500 Hats

the gardener’s hat

the gardener’s hat

Wearing my volunteer’s hat, I am currently helping a colleague at a local school evaluate the collection and weeding all its sections in preparation for a major refurbishment later this year. At the moment all the shelves are cram-jammed full of books, many of which haven’t really seen the light of day since they were first placed there!  (You can tell because they are obviously unopened, are yellowing, have unused date due slips, have an “old book’ smell about them, in many cases a publication date of more than 20 years ago and it takes strong fingers to prise them from their neighbours.)
Unlike a lot of teacher librarians, I have no problems disposing of books and, working on the philosophy that if they are not good enough for our students then they’re not good enough for others – a view shared by my colleague – the recycling hopper is gradually being fed.
But many have an emotional connection to books in print and find it difficult to throw them away, particularly if they are still in a reasonable condition.  It is almost like it is sacrilegious for a librarian to do such a thing.  Yet, we are quite happy to dispose of food that is past its use-by date, discard clothing that is no longer a good fit and even dig up plants that are growing in the wrong place in the garden in the name of “weeding”.
Not being prepared to put on our gardener’s hat is doing our clientele a disservice for unless we regularly appraise and evaluate the collection, the shelves just become more and more tightly packed, giving easy access to nothing rather than everything.  While non fiction seems to get a regular workover because information changes and we can’t expose our students to that which is out-of-date, how often do we turn our attention to our fiction collections – both novels and picture books? Many of the novels I’ve culled in the last few days were on the shelves when I first began my TL career 23 years ago; some were even around when I began my teaching career 47 years ago!  A quick check of the item’s record showed that if something had been borrowed at all, then it was done back in the 90s, so clearly there was unlikely to be a revival of its popularity.  Added to that, children’s reading habits and expectations have changed – now they prefer characters who represent their generation and at the very least, expect them to have access to the internet and a mobile phone (unless it is genuine historical fiction). Life has changed significantly in the last 30 years since the introduction of the World Wide Web and young readers expect this to be reflected in their reading materials.
Picture books are different, particularly those written for a young audience, because the themes of those are usually timeless, although there is a growing trend amongst authors to embed a message of either social or environmental significance within the plot, and so it is the battered and bruised of that format that generally find their way to the com…

the “I’m here” hat

the “I’m here” hat

This post is being written as the world is gripped by the COVID-19 pandemic and in the blink of an eye, schools, while technically still open in Australia, have switched to a remote-learning model that is based on the availability of and access to technology.
Like those they teach, teachers have as many issues with learning to use new platforms, programs, apps and so forth and for many the learning curve has been steeper than that of the spread of the virus itself.  They are being bombarded from all sides with new demands and expectations from the government, the education authority, the principal, the parents, the students as well as trying to convert the curriculum to a totally new format; deal with copyright issues; source resources; deal with
digital safety and privacy issues
and so on and on through an endless list.
And that doesn’t factor in all the other variables that students and their families are dealing with… or, indeed, the teachers themselves. We cannot go behind the closed doors to see what privileges and obstacles there are – just know that they are many, unique and important to the individual.
And, somewhere, in the midst of the mayhem, is the teacher librarian.
In a setting where, under ordinary circumstances, their role is often neither understood nor valued, the current climate has become overwhelming. And what could be construed as their time to shine as the information specialist supporting teachers with a range of things, can become a time of even greater invisibility. Some have even expressed a fear that their jobs will no longer be there when normality returns because with no resource circulation, no books to cover and no need to teach during teacher prep time what is their purpose? They don’t have their own Google classrooms or video hangouts or whatever method is being used to connect with students so why waste a salary that could be spent on other stuff?
Yet this could be the brightest spotlight we have ever been in, for although we might not be teaching directly, we can still wear our teacher’s hat, using it not as being the ‘sage on the stage’ model which many see as the definition of ‘teacher’, but to draw on our underlying, fundamental knowledge of the development of the child, best-practice pedagogies matched to learning styles, and the span of the curriculum to evaluate and share all that we are being bombarded with so it becomes a targeted approach to support classroom-based teachers on their new journey, rather than scattergun, For example…
publishers have now offered exemptions so stories can be read online to students provided
certain conditions
are followed so teachers need to know these
in Australia the NCU has collated information about
copyright
in these times so share this with the teaching staff and save them the time of hunting it out for themselves (assuming they are even aware it exists)
many
subscription services
are offering free access for a limited time so investig…

the newbie hat

the newbie hat

Your TL degree is so new and shiny that the dust hasn’t had time to settle on its frame yet, but in a few short weeks you are going to be stepping into your dream job – the one you’ve been thinking of for years and have undertaken hundreds of hours of gruelling study to achieve.
Yet even though you might have excelled in your assignments and learned that being a TL is so much more than being a reading expert and circulating books, where you once thought you had this thing mastered, suddenly your brain is empty and you’re wondering where on earth you start.  There just seems so much to do, and that you want to do but where to begin?
Firstly, go back to your initial learning about information literacy and recall the work of
Carol Kuhlthau
who examined the affective domain of taking on a new research task. (If you’re not familiar with her work, then that should be your first professional learning task because it will give you great insight into how students feel and respond.)  Understand and accept that the feelings of being uncertain and overwhelmed are natural and common, take a deep breath and
be kind
to yourself.
Information Search Process
One of the reasons that we do feel as though we’ve just hit a wall is because we have so many ideas that the starting point is not clear. This is the time for clarity of thought and action and the best way is to break the task down into immediate, short, mid and long term goals.  Time management is critical and
Stephen Covey’s Habit 3
of putting first things first is a very useful mantra., as is his matrix for managing tasks.
Time Management Quadrant
Learn to ask yourself these questions…
Does this need to be done now or can it wait?
Is it more important than what I am doing right now?
If I don’t do it now, will that have an impact on other tasks that must be done?
Is it more important that the other things I have planned for today?
Will doing this help me achieve what needs to be done in the short, medium and long-term?
Does it require my time and attention or can I delegate?
If it helps, document the tasks you need to do and the ones you want to do so you don’t forget and when it comes time to develop
a strategic plan
to develop and manage the library’s growth all those big ideas are not forgotten or overlooked.
But first things first… what is it that needs to be in place before the first staff and students come through the door on Day 1?
There are two different scenarios – are you moving into an established library or are you starting a brand new one – but the tasks merge very quickly. If it is an established library, see if there has been anything left for you from the previous TL; if it is a new library then you have a clean slate and will have a little more to do. But the focus is the same – having a facility that is up and running efficiently as soon as possible.
people
Relationships are the most critical part of the job and the impression you make first up will be the lastin…

the first week hat

the first week hat

What does your first week of “library lessons” look like?
Have you programmed the usual round of sessions where students are reminded of where to find things, how to borrow them, how to look after them and how to behave? Another barrage of I-talk-you-listen  Another barrage of white noise that confirms their belief that the library is a place for downtime for them?
Or have you planned something to stimulate their thinking and reflecting on what they know, where they talk and you listen and together you build an anticipation and excitement for the year ahead?
Thirty years ago, in
Mathematics Education for a Changing World
,, Stephen S. Willoughby identified that by Year 6 what was taught to students was 38% new and 62% was revision of what was already known and it was not until Year 9  that the “new” outweighed the known. This raises serious issues about motivation, attention levels and zest for learning. So if for six years or more, students come to the library in that first week and hear what they have always heard, then they will do what they always do – tune out, see little value in the library and what it offers, and join the majority of students who,
Miller
discovered,  saw reading anything as just an imposed means to an end.
Yet those first sessions could be so much more.  They could be an opportunity to build the platform for the rest of the year so that library time, particularly if it covers teacher preparation time, becomes meaningful, dynamic, productive and anticipated.
In the series
All You Need to Teach Information Literacy
that Macmillan Education commissioned me to write some years ago, I started each year level’s units with one that focused on the students reflecting on what they already knew about libraries to encourage both students and the teacher librarian to consider what still needed to be learned and to build their programs on that.
By using opened-ended questions and whatever format suits the age group (class discussion; think, pair share; individual written responses) students can identify and share their knowledge and understandings so the TL can ensure that their forthcoming learning was new, challenging and productive.
For ease of organisation, I’ve sorted the focus questions into year levels but they are designed to be mixed and matched according to circumstances (and avoid repetition)..
Kindergarten
What is a library?
Who can use the library?
What sorts of things can you find there?
What sorts of things can you do there?
Who is there to help you?
Year 1
What is your favourite part of the library?
Can you usually find what you are looking for?
If you wanted a book about … where would you find it?
Do you understand why some things are found here and others there?
How do you borrow something you want to take home?
How do you look after it when it is at home?
Is borrowing a book the only thing you can do in this library?
Year 2
What do you know about our school library?
What do you think …

the safe harbour hat

the safe harbour hat

As children of the 50s my brother and I knew what a safe harbour meant, literally.
Growing up in a small port town, we would roam the beaches, the rocks and the wharves until the tide or the weather turned or it got dark. The chances of us getting into strife were minimal as all the while we were supervised by invisible eyes all of which knew us and our parents and grandparents.
I was Queen of all I could see….
But times have moved on and not all children have that same carefree childhood.  Too many students have so many impediments in their lives that the routine of going to school is their one security, although sadly for a number it is school itself that is the impediment.
Across the globe and the generations libraries have been a safe haven for those in need, and the school library is no different,  How many stories do we hear in which the teller refers to seeking sanctuary in the library during breaks in the school day?  How many times does a teacher librarian state that the library’s role as a safe harbour is one of its key functions?
However, is it enough to offer just a safe physical environment for those seeking refuge, or is there more we can do to reach out to these students?
the invisibility cloak
Many students try to be invisible at school.  If they blend into the background then perhaps the tormentors and the demons won’t find them and they can be safe for a little while.
But being invisible is not a natural part of the human condition. In a recent hospital stay, as sick as I was, I still found a natural need to be more than someone’s case study, more than the patient in Bed 2, more than another face on a pillow, or body in a bed. Even though I had something rare and life-threatening, I needed to be Barbara, a unique individual who had something to say and something to offer. So I found myself telling people that I had been a teacher for 50 years; that I lived in the peace of the bush and the noise and busyness of the city hospital was overwhelming; that my mum was a pioneer for female journalists… anything that might strike up a conversation and a relationship that took me beyond invisibility and anonymity.
And so it needs to be with those who choose the library as their safe place, because our self-esteem and self-worth are inextricably entwined with our sense of belonging, the belief that we matter to others and their perception of us (or what we believe it to be.) So, even some thing as simple as saying, “Good morning, Jemima” (where knowing and using the student’s name is critical) has a sub-text that tells Jemima that
she is worthy enough for you to acknowledge her presence
she matters enough to you that you have made an effort to recognise her, know her name and use it
her struggles are recognised and you have acknowledged her courage in coming to school today even though that might have been very difficult for her
That, in itself, might be the reason she comes to school again tomorrow.
going…

the educate-advocate hat

the educate-advocate hat

Sadly, there are still many teachers and PTB who view the teacher librarian’s role as the reading expert and the keeper of the books. Despite all the years of advocacy – something no other professional has to do to justify their daily existence – those in high places (including government, education authorities and schools) are yet to learn that there is a reason that to be a teacher librarian entails a post-graduate qualification, involves specialist knowledge and is so much more than their childhood recollections of a place filled with books.
The key issue seems to be a lack of understanding of the role of the modern TL in the support of teaching and learning stemming from the days of the introduction of affordable, reliable internet access and the mistaken belief that “everything can be found on the internet” coupled with the perpetuated myth that the TL’s main role is to do with reading and the circulation of books. As I have said so many times in the past 25+ years as a TL (and 53 as a teacher) TLs are NOT “English teachers on steroids” yet so many continue to present themselves as such. While we have a role in supporting the leisure reading of our students , our primary role is enabling them to navigate, and evaluate information in all its formats, and then interpreting this to form their own viewpoints, inform their choices and create new information. Thus, despite over 30 years of trying to change perceptions, including a Federal Inquiry into our role here in Australia, the fight continues and we must do all that we can, including sharing planning that puts the emphasis on that primary information literacy role to show what it is we can do. IMO, as long as we continue to put reading and books as the primary focus we will always be seen as the “keeper of the books” by those who hole the purse strings and fewer and fewer teachers and students will experience the benefits that a fully0informed, qualified TL can bring to the table.
So now, at the beginning of the school year when we are planning what students will do during their time with us, we have the best opportunity to use our programming skills to show how we can contribute to both the teaching and learning outcomes of the school in a purposeful, meaningful and wide-reaching way. To educate and advocate.
Recently, a NSW colleague Emily G. Williams generously shared her Term 1 program for her year 3-4 students with a wider audience so others could have a starting point for theirs. With Emily’s permission, this is what she offered…
OVERVIEW:
The beginning of the term will be spent refamiliarising ourselves with the library, its contents, expectations and borrowing needs. Students will participate in a QR code scavenger hunt for library orientation.  The rest of the term students will be engaged in picture books from the Premier’s Reading Challenge based on Australian environments (to support their classroom unit Earth’s Environment). Students will wr…

the rules-and-regs hat

the rules-and-regs hat

Over the past couple of weeks there have been two significant events in school libraries in Australia – the start of the school year and Library Lovers’ Day. And because the two can be linked directly, they present great teaching opportunities that can be solidly supported by outcomes from the Australian Curriculum, thus underpinning the
Educate-Advocate Hat.
From conversations on several TL networks, it seems that many TLs use the first weeks of the school year to set the rules for the library.  Rules which pertain to behaviour, circulation, the care of the resources and the other things required to have a smooth operation.
From other conversations on those same networks, to celebrate Library Lovers’ Day on February 14, many also asked their staff and students what they loved about their library, seeking affirmation of the role they do and the environment they provide. A common theme emerged from those heart-shaped affirmations – that of the library being a calm, peaceful
safe harbour
.
So, what if we combined those two concepts and started by asking the students what a safe harbour looks like to them?
If, as Stephen Covey suggests in
The 7 Habits of Highly Effective People
, we begin with “the end in mind”, and start with the premise that the library is seen as a safe haven and then work back from that to establish the behavioural expectations and personal responsibilities that would make it what everyone seems to want it? So that the “rules” are not imposed by an authority figure but developed co-operatively and collaboratively by those expected to follow them?
Under the self-management element of the
Personal and Social Capability
strand of the Australian Curriculum V9 , even foundation students are required to “co-create goals to assist learning when working independently or collaboratively” and so, such an approach can be the start of being able to do this.
Many TLs are showing classes the Bluey episode (
ABC iview, Season 2, Episode 30
) in which Bluey and Bingo are playing “library” together until their cousin Muffin arrives and causes chaos, thus offering an opening big-picture question of “Why do we need rules?” This, in turn, will help students understand that if there is to be a safe haven then there needs to be certain consistencies to ensure that things work for everyone. Having established the need for some rules, the discussion can then move to more specific questions relating to the sorts of things students expect to be able to do in the library, and then their suggestions for the sort of behaviours that will enable those things to happen. For example, they might say, “We like to read quietly.”  So ask them how they could make sure this could happen. However,  instead of accepting “Don’t talk”, have them express this in a way that reinforces the positive behaviour expected – “Use a quiet voice when you speak.”
While older students will be familiar with the school’s behavioural expectations and …

the do-we-do-Dewey hat

the do-we-do-Dewey hat

To Dewey or not to Dewey?  Or even modify or simplify this scheme developed by American librarian Melvil Dewey in the late 19th  century that is still used in libraries around the world today.
In an age where there is a belief that “everything is available on the internet” so non fiction print collections are being discarded at worst, and reduced at best, this is a question that has vexed teacher librarians, particularly, for some time.  Even with the access to records that are already catalogued and just there to be downloaded through service like the Australian
Schools Catalogue Information Service
(SCIS) so that time that was spent on original cataloguing can be used for other essential tasks, there are still those who grapple with this issue.
There are some who feel that it is not a problem because their non fiction collections are so small that finding what is required is easy, but it bothers me that non fiction collections have shrunk so much particularly in the primary school. Others say that they have just completed post-grad tertiary studies and didn’t consult a print non fiction text once, perhaps forgetting that they had sophisticated search skills that littlies don’t, and one would have to question whether that is a reasonable reason to deprive students of access to their first source of information after asking their parents.
Some years ago, lead by publishers such as Dorling Kindersley and Usborne, the format of non fiction became much more user-friendly particularly for young readers, and today, publishers have this age group firmly in mind because they understand that
not everything is available on the internet
what is there is not necessarily aimed at the curious minds of the very young and so is not accessible to them
not all young readers have easy access to internet-enabled devices and don’t have the knowledge or skills to search for what they want
young readers get as much from looking at the illustrations as they do from reading the text and so an attractive, graphic-laden layout is essential
young readers like to look, think and return to the same topic or title over and over and the static nature of a print resource allows this
that not everyone prefers to read from a screen, that print is the preferred medium of many, and there is research that shows that many prefer to print onscreen articles so they can absorb them better
that
research
by people like Dr Barbara Combes shows that screen-reading and information -seeking on the internet requires a different set of skills and those most able are those with a strong foundation built on the traditional skills developed through print
young readers need support to navigate texts so they offer contents pages, indices, glossaries and a host of other cues and clues that allow and encourage the development of information literacy skills, and again, the static nature of a book enables the young reader to flip between pages more easily
the price of…

the music hat

https://www.youtube.com/embed/4nMUr8Rt2AI?si=I_Gndlm_q1D7xPKb

the music hat

Sadly, many of our colleagues in less-enlightened schools are asked to take responsibility for teaching a particular strand of the curriculum during their time with students, often in that time when they are covering teacher preparation and planning time.  And while that can be a way to embed the information literacy skills that are an integral aspect of each strand of the
Australian Curriculum
, often the teaching and learning becomes a content-building exercise and tends to be limited to subjects like Science, Geography, History or Humanities and Social Sciences, or in some cases covers the broader elements of the General Capabilities and Cross-Curriculum Priorities and those Key Learning Areas become the stand that the hat is pinned on.
But what if we looked at some of the other strands, like Music for example? How can we cover the intended outcomes while enriching the students’ knowledge of and appreciation for literature, showing them that in real life some things have no artificial boundaries?
Yes, we can get students to research the lives of various musicians or investigate the instruments of the orchestra.  But maybe there is a broader brush we can use.  What if we took this poem by Bo Burnham and changed the last line to “Must be music!” And then got them involved in investigating how authors build the characters in their stories into credible beings that the reader cares enough about to want to read to the end of the story to see what happens to them.
Magic – Bo Burnham
In Prokofiev’s  classic
Peter and the Wolf
,
each character – Peter, his grandfather, the bird, the cat, the duck and the wolf, even the soldiers – is assigned an instrument of the orchestra which represents them as the story is told.  For instance, the bird is portrayed by the jaunty music of the piccolo, while the deep, slow notes of the bassoon signal Grandpa.  Using that as a starting point, why not have the students begin to look at characterisation in stories through a musical lens?
Take the poem and having become familiar with the sounds of the various instruments, what would they suggest as being the best to portray the shouting, the screaming, the whispering, or even the crotchety old man? How does the pitch, the tone, the speed and the volume of each instrument contribute to painting that visual picture through sound?
Share Roald Dahl’s description of The BFG walking down Sophie’s street, doing something suspicious at each window, or another piece of description about a familiar character. What sort of music would suit the action and what instrument would make it?
When they are reading about their favourite character what music do they hear in their head? If the story is about a giant or a dragon or a fairy, or a group of children sneaking through the bush, what instrument and type of music do they associate with each? Which characters that they already know would be best suited being represented by the violin, for example, and what w…