digital Education Hubs».
That is a scene that is very familiar to me, and quite possibly to many of my readers as well.
Now their country is being bombed, its citizens are fleeing, and I doubt anyone is thinking about the transformation of libraries.
Let’s not forget them.
The threads this week:
Minecraft as an Anti-censorship Tool
Right-to-be-Forgotten Tangled with Press Freedoms
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
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, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Minecraft as an Anti-censorship Tool
When schools ban books, the strategy often backfires on would-be censors, resulting in greater interest around illicit literature. Similarly, when governments censor the media, groups like Reporters Without Borders spearhead efforts to make such censored material extra visible. Their Uncensored Library project brings together architecture and journalism in an unlikely virtual reality space: the interactive gaming world of Minecraft.
—
Uncensored Library: Banned Journalism Housed in Virtual Minecraft Architecture
, 99% Invisible, 3-Mar-2022
With help from my teenage son, I got into the
Uncensored Library
on Minecraft.
(A hint for those trying to access it in early 2022: the
instructions
say you need a specific version of Minecraft—that version is now 1.16.5 instead of what is listed in the PDF.)
The «Frequently Asked Questions» book in this world starts with this answer: «Minecraft is available even in countries with cyber censorship. So we build this library to provide a platform for censored journalists, connect people around the world and bring back the truth.»
The content of the library is curated—you don’t have the option of modifying the elements in the Minecraft world.
The books in the library are short…the ones that I saw were each several hundred words long.
Right-to-be-Forgotten Tangled with Press Freedoms
The “right to be forgotten,» which exists in European Union …

Sanctioning Governments on the Internet

Sanctioning Governments on the Internet

What a strange article title to type:
Sanctioning Governments on the Internet.
What does that even mean?
Who would decide?
Who would implement the decision?
To say nothing of the consequences of trying to impose an Internet Sanction on a government or a country.
The internet as we know it is a quirky beast.
It is called «inter-net» because it is formed as the interconnection of independent networks plus a healthy dose of human capital (and independent streams of monetary capital), reliance on openly-published and open-ended standards, interpersonal trust, and—quite frankly—quite a bit of luck.
You might think of «the internet» as one big thing, but in reality it is many smaller things hooked together by common agreement.
The internet connection at my house comes from an Internet Service Provider (ISP).
My ISP connects to one or more (likely many more than one) other ISPs and transit providers.
Through those interconnections, a message I’m typing here will be sent to a computer across town, across the country, and across the world.
It works like this because many decades ago, a bunch of people got together to agree on the methods and rules computers would use to communicate with each other.
A guiding philosophy was to make those methods and rules simple and easy to implement.
Another guiding principle was to build up layers of complexity that relied on the functionality of the layers below it.
At the bottom-most layer, the network equipment moves messages along a path from a sending computer to a receiving computer. That equipment doesn’t understand or care what was in the messages…it just knows how to get the message one hop closer to its destination.
On top of that is a set of rules (a «protocol») for ensuring all messages get from the sender to the receiver and describing how to retransmit if something is missing.
On top of that is a protocol for translating human-readable names into computer-understandable addresses.
On top of that, a protocol for requesting and receiving a file.
Then a specification for how to arrange text on a page.
Lastly, a web browser that understands that specification and knows how to ask the layer below it to retrieve an HTML file from a faraway server.
The network layer at the bottom doesn’t know the difference between an HTML file and a snippet of voice on a Zoom call, and the browser at the top doesn’t know how the file got to it.
It is the common agreement on the protocols and specifications across decades of work that put this page in front of your eyes.
So about those key components of the «inter-net»:
human capital
: coming to agreement takes time, and humans need to bring their priorities, their experiences, their knowledge, and their biases to the table to work to a common agreement.
monetary capital
: every network that is a part of the «inter-net» is paying for its piece to connect its users to is neighboring networks; there isn’t one singular …

Issue 89: Ukraine’s Libraries, Russia’s Internet, and the Big Deal

Issue 89: Ukraine’s Libraries, Russia’s Internet, and the Big Deal

The first story below is one from National Public Radio on Ukraine libraries’ efforts are undertaking.
Let’s not forget the terror they are facing, the people stepping up to meet their community’s needs, and those who have lost their lives in the Russian war.
The threads this week:
Ukraine Libraries Doing What Libraries Do
Can the Internet Sanction a Country? Should It?
Thursday Threads 2011
: The Demise of the Big Deal?
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
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, visit the
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If you would like a more raw and immediate version of these types of stories,
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where I post the bookmarks I save. Comments and tips, as always, are welcome.
Ukraine Libraries Doing What Libraries Do
«Refugee reception points, hostels and logistics points are organized here,» [Oksana Brui, president of the Ukrainian Library Association] said. «Camouflage nets for the military are also woven here. Home care courses are held here. Books are collected here to be transferred to libraries in neighboring countries that receive Ukrainian refugees.»
—
Ukraine’s libraries are offering bomb shelters and camouflage classes
, NPR, 9-Mar-2022
I’m not surprised.
I presume the libraries mentioned in the NPR article are «public libraries,» but they could be libraries of any type.
It brings to mind the stories about the
library in Ferguson
, Missouri, during the riots for the shooting of Michael Brown by local police.
The NPR story also mentions Nicholas Poole’s «we will reschedule just as soon as we have vanquished our invaders» tweet that was in
Thursday Threads
two weeks ago
.
Can the Internet Sanction a Country? Should It?
The invasion of Ukraine poses a new challenge for multistakeholder Internet infrastructure governance. In this statement, we discuss possible sanctions and their ramifications, lay out principles that we believe should guide Internet sanctions, and propose a multistakeholder governance mechanism to facilitate decision-making and implementation.
—
Multistakeholder Imposition of Internet Sanctions
[PDF], Packet Clearing House, 10-Mar-2022
Last week,
Ukraine’s Ministry of Digital Transformation called on internet bodies to sanction Russia
over its government’s war on Ukraine.
This would include revoking Russia’s top-level country domains (e.g. «.ru»), canceling SSL certificates associated with Russian sites, disabling the root DNS servers, and withdrawing the right for Russian internet service providers to use the IP addresses that have been assigned to the country.
The
Multistakeholder Imposition of Internet Sanctions
document describes why this would be a bad idea and lays out a plan for what can be done.
For more depth, see the
article I wrote last week
on the document.
Thursday Threads 2011
: The Demise of the Big Deal?
Looking backward, the
Th…

Issue 90: When Machine Learning Goes Wrong

Issue 90: When Machine Learning Goes Wrong

The People of Ukraine are not forgotten.
The Tufts University newspaper published an article this week about
a multinational effort
to preserve the digital and digitized cultural heritage of the country.
On the other side of the war,
Russian citizens are downloading Wikipedia
out of fear of more drastic network filtering or collapse of Russia’s connections to the global internet.
Eleven years ago this week, the judge overseeing the Google Book Search case (
Authors Guild v. Google
) ruled that the proposed settlement was not «not fair, adequate, and reasonable.»
As you might recall, the proposal was for a grand vision of a book author rights clearinghouse—not unlike what is in place for the music industry.
I had a
Thursday Threads
entry that
covered the initial reactions from the litigants, legal observers, and the library community
.
In writing this week’s article, I learned that machine learning is a subset of the artificial intelligence field.
While the terms are often used interchangeably, machine learning is one part of artificial intelligence.
As the
Columbia University Engineering Department describes it
, «put in context, artificial intelligence refers to the general ability of computers to emulate human thought and perform tasks in real-world environments, while machine learning refers to the technologies and algorithms that enable systems to identify patterns, make decisions, and improve themselves through experience and data.»
With that definition in mind, the thread this week is on challenges with machine learning:
Flip the Switch on Your Drug Synthesizing Tool and Chemical Weapons Come Out
With Machine Learning, Garbage In/Garbage Out
Five Realities Why Applying Machine Learning to Medical Records is Hard
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Flip the Switch on Your Drug Synthesizing Tool and Chemical Weapons Come Out
This generative model normally penalizes predicted toxicity and rewards predicted target activity. We simply proposed to invert this logic by using the same approach to design molecules de novo, but now guiding the model to reward both toxicity and bioactivity instead.
In less than 6 hours after starting on our in-house server, our model generated 40,000 molecules that scored within our desired threshold. In the process, the AI designed not only VX, but also many other known chemical warfare agents that we identified through visual confirmation with structures in public chemistry databases. Many new molecules were also designed that looked equally plausible.
—Urbina, F., Lentzos, F., Invernizzi, C.
et al.
Dual use of artificial-intelligence-powere…

Trip Report: NISO Plus Forum 2022

Trip Report: NISO Plus Forum 2022

Earlier this week, NISO held its one-day
NISO Plus Forum for 2022
.
This was an in-person meeting that is intended to feed into the online conference in February 2023.
Around 100 people from NISO’s membership groups—libraries, content providers, and service providers—attended to talk about
metadata
.
The meeting was structured in
World Café
style
and was moderated by
Jonathan Clark
.
The broad topic of «metadata» was broken down into three parts:
Identifiers: what identifiers are missing or underutilized
Exchange: what is the most significant barrier to seamless exchange?
Structure: what is impossible due to a lack of appropriate structures?
There were small table discussions for each part of no more than six people, with 15 minutes at a table before everyone got up and moved to a new table.
After three rounds of 15 minutes, a scribe that stayed at the same table the whole time reported the major themes to the larger group.
What makes this style interesting is that everyone’s experience is different.
We agreed to use the
Chatham House Rule
; what is reported here is my interpretation of my table’s discussion and my take on the broader outcomes.
Edited on 5-Oct-2022 to add:
NISO published a summary of the in-person meeting in the October issue of NISO I/O —
Are You Ready? Metadata — The Musical!
.
Identifiers
The most fascinating idea I discovered here was how much the metadata ecosystem relies on «Publication Date».
Not only do several parts use publication date as an anchor, but different understandings of the meaning of «publication date» cause many problems downstream.
There is the online publication date, the physical publication date, and sometimes simply an unlabeled publication date.
Some publishers have a practice of changing an online publication date to the physical issue date when the issue comes out.
(Changing a field that others use as part of metadata to distinguish one item from another is never a good thing.)
«Place of Publication» also has a lot of variability and inconsistency, even within a publisher.
Institution identifiers were also a topic, particularly with the lack of hierarchy in the
Research Organization Registry
(ROR).
Someone reported that ROR is working to address the problem, but right now there is not a good way to relate a department to its encompassing agency or organization.
I showed my professional age a bit by mentioning
SICI
—the Serial Item and Contribution Identifier.
This is a compound identifier developed in the 1990s. Given a citation, you could construct a SICI that was a kind of key to the article. For instance,
Lynch, Clifford A. «The Integrity of Digital Information; Mechanics and Definitional Issues.» JASIS 45:10 (Dec. 1994) p. 737-44
…could be condensed into…
0002-8231(199412)45:102.3.TX;2-M
This standard didn’t last past the early 2000s, although a few people at my table mentioned that they saw examples of this identifier in their backfile as the …

Automatically Generating Podcast Transcripts

Automatically Generating Podcast Transcripts

I’m finding it valuable to create annotations on resources to index into my personal knowledge management system.
(The
Obsidian journaling
post from late last year goes into some depth about my process.)
I use the
Hypothesis
service to do this—Hypothesis annotations are imported into Markdown files for Obsidian using the custom script and method I describe in that blog post.
This works well for web pages and PDF files…Hypothesis can attach annotations to those resource types.
Videos are relatively straight forward, too, using Dan Whaley’s
DocDrop
service; it reads the closed captioning and puts that on an HTML page that enables Hypothesis to do its work.
What I’m missing, though, are annotations on podcast episodes.
Podcast creators that take the time to make transcripts available are somewhat unusual.
Podcasts from NPR and NPR member stations are pretty good about this, but everyone else is slacking off.
My task management system has about a dozen podcast episodes where I’d like to annotate transcripts (and one podcast that seemingly
stopped
making transcripts just before the episode I wanted to annotate!).
So I wrote a little script that creates a good-enough transcript HTML page.
You can see a
sample of what this looks like
(from the
Search and Ye Might Find
episode of 99% Invisible).
Note!
Of course,
99% Invisible
has now gone back and added transcripts to all of their episodes, including
the one used in this example
. Thanks? … No really, thank you 99PI!
AWS Transcribe
to the rescue
Amazon Web Services has a
Transcribe
service that takes audio, runs it through its machine learning algorithms, and outputs a
WebVTT
file.
Podcasts are typically well-produced audio, so AWS Transcribe has a clean audio track to work with.
In my testing, AWS Transcribe does well with most sentences; it misses unusual proper names and its sentence detection mechanism is good-but-not-great.
It is certainly good enough to get the main ideas across to provide an anchor for annotations.
A WebVTT file (of a podcast advertisement) looks like this:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
WEBVTT

1
00:00:00.190 –> 00:00:04.120
my quest to buy a more eco friendly deodorant quickly started to

2
00:00:04.120 –> 00:00:08.960
stink because sustainability and effectiveness don’t always go hand in hand.

3
00:00:09.010 –> 00:00:11.600
But then I discovered finch Finch is a

4
00:00:11.600 –> 00:00:14.830
free chrome extension that scores everyday products on
After a
WEBVTT
marker, there are groups of caption statements separated by newlines.
Each statement is numbered, followed by a time interval, followed by the caption itself.
(WebVTT can be much more complicated than this…to include CSS-like text styling and other features; read the specs if you want more detail.)
What the script does
The code for this is up
on GitHub
now.
The links to the code below point to the version of software at the time this blog po…

OCLC v. Clarivate: What was MetaDoor? What is an OCLC Record?

OCLC v. Clarivate: What was MetaDoor? What is an OCLC Record?

On November 7, 2022, OCLC and Clarivate announced a settlement in their lawsuit about using WorldCat records in the embryonic MetaDoor service.
This ended the latest chapter in the saga of reuse of library metadata with little new clarity.
The settlement terms were not disclosed, but we can learn a little from the proceedings.
First, let’s review the press releases from the parties.
Then we’ll look at the transcripts of court proceedings to see if we can get closer to answers about some questions this lawsuit raises.
Clarivate’s Statement
Clarivate’s statement about the settlement is quite vague:
Clarivate continues to deny OCLCs allegations of wrong-doing and maintains that the issue lay between OCLC and its customers, who sought to co-create an efficient community platform for sharing of bibliographic records. Clarivate will not develop a record exchange system of MARC records that include records which OCLC has claimed are subject to its policy and contractual limitations. Clarivate will bear its own fees and costs.
Gordon Samson, Chief Product Officer at Clarivate insisted, «Clarivate will continue to support the goals of open research and data exchange – because we believe it is the best way to make the process of research and learning faster, more robust and more transparent. Regardless of business model, when scholarly information is easily accessible and shareable, the dots are easier to join, the connections are explicit, and collaborations are more natural and meaningful. The process of scientific discovery is faster, and it is easier to ensure research integrity and reproducibility. We know that navigating the transition to open research is important to our customers, and we remain committed to helping them make that transition as seamlessly as possible.»
– »
Clarivate and OCLC Settle Lawsuit
«, Clarivate press release issued November 7, 2022
It isn’t clear from this statement whether MetaDoor is done or not.
(We’ll answer the «What is/was MetaDoor?» question below.)
The statement, which matches the language in the OCLC statement, only says that a service that includes OCLC records will not be built.
(We’ll also try to answer the «What is an OCLC record?» question below.)
OCLC’s Statement
OCLC’s statement is only a little less vague:
OCLC is pleased to announce today that it successfully defended WorldCat to protect the collaborative service developed and maintained with and for libraries worldwide.
An agreement has been reached in a lawsuit filed by OCLC in June 2022 against Clarivate and its subsidiaries in the United States District Court, Southern District of Ohio.
Though the settlement document itself is confidential, two significant elements include:
Clarivate, Ex Libris, and ProQuest have ceased the development and marketing of the MetaDoor MARC record exchange system
developed using records that are subject to the WorldCat Rights and Responsibilities Pol…

With Mastodon on the Rise, Who Archives the Digital Public Square?

With Mastodon on the Rise, Who Archives the Digital Public Square?

DALL*E prompt: photorealistic waves of twitter logos and mastodon logos crashing onto a sandy beach
Much has been made about the differences between Twitter and Mastodon: the challenge of finding a home for your account (and the corresponding differences between your “local” timeline and your “global” timeline), the intentional antiviral design choices (no quote-tweets and a narrow search system), and the more-empowering block and mute features.
A recent article in
MIT Technology Review
about
the potential loss to history if Twitter goes away
had me thinking of another one difference: a Mastodon-filled world changes expectations for archiving this kind of primary source material.
Think Bigger Than Mastodon
Let’s set some common ground.
»
Mastodon
» is being used here as a shortcut for the growing federation of servers that follow the ActivityPub protocol—the «fediverse».
Most people caught up in the migration away from Twitter are looking for a «Twitter-equivalent», and the option that has caught the popular imagination is Mastodon.
As we view the fediverse digital public square, we could just as well be talking about Mastodon forks like
Hometown
.
We should also include in the genre-specific ActivityPub software like
Pixelfed
(for photographers,
me there
),
Bookwyrm
(for book groups and reader commentary,
me there
),
Funkwhale
(for music), and
write.as
(for long-form articles).
Although Mastodon is getting the most traction right now, the question of archiving the digital public square is bigger than just Mastodon…just keep that in mind as you read below.
Twitter Archiving Challenges
As the
MIT Technology Review
article points out, there are challenges to archiving Twitter.
For eight years, the US Library of Congress took it upon itself to maintain a public record of all tweets, but it stopped in 2018, instead selecting only a small number of accounts’ posts to capture. “It never, ever worked,” says William Kilbride, executive director of the Digital Preservation Coalition. The data the library was expected to store was too vast, the volume coming out of the firehose too great. “Let me put that in context: it’s the Library of Congress. They had some of the best expertise on this topic. If the Library of Congress can’t do it, that tells you something quite important,” he says.
The challenges include that of scale:
[In January 2013] We now have an archive of approximately 170 billion tweets and growing. The volume of tweets the Library receives each day has grown from 140 million beginning in February 2011 to nearly half a billion tweets each day as of October 2012.
–
Update on the Twitter Archive at the Library of Congress
, Library of Congress blog, January 2013.
And also of scope—the Library does not receive the multimedia parts of tweets.
As the
whitepaper attached to the Update on the Twitter Archive at the Library of Congress
says:
The Library only receive…

Issue 91: Bibliographic Records and Mastodon Migration

Issue 91: Bibliographic Records and Mastodon Migration

Well, this newsletter was off the air longer than I anticipated.
A lot has happened since
issue 90 in late March
: cryptocurrency value falling, Twitter spiraling (
maybe a death-spiral
…can’t be too sure), and (in the U.S.) a whopper of a mid-term election season.
All is well here in the Jester’s home…I needed some time to build up some more tooling around the blog and newsletter — then summer came, and then fall, and before you knew it, eight months had passed before this issue came out.
Speaking of Twitter…I have mostly left it behind. The «DataG» account is still there, but I have turned off the automated posting and have stopped visiting the site.
I’ve made the migration to Mastodon on the Code4Lib instance; you can find me at
@dltj@code4lib.social
.
If you, too, have made the move, I hope you will follow me there and give me a chance to follow you back.
Threads from 12 years ago are still weaving their way through us today.
In the
11th issue of Thursday Threads
from 2010, I posted, among other things, about the
new free e-journal hosting from University of Pittsburgh on OJS
(and it looks like it is
still available as a service
!), the desire for
open bibliographic data
(and that is still a thing…see below), and the
masters degree in business administration earned through a Facebook app
(which, 12 years later, I would guess is no longer a thing).
I hope you and those close to you are doing well as we enter the last month of 2022.
Don’t be a stranger—drop me a line if you find this interesting or come across something you think I would want to know about.
OCLC versus Clarivate: In the Battle for Bibliographic Records, the Winner is ???
Moving On to Mastodon
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
OCLC versus Clarivate: In the Battle for Bibliographic Records, the Winner is ???
Clarivate continues to deny OCLCs allegations of wrong-doing and maintains that the issue lay between OCLC and its customers, who sought to co-create an efficient community platform for sharing of bibliographic records. Clarivate will not develop a record exchange system of MARC records that include records which OCLC has claimed are subject to its policy and contractual limitations. Clarivate will bear its own fees and costs.
—
Clarivate and OCLC Settle Lawsuit
, Clarivate press release, 7-Nov-2022
Though the settlement document itself is confidential, two significant elements include:
Clarivate, Ex Libris, and ProQuest have ceased the development and marketing of the MetaDoor MARC record exchange system
developed using records that are subject to the WorldCat Rights and Responsi…

Mastodon Instance Operators Report on the Impact of the #TwitterMigration

Mastodon Instance Operators Report on the Impact of the #TwitterMigration

A number of Mastodon operators have started to report the impact of the #TwitterMigration on their instances.
I started gathering these because I was curious about what it takes to run a public or semi-public Mastodon instance.
These reports are full of those kinds of details, but they also describe evolutions of policy and operations that are just as interesting.
If you see other reports (or have posted a report of your own Mastodon instance), please tag me at
@dltj@code4lib.social
and I’ll add it to this list.
Note!
There is now a
branch and pull request
on GitHub where you can suggest changes to this list and/or subscribe to notifications for updates.
Updates to the page
are also available via
RSS-Bridge
. This didn‘t work as I expected it to when the commits got to GitHub. (The pull request was automatically closed.) Will need to rethink this.
sfba.social (San Francisco Bay Area)
This report covers the San Francisco Bay regional Mastodon instance sfba.social, including general statistics, financial details including income (donations) and expenses (hosting costs), moderation efforts, and changes made and considered. It has been wonderful to welcome all of our new friends and neighbors. We have expanded our server capacity and refined our moderation process, including a new version of the code of conduct and updated the server rules to match. This has helped to improve expectations and free our users to be nice and have fun!
—
Transparency Report (November 2022)
, SFBA Community Hub, 2-Dec-2022
Includes sections for:
Statistics for activity growth
Financials/fundraising
Governance changes (new moderators, code of conduct revisions, )
Future plans
mindly.social
Since April of this year I‘ve been running my own Mastodon server and 3 days ago we hit 100 users which was a huge milestone for my tiny little server… and then all of a sudden something happened, the other Mastodon servers started to get full and new users were looking for homes. Less than 72 hours after being excited for hitting 100 users we hit 10,000 users.
—
Running a Mastodon server – Part 1?
, KuJoe‘s blog, 29-Nov-2022
Includes sections for:
Statistics for activity growth
Process for managing growth (technical)
chaos.social
The past month has changed the Fediverse, and, by extension, our instance. We‘ve continued as normal (apart from limiting sign-ups) to give ourselves time to figure out which changes were only temporary, what seems to be changed for good, and how to react. A month seems ample time, and here we are with a set of changes in how chaos.social will work in the future.
—
Rule changes, closed sign-ups, and more
, chaos.social blog, 29-Nov-2022
Includes sections for:
Statistics for activity growth
Process for managing growth (new user moderation, instance rules)
I was going to write an article for a while now, but there was too much work to do with the latest influx. Together wi…

Issue 92: Privacy Stories From 2014 Still Echo Today

Issue 92: Privacy Stories From 2014 Still Echo Today

Back again.
Thanks for the comments on the return of the newsletter.
I’ve heard that Microsoft Outlook isn’t playing nice with my email theme.
(It also isn’t playing fair…someone forwarded the newsletter back to me, and when I replied that person said the view of the newsletter in the reply looked fine in that same Microsoft Outlook.)
Until I get that fixed, remember that you can read the newsletter online — just follow one of the bullet point links below to get to it.
This week we’re going to pull through some privacy threads to the current day.
Eight years ago this week, I published a whole
DLTJ Thursday Threads
issue on privacy.
This was the lead paragraph:
Are you paranoid yet? Are you worried that
the secret you shared anonymously might come right back to you
? Or wondering why
advertisements seem to follow you around from web page to web page
? Or just creeped out by
internet-enabled services tracking your every move
? Or angry that
mobile carriers made it very easy for anyone to track every page you visited from your smartphone
? Or maybe you will
simply give up any personal information for a delicious cookie
? (Are you paranoid now?)
The first was about how posts on apps like YikYak, Secret, Whisper, and Snapchat weren’t really anonymous.
The second was about the kinds of data that apps collect and aggregate about us.
The third was an opinion piece about how Uber was tracking your every move as part of its experiments, and also contained a nugget about how Facebook was updating its terms of service to say explicitly that the app will now track your location.
The fourth was how AT&T and Verizon got caught invisibly rewriting web pages passing through their network to include their own tracking tokens.
And the fifth was a person-on-the-street test to see how much personal information passers-by would give up for a cookie (a tasty treat, not the browser cookie kind).
So with all that attention on privacy in 2014, you’d figure we’d have it all solved by now, right?
Let’s see what some of the latest stories are.
Algorithmic Creulty
Ditching CAPTCHAs
and
Improving Privacy
When Privacy is a National Security Concern
A Privacy-in-the-Cloud Good News Story
Facebook’s Luck Running Out in the European Union
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Algorithmic Cruelty
When I became pregnant, my partner and I, like many expectant individuals, opted not to tell our friends until after the first trimester. But I had an additional goal: for my friends to learn of my pregnancy before advertisers did. I’m a health-privacy scholar, so I know that pregnant individuals are of…

LIBnft: a Project in Search of a Purpose

LIBnft: a Project in Search of a Purpose

At first, I thought this was a parody.
LibNFT is an R&D initiative exploring the impact of blockchain and the digital asset economy on library archives.
—
LIBnft homepage
, 12-Dec-2022
However, it seems like a serious proposal that was presented today at a
CNI project briefing
.
I did not attend the project briefing; the only details publicly available are from the
whitepaper
. (Note: link to the whitepaper can’t be robustified—Dropbox is hostile to web archiving—but I have saved a copy of version I reviewed…
version 0.04 dated 4-Dec-2022
.)
From the details in the whitepaper, it is safe to say this project should be shelved until the need and purpose are better understood.
Why?
First, blockchain is the wrong technology; gallery-library-archive-museum (GLAM) institutions do not need a technology where participants are adversarial or trying to steal each other’s data.
Second, there is no utility in non-fungible tokens for GLAM governance or assets; it would be better (and certainly cheaper) to hold a meeting or write a typical contract.
Note!
The recording of the LibNFT project briefing is now up on YouTube, and I’ve
posted a follow-up
with additional thoughts.
Why Use Blockchain
As the LIBnft whitepaper points out, «in its simplest form, a blockchain is a communally maintained distributed ledger, or database, that reliably and immutably stores digital information» (summarizing a
New York Times glossary
).
The «database» term is crucial—blockchain is a technique for storing and retrieving information, much like one would do with a run-of-the-mill database.
This database has some interesting characteristics: data can’t be erased once it is written and there are copies of the database spread over the network.
Rather than «distributed», though, a blockchain database is «decentralized».
A USENIX article makes an important distinction between «decentralized» (which blockchain is) and «distributed» (emphasis added):
A
distributed system
is composed of multiple, identified, and nameable entities. DNS is an example of such a distributed system, as there is a hierarchy of responsibilities and business relationships to create a specialized database with a corresponding cryptographic PKI. Similarly the web is a distributed system, where computation is not only spread amongst various servers but the duty of computation is shared between the browser and the server within a single web page.
A
decentralized system
, on the other hand, dispenses with the notion of identified entities.
Instead everyone can participate and the participants are assumed to be mutually antagonistic, or at least maximizing their profit.
Since decentralized systems depend on some form of voting, the potential for an attacker stuffing the ballot box is always at the forefront. After all, an attacker could just create a bunch of sock-puppets, called “sibyls”, and get all the votes they want.
In a distributed system sibyls are…

Issue 93: Chat-bots Powered by Artificial Intelligence

Issue 93: Chat-bots Powered by Artificial Intelligence

This week we jump into the world of chat-bots driven by new artificial intelligence language models.
The pace of announcements about general-purpose tools driven by large training sets of texts or images has quickened, and the barrier to experimenting with these tools has dropped.
There are now fully-functional websites where there once were only programmer-focused APIs.
We wonder what the effects will be on our students, our business workflows, and on society.
We also wonder about the underlying biases in the training data.
OpenAI Introduces ChatGPT
A High School Teacher Laments a Tool for Easy Essays
A Real-world Example
Can’t Paper Over Biased Training Data
The View from a Human Trainer
As an aside, in the first article below I mention that the use of these tools, while free for now, will be monetized at some point.
This is another unfortunate example of taking from the common good and commercializing it.
The training data used by the company came from crawling web pages, from Wikipedia, and from books (
source
).
Yet soon, it seems, all of the benefit from that information will be held by a corporate body.
The same thing has been said about the image-based AI tools that have slurped up sets of photos from sites like Flikr, Wikipedia, and even stock photo businesses.
We don’t talk enough about this private capture of the common good and the uncompensated taking of other’s work.
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
OpenAI Introduces ChatGPT
We’ve trained a model called ChatGPT which interacts in a conversational way. The dialogue format makes it possible for ChatGPT to answer followup questions, admit its mistakes, challenge incorrect premises, and reject inappropriate requests. ChatGPT is a sibling model to InstructGPT, which is trained to follow an instruction in a prompt and provide a detailed response.
—
ChatGPT: Optimizing Language Models for Dialogue
, OpenAI blog, 30-Nov-2022
This link is the announcement from the company that created ChatGPT, OpenAI.
The innovation with this model is the introduction of Reinforcement Learning from Human Feedback (RLHF).
With RLHF, «human AI trainers provided conversations in which they played both sides—the user and an AI assistant» — and the ChatGPT language model incorporated the refinements learned from those human interactions.
The blog post gives examples of how this human training affected the output.
In the language model without RLHF training, when asked how to bully someone the AI would return a list of ideas.
With the RLHF training, the response starts with «It is never okay to bully someone» and says t…

Backing Away from Twitter in Measured Steps

Backing Away from Twitter in Measured Steps

My relationship with Twitter crossed a new line yesterday. As I posted on Mastodon (
one
,
two
):
Have just deleted the Twitter app on mobile. Felt the need to ramp down stress this week, and the current owner’s meltdown is unnecessary drama. There are still a few people there that I like to read, but I’ll be doing that far less often now.
I have regret in deleting the app. I found value there, and felt that the trade-off of attention and advertising versus the benefits of personal connections and trading ideas was a net positive.
As has happened several times to me in my 53 years, I’m astonished at how fast a valued and valuable community can be destroyed.
The toxic mix of arrogance and ignorance and power is a sad combination.
The past eight weeks on Twitter have been emotionally tiring, and I wondered why.
On reflection, mourning seems like the most appropriate label for the emotion I’m feeling.
I had invested time and effort into cultivating a network of friends and acquaintances.
Now it is being destroyed; that network was a guest in someone else’s kingdom.
It feels like a reciprocal behavior back-and-forth: Musk makes a snap dictatorial decision, I step away a little farther.
The first move came on October 27 when
I stopped engaging with others on Twitter and logged on less often
—that corresponded with the announcement that Musk had closed the deal to buy Twitter.
At the same time, I picked up my activity on Mastodon (
@dltj@code4lib.social
)…following more people and engaging more in that community.
(My Mastodon account on code4lib.social had been idle since 2018 except for automated postings from my knowledge management tools.)
The second shift came on November 22 when
Twitter started rejecting links in posts
that came out of my knowledge management tools.
I have a series of scripts that I use to save references to web pages that I find notable, and the scripts also post those references to Twitter and Mastodon.
For unknown reasons, a Twitter post with a link to The Markup (or the Hypothesis proxy) started failing, so I turned off the automated posting to Twitter and wrote a sign-off message.
Now comes the third reciprocal reaction: Musk suspends and un-suspends journalists, then starts rejecting posts with links that are «free promotion of certain social media platforms…» (quote from
deleted TwitterSupport tweets
).
And I delete the app from my mobile device.
Deleting the app is my commitment to visit the site less often.
I regret it has come to that.
Once a community is destroyed, it can’t be brought back.
Not to the same cohesion it had before…it will be different, and there will be a longing nostalgia for what once was.
(Maybe that can be good? Probably not, given Twitter’s current trajectory.)
I’m already missing the Twitter notifications that I had set up: the local office of the National Weather Service, the messages from the town and the regional highway p…

Issue 112: Odds and Ends in Social Media Research

Issue 112: Odds and Ends in Social Media Research

Social media saturates nearly every facet of our lives, and understanding its effects on society has never been more critical.
This week’s
DLTJ Thursday Threads
delves into recent studies and discussions of why misinformation is spread on platforms and ways to counteract it.
As platforms continue to shape the way we communicate and process information, they also spark moral outrage and other intense emotions that can lead to the further spread of false content.
Researchers are exploring how these dynamics unfold, as well as the roles of opportunists who exploit these platforms for personal or political gain.
As we navigate these challenges, there are things that individuals can do and things that we could expect platforms to do to reduce the impact of misinformation.
While individuals can adopt practices to avoid contributing to misinformation, there is also a call for platforms to refine their moderation strategies, such as combining fact-checking with community-driven initiatives.
Amidst these discussions, the potential impact of social media on adolescent wellbeing remains a concern, with experts debating its true role in rising mental health issues among young adults.
Did you really read that article?
Moral Outrage
fuels the spread of misinformation online.
Maybe that outrageous article wasn’t pushed to you because of moral outrage. It could be opportunists
exploiting online conspiracy theories
for influence and profit.
We can clean up social media from the ground up:
strategies
to avoid becoming a ‘misinformation superspreader’ on social media.
For a more top-down approach, we could insist that platforms combine fact-checking and community notes for
better social media content moderation
.
On the other hand, research showed that the
community notes system fails to curb misinformation
on social media.
Exploring the
complex impact
of social media on teen mental health.
This Week I Learned
: most plastic in the ocean isn’t from littering, and recycling will not save us.
This week’s cat
Also on DLTJ this past week:
Another Saturday, another #TeslaTakedown
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Moral Outrage Fuels Spread of Misinformation Online
“The vast majority of misinformation studies assume people want to be accurate, but certain things distract them,” says William J. Brady, a researcher at Northwestern University. “Maybe it’s the social media environment. Maybe they’re not understanding the news, or the sources are confusing them. But what we found is that when content evokes outrage, people are consistently sharing it without even clicking into the article.” Bra…

In OCLC v Anna’s Archive, New/Novel Issues Sent to State Court

In OCLC v Anna’s Archive, New/Novel Issues Sent to State Court

The U.S. District Court for the Southern District of Ohio released an
opinion
in the case of
OCLC v. Anna’s Archive
.
As you may recall, the case stems from an accusation that Anna’s Archive—
a search engine for ‘shadow libraries’
—scraped the content of OCLC’s WorldCat.
Anna’s Archive itself is an anonymous effort, and OCLC named one person in the lawsuit—Maria Matienzo—with a weak and dubious connection to Anna’s Archive.
Here are bits of the court’s order from its introduction (the start of the order) and conclusion (at the end):
This case is about data scraping. Plaintiff Online Computer Library Center, Inc. («OCLC») is a non-profit organization that helps libraries organize and share resources. In collaboration with its member libraries, OCLC created and maintains WorldCat-the most comprehensive database of library collections worldwide. OCLC alleges that a «pirate library» named Anna’s Archive along with Maria Matienzo, and other unknown individuals (collectively, «Defendants») scraped WorldCat’s data. OCLC claims that, in doing so, Defendants violated Ohio law. Specifically, OCLC invokes causes of action arising under the Ohio common law of tort, contract, and property, as well as a provision of the Ohio criminal code.
But whether Ohio law prohibits the data scraping alleged here poses «novel and unsettled» issues. No Ohio court has ever applied its law as OCLC would have this Court do (as far as the Court is aware). Nor have courts uniformly applied analogous laws of other jurisdictions that way. So, to resolve this case, the Court would need to answer «novel and unsettled» questions about Ohio law.
When that is true-when a federal court faces «novel and unsettled» state-law issues-the federal court may certify those issues to the state’s high court. Unwilling to sleepwalk into a drastic expansion of Ohio law, this Court thus resolves to certify the issues presented here.
[…]
The Court is sympathetic to OCLC’s situation: a band of copyright scofflaws cloned WorldCat’s hard-earned data, gave it away for free, and then ignored OCLC when it sued them in this Court. But mindful that bad facts sometimes make bad law, the Court requests that an Ohio court intervene before this Court makes any new state tort, contract, property, or criminal law.
The Court resolves to CERTIFY the novel Ohio-law issues identified above to the Supreme Court of Ohio. Plaintiff’s counsel and Matienzo’s counsel are ORDERED to propose an order containing all the information Ohio Supreme Court Practice Rule 9. 02 requires by April 11, 2025. The parties may file their proposed orders separately, or, if they so choose, they may file one joint proposed order. The Court will finalize a certification order afterward.
OCLC’s motion for default judgment is DENIED without prejudice.
See Lammert v. Auto-Owners (Mut. ) Ins.,
286 F. Supp. 3d 919, 928-29 (M. D. Tenn. 2017) (adopting this same dispositio…

My protest signage improved at this week’s #TeslaTakedown

My protest signage improved at this week’s #TeslaTakedown

My protest sign for the #TeslaTakedown today.
I’m a long way from a career change to graphic design or protest communications, but this week was a definite improvement.
About a half dozen people asked for pictures of my sign.
That’s a good signal, so I’m including instructions below on printing and making one yourself.
It was another windy, gloomy day at the
Easton Tesla store
, but the number of people increased from
last Saturday
.
One organizer said between 450 and 500 people, which seemed about right to me.
It was just a little more than we had last week.
The weather forecast for next week is about 15 degrees warmer, so it will be interesting to see if the families with young children come out again like on
March 8th
.
The entertainment definitely improved.
Someone set up an amplified acoustic guitar and a microphone, and people took turns singing.
We marched two laps around the block, and there were many more honks and cheers from the cars driving by.
Promptly at 5:30, the organizers walked around and asked people to leave to be respectful of the Columbus police dialogue team that had been called out for what was advertised as a one hour protest.
That seemed reasonable.
This week’s protest sign
My protest sign at the #TeslaTakedown.
Back to basics, I thought.
People are driving by quickly, so too much text won’t be read.
So this was the idea.
Set the context: «Our GOVERNMENT was FINE.»
Deliver the punchline: «Now it is MUSKed UP!»
Clear call-to-action: «FIRE ELON!» (in a flaming font, nonetheless)
And that seemed to work.
Refer to the
March 8th blog post
for instructions on creating the sign.
If you want one too, I’ve uploaded the
6-page PDF of page tiles
to make the sign.
When you print them, line them up with three on top and three on the bottom.
Then, trim the bottom and right edges of each page.
For the two right-most pages, there will be a lot of extra, unused space to cut off, and there are crop marks you can use to trim at just the right spot.
There are a few millimeters of overlap between pages, so your trimming doesn’t have to be exact.
Then line up the pages and tape them to a poster board (or, as in my case, a recycled campaign yard sign.)
This is set up to make a 26″ by 16″ sign — the exact dimensions of a typical campaign yard sign!
Ping me on
Mastodon
or
Bluesky
if you use it, and include a picture if you’d like!
So now that I’ve shown improvement week-by-week, I need to figure out how to step up my game for next Saturday…

Issue 113: More on Copyright and Foundational AI Models

Issue 113: More on Copyright and Foundational AI Models

Two years ago this month, I wrote a
DLTJ Thursday Threads
article on the
copyright implications of foundational AI models
.
A lot has happened in those 24 months.
This issue mostly focuses on lawsuits, plus an announcement of a service offering image generation from licensed content.
These articles highlight the growing tension between content creators and technology companies as AI technologies increasingly rely on large datasets that include licensed and, in some instances, pirated content.
From late 2023, the
New York Times sues OpenAI and Microsoft
for alleged copyright infringement in AI training (with late-breaking update).
U.S. judge partially favors OpenAI while
permitting unfair competition claim
in authors’ copyright lawsuit in this ruling from early 2024.
Last month Thomson Reuters
wins landmark U.S. AI copyright case
, potentially establishing a legal precedent.
Microsoft
guarantees legal protection for Copilot users
from copyright lawsuits.
Meta’s training of its AI with pirated LibGen books
sparks legal and ethical debate
.
Nvidia denies copyright infringement
in the use of shadow libraries for AI training.
Getty Images launched an
AI image generator
using its licensed library in 2023.
This Week I Learned
: «But where is everybody?!?» — the origins of Fermi’s Paradox
This week’s cat
Also on DLTJ this past week:
In OCLC v Anna’s Archive, New/Novel Issues Sent to State Court
: The case of OCLC against Anna’s Archive, accused of “data scraping” from OCLC’s WorldCat, takes a turn as the U.S. District Court for the Southern District of Ohio decides to certify several “novel and unsettled” legal questions to the Supreme Court of Ohio.
My protest signage improved at this week’s #TeslaTakedown
: My improved sign said «Our GOVERNMENT was fine. Now it is MUSKed UP! FIRE ELON!» Read the post for instructions on printing your own copy of this protest sign.
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
New York Times sues OpenAI and Microsoft for alleged copyright infringement in AI training
The New York Times sued OpenAI and Microsoft on Wednesday over the tech companies’ use of its copyrighted articles to train their artificial intelligence technology, joining a growing wave of opposition to the tech industry’s using creative work without paying for it or getting permission. OpenAI and Microsoft used “millions” of Times articles to help build their tech, which is now extremely lucrative and directly competes with the Times’s own services, the newspaper’s lawyers wrote in a complaint filed in federal court in Manhattan.
—
New York Times sues OpenAI, Microsoft for using ar…

Holy cow—did the people show up for today’s #TeslaTakedown!

Holy cow—did the people show up for today’s #TeslaTakedown!

I don’t know how many there were at the protest today in front of the
Easton Tesla store
, but for the first time we covered all four corners of the intersection.
I think there were at least 600 people…maybe more.
Some observations:
The weather was good—windy, but warm—and the families with young children did come out again. But there were just MORE people there overall.
This week I recognized more cars making a circuit around the block. More people honking with thumbs up, turning around, then coming back again. I don’t remember seeing that on past Saturdays.
There were more Tesla sedans driving by that I remember seeing in the past. Quite possibly, they were just making the circuit around the block, too.
I’m starting to recognize familiar faces at each protest.
There was no live music this time, but that was okay because there was definitely more noise from the sidewalks and more energy in the air.
The Proud Boys made noise about coming in counter-protest, but I didn’t see them.
One of the event marshals said they were there early, but the police effectively separated them. As the panorama picture shows, though, we had all four corners covered and we were raucous.
This week’s protest sign
This week’s #TeslaTakedown protest sign.
I went off-script this week with a sign about the political nonsense we have at the moment.
It is a play on the phrase «The call is coming from inside the house!» — a play on a
famous movie trope
where the police tell the person in a home that they have traced the antagonist’s call to that home.
In this case, the danger to democracy is coming from
inside the Whitehouse!
Or, at least, that is what I was aiming for.
This sign probably only get’s one week’s use; let’s hope by next week, one or more people on this sign are fired because of the released of what sure looks like classified information on a Signal group chat.
If you want to use this 26″ by 16″ sign for yourself, I’ve made it
available for download
.
Ping me on
Mastodon
or
Bluesky
if you use it, and include a picture if you’d like!
My protest sign at the #TeslaTakedown.

Issue 114: Digital Privacy

Issue 114: Digital Privacy

This week’s
DLTJ Thursday Threads
looks at digital privacy concerns from the commercial perspective.
I think next week’s article will be a summary of recent happenings with government surveillance activities.
Late last month, Amazon launched Alexa+, and with it a flurry of privacy concerns. Why? Because
Amazon now mandates cloud uploads
to process Echo voice commands.
Using the technologies already in buildings, employers can monitor employee activities,
raising privacy concerns
.
Last year the FTC released a report that, while surprising no one, exposed the
extensive data collection
by social media platforms.
Speaking of collecting personal data, all of it ends up in databases of various sorts, and
Fiverr freelancers use tools made for law enforcement and insurance companies
to sell access to anyone.
This Week I Learned
: We started capitalizing the pronoun «I» to distinguish it from similarly typset letters.
This week’s cat
Also on DLTJ since the last newsletter was published:
Holy cow—did the people show up for today’s #TeslaTakedown!
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
With Alexa+ launch, Amazon mandates cloud uploads for Echo voice recordings
Amazon has disabled two key privacy features in its Alexa smart speakers, in a push to introduce artificial intelligence-powered “agentic capabilities” and turn a profit from the popular devices. Starting today (March 28), Alexa devices will send all audio recordings to the cloud for processing, and choosing not to save these recordings will disable personalisation features.
—
Everything you say to an Alexa speaker will be sent to Amazon
, The Conversation, 28-Mar-2025
Starting a few weeks ago, Amazon required Echo users to send all voice recordings to its cloud, eliminating a privacy feature that allowed for local processing.
This change coincides with the rollout of Alexa+, a subscription service that enhances the voice assistant’s capabilities, including recognizing individual users through a feature called Voice ID.
Users who previously opted out of sending recordings will find their devices’ Voice ID functionality disabled.
Amazon justifies this move by stating that the processing power of its cloud is necessary for the new generative AI features.
Privacy concerns anyone?
Especially given Amazon’s history of mismanaging voice recordings and allowing employees to listen to them for training purposes.
The company has previously faced penalties for storing children’s recordings indefinitely and has been involved in legal cases regarding the use of Alexa recordings in criminal trials.
Surprise, surprise: this shift would appear to prioritize t…

My Public Archive of Protest Signs

My Public Archive of Protest Signs

Formerly just
#TeslaTakedown protest
signs, this post is now more general — protest signs against the growing authoritarianism that Donald Trump is trying to normalize.
For all except the two at the bottom, I’ve included a link where you can download a PDF to print your own.
Please use these if you’d like; if you want to give me something in exchange, just tag me on
Mastodon
or
Bluesky
so I know how far these have spread.
Also, Marc Lee from
Free Protest Signs
reached out on Bluesky to let me know about his website of signs.
If you don’t like something below, maybe one of his will suit your mood!
Respect My Authoritah!
Respect My Authoritah!
protest sign, first used on 14-Jun-2025
Of the two signs that I’m bringing to the
#NoKingsInAmerica protest
, this is the snarky one.
Trump’s attitude and actions in the ICE raid protests in Los Angeles and elsewhere reminded me of Eric Cartman from South Park screaming, »
Respect My Authoritah!
»
Download
and print your own 26″ by 16″ version of this sign.
Three Branches
Three Branches
protest sign, first used on 14-Jun-2025
I’ve had this one in my protest design document for a while, and now seems like a very good time to make it real.
The U.S. Constitution lays out three branches of government, and right now we are seeing inaction (the legislature), abuse (the executive), and under siege (the judicial).
We need the legislature to step up, support the judiciary, and tell the executive to knock it off.
Download
and print your own 26″ by 16″ version of this sign.
Dictators Hold Parades
Dictators Hold Parades
protest sign, first used on 14-Jun-2025
My daughter was listening to
a story from
The Daily
from the New York Times and shouted out, «that’s my sign!»
The guest had been talking about how Trump’s parade in Washington, DC, is un-American and something that dictatorships do.
A little photo searching and editing later…this sign was born.
Download
and print your own 26″ by 16″ version of this sign.
All of the ABOVE!
All of the ABOVE!
protest sign, first used on 26-Apr-2025
The meanness, the illegality, the stupidity…it is all more than I thought possible and it is certainly not what deserve from our government.
And it is not just one of these attributes, but all of them coming from all of this administration’s elected, confirmed, and senior leaders.
Download
and print your own 26″ by 16″ version of this sign.
Elected Assholes
Elected Assholes
protest sign, not used by the author
This crap is well past getting out of hand, and I wanted a sign that reflected that.
The government—in my name as one of its citizens—is deporting people without due process?
It is bullying foreign leaders in the Oval Office?
It is recklessly dismantling medical research, food safety programs, and environmental controls?
This doesn’t represent my values, nor—I’d wager—the values of most of the country.
The focus group (my family members) weren’t a fan of the unnecessary c…

Issue 115: Public and Private Camera Networks

Issue 115: Public and Private Camera Networks

After
last week’s issue on digital privacy
, I thought I’d focus this week on government-sponsored or -enabled surveillance.
As I dug through my store of saved articles, though, I realized I had quite a number of a particular kind of surveillance: camera networks.
These are often municipal-sponsored systems of license plate readers, but there are also networks of private systems—and, of course, attempts to combine the output of all of these networks.
So that is the focus of this week’s
Thursday Threads
issue:
An investigation by a newspaper editor highlights privacy concerns and legal challenges in rural
Virginia’s use of license plate reading cameras
. (2025)
Debate over the privacy concerns and legal challenges of license plate readers is nothing new, as
this 2012 article shows
.
What happens when you put equipment not meant for the internet onto the internet? A security flaw in Motorola’s automated license-plate-recognition systems
exposes real-time vehicle data and video feeds online
. (2025)
A license plate reader in every tow truck? Privacy concerns of a
private surveillance network of 9 billion license plate scans
enable widespread vehicle tracking. (2019)
Similar to «the call is coming from inside the house», the surveillance is coming from inside your community. Privacy concerns emerge as
HOAs nationwide install Flock Safety’s license plate readers
, facilitating police surveillance. (2023)
How about we network all of these cameras together?
AI-powered surveillance system
spurs privacy concerns as adoption grows in U.S. (2023)
If we’ve got to have this tech, we might as well have some fun with it.
Artist’s Traffic Cam Photobooth
sparks controversy and cease-and-desist over creative use of NYC traffic cameras. (2024)
This Week I Learned
: The word «scapegoat» was coined in a 1530 translation of the bible.
This week’s cat
Also on DLTJ since the last newsletter was published:
My Public Archive of #TeslaTakedown Protest Signs
. Print one off and take it to
your
next protest.
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Privacy Concerns and Legal Challenges in Rural Virginia’s Use of License Plate Reading Cameras
The research for State of Surveillance showed that you can’t drive anywhere without going through a town, city or county that’s using public surveillance of some kind, mostly license plate reading cameras. I wondered how often I might be captured on camera just driving around to meet my reporters. Would the data over time display patterns that would make my behavior predictable to anyone looking at it? So I took a daylong drive across Cardinal Country and asked 15 law e…

Issue 116: Government Surveillance

Issue 116: Government Surveillance

After
DTLJ Thursday Threads
issues on
digital privacy
and
surveillance camera systems
, I’m focusing this week on the more general topic of government-sponsored or -enabled surveillance.
In an era defined by ubiquitous data collection and ever-advancing technologies, the line between public safety and individual privacy is growing alarmingly thin.
From President Trump’s executive order to dismantle inter-agency “data silos” and Elon Musk’s DOGE initiative weaving federal databases together, to Oracle co-founder Larry Ellison’s vision of AI-powered cameras and drones monitoring citizens, the U.S. surveillance apparatus is expanding at breakneck speed.
Meanwhile, programs like the Pentagon’s “Locomotive”—which turns innocuous dating-app location pings into real-time tracking tools—and the data broker–driven sharing of driving and personal records with law enforcement underscore how private and public interests have converged to create a modern panopticon.
So that is the focus of this week’s
Thursday Threads
issue:
Trump’s executive order dismantling government data silos and Musk-led DOGE initiative fuel
fears of a U.S. surveillance state
.
More details about how
DOGE is building an Immigrant Surveillance Database
with Social Security and IRS Data.
In cases where the government doesn’t already have the data,
spy agencies want to centralize commercial data purchases
in a new one-stop portal.
1984 is here and some people want it:
Oracle’s Larry Ellison
proposes Orwellian AI camera-and-drone surveillance network, stoking privacy fears.
LexisNexis parent Relx
lobbies against data broker restrictions
amid FISA Section 702 reauthorization clash.
Dating app location data powers
Pentagon’s “Locomotive” program
to track phones worldwide
Apple sues U.K. government
over a secret order for backdoor access to encrypted data on phones, and it removes the Advanced Data Protection from U.K. market rather than giving in.
This Week I Learned
: «Leeroy Jenkins!!!!» was staged
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these types of stories,
follow me on
Mastodon
where I post the bookmarks I save. Comments and tips, as always, are welcome.
Trump’s Executive Order and Musk-Led DOGE Initiative Fuel Fears of a U.S. Surveillance State
In March, President Trump issued an executive order aiming to eliminate the data silos that keep everything separate. Historically, much of the data collected by the government had been heavily compartmentalized and secured; even for those legally authorized to see sensitive data, requesting access for use by another government agency is typically a painful process that requires justifying what you need, why you need it, and proving that it is used for those purposes only. Not so under Trump. This is a per…

Issue 117: Local Government Surveillance

Issue 117: Local Government Surveillance

After previous
DTLJ Thursday Threads
issues on
digital privacy
,
surveillance camera systems
, and
federal government systems
, I’m focusing this week on what is happening at the local level—mainly in policing.
This closes this loop on surveillance by coming back around to local activity — although it takes an unexpected jump back to the national level with a story published last month.
Law enforcement surveillance has dramatically evolved, influenced by cutting-edge technology and controversial practices.
This thread of stories highlights the complexities and ethical challenges arising from deploying these advancements.
From the sophisticated smartphone tracking tools like Fog Reveal to the spidering data collection activities of Flock’s AI-powered license plate readers, these stories underscore the growing tensions between public safety objectives and personal privacy rights.
So that is the focus of this week’s
Thursday Threads
issue:
In 2022, we learned of a
local police surveillance called Fog Reveal
that pinpointed mobile phones and de-anonymized users.
Two years later,
they were still at it
—this time asking police to augment Fog Reveal’s data to include information about doctor visits. (2024)
NYPD has
multi-million dollar contracts with controversial surveillance firms
that scrape social media and post fake users to get surveillance engagement. (2023)
Advances in surveillance technology mean we’ve seen the unchecked growth of
Real-Time Crime Centers
across America. (2023)
Police and other public officials have special protections from data brokers, and
West Virginia officers sue Whitepages
over unlawful info disclosure. (2024)
Here’s the recent national twist on local law enforcement surveillance:
ICE’s covert use of Flock’s AI camera network
for immigration enforcement. (2025)
This Week I Learned
: Ammonium chloride may be the 6th basic taste
Before we start…it is important to call out what is happening in the United States.
The Trump administration is using modern-day authoritarian tactics to frighten citizens into accepting a new normal.
I am more angry at what my national leaders have done than I am frightened, and I hope you will express your outrage, too, at a
No Kings in America protest this weekend
.
These are drafts of the two signs I’ll be waving:
In light of Elon Musk stepping back from a public role in the administration, I’ll retitle my
#TeslaTakedown protest sign blog post
(although, in keeping with cool-URLs-don’t-change practice, it is at the same web link) and will be adding these two signs when they are finalized.
You are welcome to visit that post to download printable versions of these signs or any other ones that I’ve made.
Feel free to send this newsletter to others you think might be interested in the topics. If you are not already subscribed to
DLTJ’s Thursday Threads
, visit the
sign-up page
.
If you would like a more raw and immediate version of these t…

Falmouth Reads Together 2026

Falmouth Reads Together 2026

2026 Falmouth Reads Together
We are excited to announce that this years town wide read is
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
by Robin Wall Kimmerer.
Stop by the library to pick up a copy beginning Friday, January 16th, read or listen to it
online
, and join one of our community programs!
Check out our amazing and growing lineup of related programs here!
The post
Falmouth Reads Together 2026
appeared first on
Falmouth Public Library
.

Puzzlement and Praxis in the Academic Library: Critically Reimagining Collection Practices with S…

Puzzlement and Praxis in the Academic Library: Critically Reimagining Collection Practices with Students

In Brief
This article mobilizes critical librarianship and critical/decolonial pedagogical strategies for disrupting and reconceiving collection practices in academic libraries. The authors—an academic librarian and a curriculum/pedagogy professor—argue that librarians can contend with the political tensions that underlie their collection management practices by actively questioning—or puzzling—with students and opening up library collections to students. The authors (a) highlight how undergraduate students were invited to engage with their library’s collection management
practices, (b) discuss examples of student-curated collections from a recent initiative, and (c) consider how the initiative informs current and future possibilities for student involvement in library work and knowledge management. In opening up the library collections to students, this work decenters the librarian-as-expert paradigm while also illustrating both the challenges and possibilities of demystifying and shifting our approach to information science.
By
Sarah Keener
and
Cee Carter
Introduction: Storying our Everyday Puzzlements
Figure 1
Several Student-Curated Featured Collections on the Library Shelf
When writing this article, Sarah Keener (she/her) was the library director for a small, rural college in the northeast. She’s had one foot in education and academia and the other in outdoor and hands-on trades for the entirety of her working life. This duality influences her interdisciplinary and expeditionary approach to the academic library, an approach that has also been shaped by the years she spent as a middle school teacher, school librarian, craft educator and student, and coach. As a white educator in a remote area that is socioeconomically diverse but predominantly white, the persistent sense of discomfort and uncertainty she confronts in this role arises largely from her inevitable participation in oppressive practices and colonial systems, and from the uneven power dynamics that seem inherent to being a teacher of any kind. This question, to paraphrase Maluski and Bruce (2022), has become central to her work and mission in education:
What is my role in dismantling oppressive practices?
Cee Carter is a fifth-generation Black woman educator and an Assistant Professor at the University of Vermont. Her previous work as a middle school educator and non-profit educational leader exposed the larger political economy of race that facilitates educational investments for reform. That is, how race is leveraged for policy intervention and profit in public education. In response, her scholarly work aims to shift normative curricular and pedagogical practices (Sykes, 2011)—asking more of how we construct and pursue our conceptions of justice in the era of neoliberal public education reform (Carter, 2024). A question that animates her educational inquiry is:
Ho…

Towards a Librarianship of the Future: Fostering Cultural Adaptation to Climate Change

Towards a Librarianship of the Future: Fostering Cultural Adaptation to Climate Change

In Brief
The field of library science is paying increasing attention to anthropogenic climate change by exploring best practices for mitigating damage from environmental disasters and participating in climate action. This work is valuable, but it does not necessarily take on the cultural dimensions of climate adaptation. How are unquestioned ideas about time and decay supporting the carbon-heavy preservation of archival materials? How can libraries promote interspecies kinship, consider the legacy of industrial colonialism, and acknowledge the emotional impact of environmental destruction? To approach these questions, this article introduces thinkers from the environmental humanities and Anthropocene scholarship and applies their work to the field of library science. It explores alternatives to linear concepts of time, affective materiality of archival objects, palliative death ethics, and Indigenous perspectives of climate change as the legacy of industrial colonialism. The article concludes by suggesting ways that institutions can promote cultural adaptation to climate change.
By
Nora Zahn
Introduction
Novelist Ursula K. Le Guin begins her 1985 epic,
Always Coming Home,
with a brief chapter titled “Towards an Archaeology of the Future.”
1
The most likely intention is not to promote new standards to modernize the field of archaeology (“towards an archaeology
for
the future”), nor is it to envision or influence what archaeological practice may look like decades or centuries from now (“towards a
future archaeology”
). Rather, the book is a fictional ethnography of a people living in what we know as California’s Napa Valley thousands of years from the present day. What Le Guin likely means by the phrase is the most grammatically simple yet conceptually brain-melting interpretation: to replace the past with the future as the object of archaeological study. She is telling us to turn our heads and look in the opposite direction.
The dissonance of studying the ruins of a society that doesn’t yet exist is apt for approaching the Anthropocene, the Earth’s current, unofficial geological epoch characterized by the ecosystem-altering impact of
Homo sapiens
and resulting planetary disruptions.
2
Since the term was coined in the early 2000s, scholars from various academic disciplines have considered its implications as a framework that elevates human behavior to the level of worldshifting ecological events.
3
One such discipline is the environmental humanities, a field that emphasizes narrative and culture in approaching environmental challenges. Through an interdisciplinary lens combining the political, anthropological, literary, and/or philosophical, the field is united by the belief that humans and nature are intertwined. The environmental humanities welcomes traditionally excluded or undervalued perspectives into the discourse, with a particular openness to…

Investigating the “Feeling Rules” of Generative AI and Imagining Alternative Futures

Investigating the “Feeling Rules” of Generative AI and Imagining Alternative Futures

In Brief
Since the public debut of ChatGPT in November 2022, the calls for librarians to adopt and promote generative AI (GenAI) technologies and to teach “AI literacy” have become part of everyday work life. For instruction librarians with reservations about encouraging widespread GenAI use, these calls have become harder to sidestep as GenAI technologies are rapidly integrated into search tools of all types, including those that libraries pay to access. In this article, I explore the dissonance between, on the one hand, instruction librarians’ pedagogical goals and professional values and, on the other, the capacities, limitations, and costs of GenAI tools. Examining discourse on GenAI and AI literacy, I pay particular attention to messages we hear about the appropriate ways to think and feel about GenAI. These “feeling rules” often stand in the way of honest and constructive dialogue and collective decision making. Ultimately, I consider work from within and outside librarianship that offers another view: that we can slow down, look honestly at GenAI capacities and harms, take seriously the choice some librarians may make to limit their GenAI use, and collectively explore the kinds of futures we want for our libraries, our students, fellow educators, and ourselves.
By
Andrea Baer
At the April 2025 Association of College & Research Libraries Conference, academic library workers gathered in person and online to explore the theme “Democratizing Knowledge + Access + Opportunity.” Before sessions about how to integrate generative AI (GenAI) tools into essential public services like teaching and research services, sociologist and professor of African American Studies Ruha Benjamin offered the opening keynote. Articulating the resonance of the conference theme for her, Benjamin reflected, “One way to understand the stakes of this conference, … why it’s so vital that we work in earnest to democratize knowledge, access, and opportunity at a moment when powerful forces are working overtime to monopolize, control, and ration these social goods, is that this is a battle over who gets to own the future, which is also a battle over who gets to think their own thoughts, who gets to speak and express themselves freely, and ultimately who gets to create” (Benjamin, 2025). Noting that technologies are never neutral but rather reflect “the values or lack thereof of their creators,” Benjamin drew a connection between current attacks on libraries and higher education and a category of technology that was prominent throughout the conference program: artificial intelligence. “[I]t should give us pause,” she asserted, “that some of the same people hyping AI as the solution to all of our problems are often the ones causing those problems to begin with.” Applause followed.
Though Benjamin did not name the prominence of AI across conference sessions, I was probably not the …

Book Club Pláticas: Reflexiones on Culturally-centered Methodologies

Book Club Pláticas: Reflexiones on Culturally-centered Methodologies

In Brief
In spring 2024, two Latinx colleagues at California State University, East Bay, developed a pilot program focused around hosting a book club which has evolved into a larger exploration of plática methodology. This article explores culturally sustaining co-curricular collaborations and spaces on a university campus through the use of book club pláticas and PRAXISioner reflexiones (Reyes, 2021). The authors reflect on their roles as PRAXISioners, plática as methodology and practice, and engage on the value of self-sustaining practices as Latine educators.
By
Daisy Muralles
and
Vanessa Varko Fontana
“This pedagogy makes oppression and its causes objects of reflection by the oppressed, and from that reflection will come their necessary engagement in the struggle for their liberation. And in the struggle this pedagogy will be made and remade.”
Paulo Freire (1921-1997)
Introduction
In spring 2024, we took a popular model often used in American libraries, the book club, and added a cultural and community-building lens as part of that experience. In this article, we will share how we came to this work as PRAXISioners, and the barriers we aim to break down through our collaborative work. We will also describe how our collaboration on the book club project acted as a vehicle to hold culturally informed pláticas and what they looked like; and, finally, we also reflect on how this work allows us the space to come together with our own experiences as teachers and learners. The book club gave us an opportunity to explore the works of Latine scholars and authors, to engage in pláticas, allowing us to dive into new concepts and ideas about our culture that we had not discussed before–the unnamed things that somehow we understood as being part of our cultural identities but were not always sure of where they came from or why they existed. Throughout this article we will use the gender-inclusive “Latine” in place of the plural Latinx or Latina or Latino or Latin@, or its many variations. Created by feminist and nonbinary communities in both Latin America and the United States in the 2000s, Latine aims to describe all people, not just men or women (Guzmán, 2023).
We hope readers will walk away knowing the importance of culturally-sustaining co-curricular programs. We hope readers feel empowered to lean into their cultural-sustaining pedagogies to inform practices that are by and for BIPOC communities. We hope to inspire or mostly affirm for librarians who are already doing this cultural work, that this is important work for ourselves, our students, and campus communities.
Some of the content of this article was originally presented as, “Praxisioners Platicando: Fostering Belonging Through Culturally Centered Learning,” for Case Studies In Critical Pedagogy hosted by the Metropolitan New York Library Council (Muralles & Varko Fontana, 2024). The “Case Studies in Critical Pedag…

Going around in Circles: Interrogating Librarians’ Spheres of Concern, Influence, and Control

Going around in Circles: Interrogating Librarians’ Spheres of Concern, Influence, and Control

In Brief: The practice placing one’s anxieties into circles of concern, influence, and control can be found in philosophy, psychology, and self-help literature. It is a means of cultivating agency and preventing needless rumination. For librarians, however, it is often at odds with a profession that expects continuous expansion of responsibilities. To reconcile this conflict, it is useful to look back at the original intent of this model, assess the present library landscape through its lens, and imagine a future in which library workers truly feel in control of their vocation.
By
Jordan Moore
Introduction
It is a beautiful experience when you discover something that reorients your entire outlook on life. This happened to me during one of my first therapy sessions after being diagnosed with Generalized Anxiety Disorder. My therapist gave me a piece of paper and a pencil and instructed me to draw a large circle. Next, they told me to imagine that circle was full of everything I was anxious about, all the real and hypothetical problems that stressed me out. We labeled that circle “concern.” Then, they asked me to draw a much smaller circle in the middle of it. I would say it was one-tenth the size of the first circle. “That” they said, “represents what you can control.”
Figure 1: My first model
I felt disheartened while looking at that picture, as if it spelled out a grave diagnosis. The second circle was already so small, and I could have sworn it was even tinier when I looked back at the page and compared it to the first circle. Then, we began to populate the circle of control with what was in my power to determine – how much sleep I got, how often I reached out to loved ones, how many hours I spent doomscrolling, and so on. Finally, my therapist asked, “How much time do you spend thinking about things in the outer circle?” If I didn’t answer 100%, the number was close. They tapped a finger on the inner circle and, in the way that therapists often phrase advice as a question, asked “What if you concentrated on what is in your control instead?” What if indeed.
That conversation occurred over a decade ago. Since then, I have grown accustomed to categorizing my anxieties into ones of concern or control. If something is weighing on me, but is outside of my circle of control, I do my best not to ruminate on it, or at least redirect my thoughts back to what I, as a single person, can do. I try to devote most of my energy to practices that keep me in good health and good spirits. This has done wonders for my mental health. It has also proven beneficial in my professional life, keeping me focused on the aspects of my job that fulfill me. It has become so integral to my way of thinking that I have even discussed the concept (and the context I learned it from) at work. Naturally, I was at first hesitant to bring “therapy talk” into work. However, it h…

Interest Convergence, Intersectionality, and Counter-Storytelling: Critical Race Theory as Practi…

Interest Convergence, Intersectionality, and Counter-Storytelling: Critical Race Theory as Practice in Scholarly Communications Librarianship

In Brief:
Despite the ever-increasing presence of diversity, equity, and inclusion (DEI) rhetoric in librarianship, library workers who are Black, Indigenous, and people of color (BIPOC) are still underrepresented and marginalized. Critical race theory (CRT) offers the tools necessary to understand why the underlying racial power dynamics of our profession remain unchanged and to generate new ideas to move toward true equity and inclusion. This article presents applications of the theoretical frameworks of interest convergence, intersectionality, and counter-storytelling to the authors’ work with users and to our collegial relationships. As scholarly communications and information policy specialists of color at a predominantly white academic library, these three frameworks inform how we teach about scholarly practices, such as copyright and citation, as well as how we analyze and educate about the open access landscape. We also argue that a critical race theory lens can provide useful analytical tools to inform practice in other types of libraries and different kinds of library work, and encourage all library workers to engage with it as they seek meaningful change in their work settings and the profession more broadly.
By
Maria Mejia
and
Anastasia Chiu
Introduction
As scholarly communications practitioners of color located in an academic library of a predominantly white
[1]
institution (PWI), we find that critical race theory serves as a cornerstone for how we relate to each other and to the profession. Multiple theoretical frameworks in this movement give name and shape to our approaches and to the racialized phenomena that we seek to resist. The themes of counter-storytelling, intersectionality, and a problematized approach to interest convergence speak most closely to the ways in which we practice CRT in our relationships and our work. We are members of a department consisting entirely of librarians who are Black, Indigenous, and people of color—a somewhat uncommon occurrence in our PWI and in librarianship more broadly—and this dynamic has shaped our CRT-informed practice. Collectively, as a department, we seek to set our own terms around what it means to be a good library worker and a good colleague. We work together to advocate for communities that are systematically excluded in scholarship and librarianship because our librarianship is for those communities. Yet, we must also contend with the fact that our institution’s support for this work is mainly a matter of interest convergence. To paraphrase Derrick Bell (1980), PWIs value and promote racial progress and racial justice work only insofar as it serves their political interest to do so. In our case, our institution benefits from the optics of our intersectionality as a woman and a non-binary person of color, taking on the labor of b…

AAPI Representation in Graphic Novels

AAPI Representation in Graphic Novels

By Kat Kan, MLS
Asian American Pacific Islander (AAPI) Heritage Month is observed every May. This year, I felt it was more important than ever to celebrate and uphold our cultures in the face of overt racism and actual physical attacks upon people of Asian and Pacific Islander descent, which occurred throughout 2020 and have continued into 2021. Specifically, I want to focus on the positive impact AAPI comics creators have made with the books they’ve published.
When I started thinking about AAPI contributors to the world of comics, a flood of names came quickly to my mind: Stan Sakai, Gene Luen Yang, Lynda Barry, Mariko Tamaki, Jillian Tamaki, Amy Chu, Greg Pak, Rina Ayuyang, Mari Naomi, Derek Kirk Kim, Fred Chao, Amy Chu, Kazu Kibuishi, Kean Soo, Robin Ha, Trung Le Nguyen. I was inspired to search further and uncovered a lot of information that was new to me.
But before I share details about the individual lives and contributions of AAPI authors and artists, I’d like to provide a little history. In the 19
th
and 20
th
centuries, Asian Americans found themselves the unfortunate targets of virulent stereotyping and scapegoating, in a way that parallels what we’re seeing today. But whereas the current animosity stems largely from the COVID pandemic, which originated in China, a different set of circumstances influenced anti-AAPI sentiment of generations past.
Source: familysearch.org
Chinese people first started coming to the United States in large numbers during the 1850s to work as laborers in mines, farms, and on fishing boats, and to help build railroad tracks in the American West. From the beginning, White Americans resented these foreign laborers. By the 1870s, newspapers were carrying stories about the “Yellow Peril.” Laws were passed—especially the Chinese Exclusion Act of 1882—to restrict Chinese immigrants’ civil rights, access to education, ability to work, and even freedom to express their culture. This act was the first federal law targeted to restrict the rights of a specific ethnic group.
At about this same time, sugar plantation owners in Hawaii began to entice the Japanese to come to Hawai’i and work on their plantations. Some of those Japanese workers later left Hawai’i and traveled to the West Coast. Some took to farming the very poor quality land that Americans were all too glad to sell, until they saw how the Japanese started using their farming methods to produce bountiful crops. Those who stayed in Hawaii started families; some—including Hideichi Takane, my husband’s maternal grandfather— undertook unionizing efforts to improve their working conditions. Predictably, this was met with resistance from the plantation owners. My grandfather actually had to hide in the jungle to avoid being arrested or killed.
Source: NPR.org
When the Japanese Imperial military bombed Pearl Harbor on December 7, 1941, many Americans turned their rage at the attack towards all Japanese Americans, i…