the gardener’s hat
Wearing my volunteer’s hat, I am currently helping a colleague at a local school evaluate the collection and weeding all its sections in preparation for a major refurbishment later this year. At the moment all the shelves are cram-jammed full of books, many of which haven’t really seen the light of day since they were first placed there! (You can tell because they are obviously unopened, are yellowing, have unused date due slips, have an “old book’ smell about them, in many cases a publication date of more than 20 years ago and it takes strong fingers to prise them from their neighbours.)
Unlike a lot of teacher librarians, I have no problems disposing of books and, working on the philosophy that if they are not good enough for our students then they’re not good enough for others – a view shared by my colleague – the recycling hopper is gradually being fed.
But many have an emotional connection to books in print and find it difficult to throw them away, particularly if they are still in a reasonable condition. It is almost like it is sacrilegious for a librarian to do such a thing. Yet, we are quite happy to dispose of food that is past its use-by date, discard clothing that is no longer a good fit and even dig up plants that are growing in the wrong place in the garden in the name of “weeding”.
Not being prepared to put on our gardener’s hat is doing our clientele a disservice for unless we regularly appraise and evaluate the collection, the shelves just become more and more tightly packed, giving easy access to nothing rather than everything. While non fiction seems to get a regular workover because information changes and we can’t expose our students to that which is out-of-date, how often do we turn our attention to our fiction collections – both novels and picture books? Many of the novels I’ve culled in the last few days were on the shelves when I first began my TL career 23 years ago; some were even around when I began my teaching career 47 years ago! A quick check of the item’s record showed that if something had been borrowed at all, then it was done back in the 90s, so clearly there was unlikely to be a revival of its popularity. Added to that, children’s reading habits and expectations have changed – now they prefer characters who represent their generation and at the very least, expect them to have access to the internet and a mobile phone (unless it is genuine historical fiction). Life has changed significantly in the last 30 years since the introduction of the World Wide Web and young readers expect this to be reflected in their reading materials.
Picture books are different, particularly those written for a young audience, because the themes of those are usually timeless, although there is a growing trend amongst authors to embed a message of either social or environmental significance within the plot, and so it is the battered and bruised of that format that generally find their way to the com…
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